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Slylock Fox, 1/15/07

This has to count as one of the most frankly sexual newspaper comics I’ve ever seen. I neither expect nor at any level want to see red-hot mouse-on-mouse action in Slylock Fox, but in a medium that tippy-toes around the love life of three healthy single women in Manhattan and goes to excruciatingly unrealistic lengths to protect Elizabeth Patterson’s virtue, the matter-of-fact presentation of Max “visiting” Melody in the middle of the night — and of the two of them obviously being woken up by Slylock’s frenzied late-night call — is kind of shocking.

This sidekick business is clearly no cakewalk; clearly, Max must be forced to carry a beeper around with him, or to give his vulpine boss the phone number of all his lady friends’ houses. Either that, or he’s only cultivated his relationship with Melody because he knows she lives across the street from a fence. As soon as the stolen goods are recovered, Max is moving on, leaving a tiny broken heart in his wake.

For Better Or For Worse, 1/15/07

In my policy of trying to find the bright side of everything, I’m really enjoying Liz’s verbal humiliation at the hands of her Mtigwakian supposed friends. As I’ve noted earlier, the Noble Natives of the North may have been intended as a heavy-handed bit of ethnography, but they have ended up being the only people in Foobonia allowed to frankly call Liz on her crap. Not that I endorse the overarching “stick with your own kind” message here, but wrapping up “Girl, she stole your man! Snap!” in some kind of mystical “spirit journey” hokum is pretty hilarious to me.

I think we all know that Liz doesn’t have to worry about guidance. Her journey is like a cruise missile, zeroing in on The Mustache at an unstoppable rate.

Antifoobitarianism is spreading to the Webocmic world, by the way. Check out these recent offerings from Crap I Drew On My Lunch Break and Shortpacked!

Dick Tracy, 1/15/07

Boy, Dick Tracy is getting soft. Dick actually looks kind of concerned that he may have accidentally destroyed a man’s mind while engaging in pointless plot-stalling exposition. It takes mustachioed industrialist Diet Smith to supply the appropriate level of callousness. “Now, Tracy, this man is my employee, and when he signed his contract, he waived his right to sue or press charges over accidental brain erasure. Don’t worry, I’ll make sure the empty shell of his body is disposed of with some degree of dignity.”

The phrase “he spilled his thought beans” makes me uncomfortable on a number of levels.

Mary Worth, 12/15/07

Not only is Mary Worth honest-to-God going to Vietnam, but she’s managed to go from decision to airborne in less than a week. Meanwhile, she’s still having disturbing dreams. I’m guessing that “Hanoi … Peace Village” has something to do with this, but it’d be so much cooler if it were actually the site of the Communist mind-control lab where Mary was brainwashed forty years ago. It’d play out like The Manchurian Candidate, with Mary playing the part of both Frank Sinatra and Angela Lansbury.

At first I was jealous that Mary was flying in some kind of magical airplane with wide, comfortable seats and several inches of elbow room between neighbors, but then I realized where that extra space came from: there doesn’t appear to be any aisle. Presumably once the plane reaches Vietnamese airspace, the bottom of the plane will open up and the passengers will be dropped onto their destination.

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Apartment 3-G, 1/14/07

Well, now we know how Eric Mills has managed to claw his way to the top of New York’s ultracompetitve art world. Suckers spend all their time carefully wooing temperamental geniuses in the hopes that they’ll create another Guernica, another Thinker, a work that will make their reputation echo down the ages. Eric instead finds some moderately talented striver, then dangles the prospect of fame in front of her eyes and orders her to churn out paintings by the gross. He seeks nothing less than to be the Wal-Mart of the art world, complete with slave labor. I’m guessing the “gallery” where Lu Ann’s masterpieces will be displayed is a conference room in a Holiday Inn on the New Jersey Turnpike, and that the ad copy for the “show” will rely heavily on the phrase “starving artist quality at starving artist prices.”

Spider-Man, 1/14/07

In a particularly egregious Sunday-weekday comics coloring mismatch, Saturday’s Caucasian Gay Pirate Porn Star has suddenly been replaced by today’s African-American Actor Who Is Classically Trained But Can Nevertheless Only Find Work As A Cheesy Doo-Rag-Wearing Criminal, circa 1993.

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Spider-Man, 1/13/07

The secret fear of anyone in a profession that might be broadly labeled as “helpful” is that they’ll do such a good job that they’ll be rendered obsolete. For instance, for my non-comics-mocking job, I for the most part edit material written by and for computer programmers; deep down, I worry that my skillful and helpful suggestions will eventually sink in, and the geeks of the world will soon be sending grammatical, well structured, easy-to-read prose to publishers worldwide, rendering my services superfluous; this is why I’m trying to milk as much cash from the comics gig as I can. Police officers presumably fret that one day they’ll eliminate all crime everywhere, freeing up tax dollars to go towards city-subsidized public bocce courts. Perhaps this is why cops turn corrupt: it’s actually part of their union rules, so that there’s always crime to fight.

For superheroes, it’s not cash at stake, since any one of them could make big money on the sideshow circuit; rather, it’s their intrinsic sense of self-worth. Spider-Man’s own ego is pretty shaky: he plummets into a pointless pit of hypermacho self-loathing every time he realizes that his wife makes more than he does. Thus, it should come as no surprise that he positively revels in Los Angeles’ sky-high crime rate as the only cure to his sense of existential despair. Sure, it’s apparently just some extra from a gay pirate porno film dabbling in a little purse snatching, but whiny whiny Peter Parker will take emotional validation from wherever he can get it.

Marvin, 1/13/07

Note to cartoonist everywhere: Most of the characters in your feature may just crap in their pants instead of into a toilet like civilized people, but doesn’t mean that you can repeatedly make jokes about it, OK? Just … just trust me on this. It’s not acceptable. God help us all if this spreads to the folks at the other end of the age spectrum in Gasoline Alley or Momma.

B.C., 1/13/07

OK, see, the first boomerang joke was mildly amusing. The second is loopy and weird, and sort of indicates that Johnny Hart has the idea of a boomerang sort of stuck in his mind like a bit of chicken between two teeth, and he’s idly working at it with his tongue, and we have to watch the results. And it’s a boomerang. Not something interesting and relevant and funny. A boomerang. Troubling.