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Crankshaft, 9/11/24

I’m delighted by Cayla’s puzzled look in panel one: “Somebody wants to talk to Les? Why?” But I’m deeply disturbed by the invasion of Crankshaft by Funky Winkerbean characters, locations, and themes, the way a parasitic snail consumes its host from within. I mean, if you’re going to end your comic strip why not, y’know, just end it?

I can certainly respect Team Crock for wanting to maintain the ol’ revenue stream, and genuinely admire the sleight of hand by which For Better or For Worse ducked mass cancellations by camouflaging its transformation into a zombie strip. But I can’t think of a reason for this Crankshaft takeover unless … unless … (in a whisper that seemed to swell menacingly like the first whisper of a rising wind) the intent all along was to terminate Crankshaft and keep Funky going.

Heathcliff, 9/11/24

Ah, but here’s some comic relief: at the slightest provocation, Heathcliff entertains murderous revenge fantasies about his owner! Although I guess that’s pretty much all cats; carry on.

Zits, 9/11/24

The Sara character always gets a pass in Zits: popular, caring, socially adept, blah blah blah, never the butt of the joke. But today’s strip gives the game away. Even people who talk this way don’t talk this way with confidantes, so Sara is using Jeremy as either a stooge or a mark. What, then, is her sinister plan? Pull a Snuffy Smith and take over Jeremy’s strip from within? Use Zits as a platform to invade some other strip like Les Moore is using Funky to insinuate his way into Crankshaft? Get adopted into wealth by Judge Parker‘s Abbey Spencer (with D’ijon as Sara’s Sassy Black Girlfriend)? Time will tell. In the meantime, Jeremy has a raisin up his nostril.

Rex Morgan, 9/11/24

Truck is intrigued: “These bicycles you speak of—one sits on them, does one not? Because, Parker, God gave me a gift. I sit. I sit very well.”

—Uncle Lumpy