Can Sam deal with a rush of so-called “emotions”?
Dick Tracy, 7/28/10
I have to admit that I enjoy Dick’s second panel dialogue: “His movies can be viewed in 3-D without glasses — thus his riches.” Part of it is that I of course wish that someone would use “thus his riches” to end a sentence outlining one of my achievements (“He created the #1 Mary Worth fan site on the Internet — thus his riches”). But I also just like the rhythm of it. I’d call it poetry, but poetry and the decadent so-called “artists” who produce it are loathed by Dick with a righteous passion.
I am a little disappointed by panel three, though; traditionally the strip never misses a chance to translate police jargon like “lifted” for the civilians in the audience.
Judge Parker, 7/28/10
At last we learn why Sam is so fond of Jules, despite his previous outrage over the young man having the sex relations with his adult daughter: he recognizes in him a kindred spirit, an artiste crushed by parental disapproval! The fact that Sam was forced into law when his true passion lay elsewhere might explains his overall emotional numbness and inability to love. He pushed his musical past down so deeply into his soul that this is apparently the first his own wife has heard about it, and he’s apparently required two beers just to work up the nerve to broach the subject.
Oh, look, Brad and Toni are going to a restaurant called Something Stone, or perhaps the Stone Somethingry, so named because the building that houses it is of stone construction. See, these are the things you focus on, to avoid thinking about the sex banter. Maybe all the food on the menu is made of stones! Ha ha! Then they’ll eat them and die, and the banter will stop.