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Mary Worth, 4/12/17

Panel one of today’s Mary Worth is a great illustration of why I love Mary Worth and soap opera strips in general, which I realize makes me sound insane but isn’t it nice that we’ve all found each other, friends? Anyway, what makes it great is that it offers a deep dive into the midset of someone who’s deciding to sit down. “Hmm, I’ve been holding my body vertically and using my legs to move from place to place for some time … but what if I were to lower myself onto one of these pieces of furniture, which seem to have been explicitly designed for that purpose? Why, it seems obvious that I’d expend less energy that way, albeit at the price of remaining stationary for a limited period of time! What do I have to lose?”

Beetle Bailey, 4/12/17

The art in Beetle Bailey has always been, uh, let’s say deliberately simplistic. This means that Miss Buxley’s standard-issue Little Black Dress is actually just an excuse to draw an hourglass figure and then fill in most of it from neck to thighs with the paintcan tool in Photoshop. But for today’s joke (“joke”) to work (“work”), she needed to looks stunning. More stunning than usual. And so, in dedication to their craft (“craft”), the employees of Walker-Browne Amalgamated Humor Industries LLC have taught themselves to draw cleavage. Heroic efforts all around here!

Dick Tracy, 4/12/17

Meanwhile, over in Dick Tracy, there are, uh, two ladies named Margie, with ironic nicknames, and … the programs for the convention are here???? I will bring you more reports as this fraught situation develops.

Gil Thorp, 4/12/17

Oh God … her hand … with each high five it has absorbed the life force of the hands it strikes against … growing more powerful … larger … already it’s big enough to reach from her forehead to her sternum … and nothing can stop it … nothing … oh God it’s already too late