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Blondie, 9/13/25

Blondie began in 1930, in a world now mostly alien to us, but it was originally a story about urban hipsters: a young woman who the artists imbued with every characteristic of trendy youth culture, and her beau, the slumming, dissolute scion of a wealthy family. You could see a scenario where the strip tried to stay true to those origins while updating to match the changing cultural specifics over the ensuing century. But that’s not how things actually work: instead, a strip’s readership ages and wants something different, and their creators age alongside them. That’s why Blondie in the year 2025 is your go-to for the pettiest boomer gripes about everyday suburban life imaginable, put into the mouths of characters who have completely forgotten that alien world and in their current form have never been cool a day in their lives.

Judge Parker, 9/13/25

Meanwhile, in Judge Parker, Neddy, who was never cool even when she was living in Los Angeles and trying to break into the entertainment industry, has returned home in failure and shame. Abbey has tried to soften the blow by turning their dining room into a simulacrum of a fast food restaurant so Neddy doesn’t feel trapped and isolated on the Spencer Farms compound, but the staff has been unable to reproduce the crispy-edged “smashburger” form so popular in LA, and Neddy is not having it.

Six Chix, 9/13/25

In a strip where people dry-hump sandwiches, the idea of ghostfucking seems frankly pretty tame. It’s like a Gothic novel! There are literary antecedents!