It took me a while to figure out why the first two panels of this otherwise bland installment of Blondie looked so odd to me. Then I realized that, most of the time, people in Blondie are about the size of Dagwood and Alexander in panel three; panels one and two offer an unusual closeup view. Which is not to say that we’re given any more details or a better view of things in those panels. In fact — and remember, this is just my entirely uneducated first impression — one might get the impression that panels one and two started life as standard-perspective Blondie drawings that were then just magnified electronically, for unfathomable but presumably aesthetic reasons.
One might also point out, if one were unkind, that panels one and two are nearly identical to one another, with only a few lines tweaked. But to do so would be gauche.
Question for you: has anyone ever worn both an old-school letterman jacket and a jauntily angled backwards baseball cap as Alexander does here? Discuss.