As a former library employee, first of all: How dare you
Daddy Daze, 4/7/21
A thing that irritates me and probably nobody else in storytelling is when the protagonist has to solve some central mystery and for most of the book/TV show/movie/whatever they’re the point-of-view character, with the audience learning new information when and how the protagonist learns it, but suddenly and abruptly we get a shift in perspective and see a scene that reveals vital information that the protagonist isn’t privy to! I complained about this online years ago in regards to North By Northwest, and I’ve noticed it recently in A Simple Favor and The Flight Attendant — all of which I enjoyed, to be clear, but I still find this specific aspect annoying!
Anyway, this isn’t quite the same thing, but to the extent that I enjoy the comic strip Daddy Daze, I enjoy it in terms of its own central mystery: do the Daddy Daze daddy and the Daddy Daze baby truly communicate in a secret language of bas, or is the daddy just in the throes of late-stage single parenting psychosis? Frankly, a strip in which the baby apparently successfully holds a conversation with his grandmother undermines that ambiguity. On the other hand, it’s possible that the baby just mashed his finger on the phone and babbled nonsense at it, and the daddy has once again made up an elaborate narrative to make sense out of this moment and his life that includes no interaction with adults for days at a time. His mother is none the wiser that any of this is going on in this scenario, and is no doubt better off for it.
Gil Thorp, 4/7/21
Meanwhile, in Gil Thorp, a guy had to go to the public library to use their computers, and had the same thought we all do whenever we go to a public library, which is “this library has too much money!” Words cannot describe how much more excited I am about a library drama storyline in Gil Thorp than a storyline about, like, sports, which no doubt tells you exactly what I think of Abel Brito’s dumb opinions.