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Blondie, 10/3/26

I know you can’t expect dreams to make actual narrative sense, but I think it’s OK to expect dreams that someone wrote and put into a linear storytelling form like a comic strip to make at least a certain degree of narrative sense. Like, in the first panel, I assumed this was going to be a classic boomer gripe about the kids today and their pumpkin spice lattes, which our heroic police are going to put an end to once and for all. But this cop handing Blondie a giant bag of pumpkin spice profits in the second panel certainly complicates things! I also find it upsetting that the anthropomorphic muffin vanishes between these two moments. Presumably the officer took it out back, murdered it with his prominently displayed gun, and then extracted its valuable spice content to reward Blondie for snitching.

Beetle Bailey, 10/3/26

Here’s a sentence I’ve never written or even thought before: I find the facial expressions in the second panel of today’s Beetle Bailey genuinely haunting. They aren’t looking on in lurid pleasure at the sex and violence on screen as you might expect: they look somber and deeply emotionally affected by what they’re watching. Yet the warning still drew them to the TV, like moths to a flame.