Comment of the Week

I'm really uncomfortable with the way Truck is breaking the fourth wall here. 'Are you this guy's father? You, the reader? Well, if I remember my Roland Barthes then, yes, indeed, you could be described as a metaphorical parent to both of us...’

Spunky The Wonder Squid

Post Content

Mary Worth, 10/12/06

Oh, come on now: You know you’ve all idly thought about faking your own death, if only to see how people would react at your funeral. I think if I were Aldo — whether I was looking down on this mortal coil from my new home on a fluffy white cloud, or very much alive and hiding in the bushes, chortling with glee — I would derive a great deal of satisfaction from the sudden case of the squirmies that has beset our fearsome foursome here. It’s all the more obvious and awkward for them, considering that they seem to make up half the funeral party.

Curtis, 10/12/06

Not that we should expect the average tweenager to have an elaborate life plan in place, but I’m somewhat disturbed by Curtis’ two potential scenarios for getting out of his parents’ tiny apartment: Either he can become economically independent and a contributing member of society, or he can … get married. Speaking as someone who married a homeowner, I say go down path number two, Curtis. It’s a lot easier.

Zippy the Pinhead, 10/12/06

You know, you can be irritated by a comic day after day, but then once in a while you’re reminded why you still read it. It’s been a long time since I’ve heard a put-down as succinct, forceful, and useful in any situation as “Clam up, noseface!” I intend to put it to good use in the not-so-distant future, believe you me.

Family Circus, 10/12/06

See, this is why I’d be such a lousy grandparent: My response would be, “I don’t know Dolly, is your song going to be any good?”

Post Content

For Better Or For Worse, 10/11/06

Is there anything grosser than Anthony harkening back to one of his and Liz’s furtive almost-certainly-didn’t-get-to-second-base teenage make-out sessions as Liz describes what it felt like being overwhelmed by the flood of memories of her near-rape? Well, maybe it’s the fact that just before said flood of memories arrive, we get that patented icky FBOFW close-up, where an ostensibly pretty girl looks like she’s been daubed with layers of makeup in preparation for a mall-studio glamor photo. Anyway, to summarize: Ew.

Dennis the Menace, 10/11/06

The first thing that entered my mind upon reading this strip, as I’m sure was true for all of you as well, was the immortal quatrain that concluded Ice Cube’s 1993 classic, “It Was A Good Day”:

Drunk as hell but no throwin up
Half way home and my pager still blowin up
Today I didn’t even have to use my A.K.
I got to say it was a good day

Ah, Dennis, so many opportunities for adventure your beeper opens up to you! All of which involve drugs. Because pretty much everyone other than drug dealers has gone in for cell phones now. Cell phones, Dennis the Menace scribes. Take a note. They’re like these little phones that you can take around with you wherever you go. Been pretty omnipresent since the late ’90s or so. No, no need to thank me.

As Dennis continues to be less and less menacing, his constant companion and foil has been consistently portrayed as even feebler in order to leave the impression that Dennis still has something of an edge. Has poor Joey ever looked readier for the short bus than he does here today?

Mark Trail, 10/11/06

People say that Jack Elrod can’t draw people very well. I say that never has the majestic American mullet been portrayed with the attention to detail and depth of feeling on display here.

I’m deeply intrigued by the suspense built up by the nonspecificity of “Are you thinking what I’m thinking? Yeah, let’s do it!” Here’s my idea for the missing fourth panel: Molly is wearing an adorable bonnet and drinking tea out of a tiny cup, sitting at an itty-bitty table with a bunch of stuffed animals, all of whom also have teacups in front of them. Orange Shirt and Mullet Head stand nearby, taking pictures for their novelty Web site and squealing in girlish delight.

Mary Worth, 10/11/06

Sometimes in a strip you see the gears begin to shift and new directions begin to open up, and you have to ask yourself if you’re willing to go down the new trails that are about to be forged. So if you’re wondering if I’ll still love Mary Worth if it becomes less about Mary meddling in the lives of others and more about Ian saying wildly inappropriate things sotto voce in delicate situations, the answer is: Yes. Yes I will.

Post Content

Apartment 3-G, 10/10/06

Even the visible-stage-direction-happy artists at Apartment 3-G can’t figure out a way to show that Lu Ann’s lips are moving as she reads Alan’s letter, so they’ve decided to just have her read it aloud to an empty room.

Ignoring Lu Ann’s tendency towards single noble tears, I’m sort of intrigued by the sentence structure of Alan’s missive. It could be read as “I hope it’s not too late to say, ‘I love you, Alan.'” Then, when she reads that part aloud, Alan could jump out of a closet and say “Ha ha, you do love me! You admit it! Sucker!” and head out to go have sex with one of his barely-legal art groupies, laughing all the way.

Mary Worth, 10/10/06

So, due to crappy coloring, it took me a minute to figure out what’s going on here: That little soliloquy in the second panel is of course emerging from Ian, and you can see the stem pointing from the word balloon at his big fat head just above Toby’s tresses. But somehow another balloon stem seems to be emerging from the tree upon which Wilbur is resting one of his hairy mitts. The effect implies that Dr. Cameron, failing to get his accomplices to join in with him in a four-part harmony of condescension, has chosen to co-bloviate with the local flora.

Mark Trail, 10/10/06

Wow, remember when this storyline was about poachers and tiger penises and Kelly Welly’s unquenchable sexual urges? Now it’s all about the wacky adventures of Molly, the lovable bear … with an nose for trouble! You just know she’s going to wander off and, I don’t know, maul a baby or something, and then not understand the hostility towards her, and then Mark will have to bail her out of trouble and everyone will laugh and say, “Ho, ho, that’s our Molly!” And then there will be scenes from next week’s episode, with special guest star Tim Conway. I’m totally OK with this change of focus, you understand, but I’d sort of like to be informed of when Kelly gets tired of Ranger Rick and casts him aside, a broken man.