Crock’s bar for “whimsical” is set pretty low
Slylock Fox, 9/22/14
We’ve seen this courtroom drama before, and back then I was interested in the sad picture it painted of the animal justice system: the injured Slylock meekly giving his testimony, almost cringing as the bull and his sharp-toothed lawyer grin confidently, secure in the knowledge that this case is going their way despite the facts. Today I’m more intrigued by those facts, or at least the presentation of them here, and what they say about the post-animapocalytic world. Are we meant to understand that the Great Change altered so many things about the world’s bovines — not only making them sapient, but also transforming them from quadrupeds to bipeds and granting them front-facing stereo vision to boot — and yet still left them color blind? Moreover, how exactly did the entirely human urban legend about bulls being enraged by red come to be believed by animal-dom at large? Were images of bullfights perhaps used during the Bestial Revolution to rile up anti-human sentiment? At any rate, this provides more evidence that Slylock Fox takes place in the first generation of so of the post-human reality, as the animals are slowly learning about each other … and about themselves.
Congratulations, Crock: for a strip with exceptionally crude art, you’ve sure managed to pack a lot of deeply unsettling emotion in the face of the Legionnaire in the second panel here. Does Butt Stew contain meat from a butt, or stuff that came out of a butt, or something even more disturbing? You don’t want to know, but he wants to spend the whole rest of the afternoon grinning smugly about just how much you don’t want to know.
Apartment 3-G, 9/22/14
NO DON’T TAKE YOUR TIME GO VERY QUICKLY JESUS FUCKING CHRIST I CAN’T BELIEVE WE’RE GOING TO GET ANOTHER WEEK OF THIS STORYLINE