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Barney Google and Snuffy Smith, 9/7/10

In all my years of reading the strip, I have encountered few scenes in Snuffy Smith more harrowing than panel two here. Lureen looks rightly terrified at the slavering mob of women who have assembled at the Gossip Fence, the traditional gathering place for female-oriented rituals in Hootin’ Holler. Little does she know that any woman who manages to successfully bed the hamlet’s most eligible bachelor is by iron custom torn to bits and devoured by all the other women in the town. This is how the community maintains its uniform hideousness: by weeding all the even vaguely attractive people out of the gene pool.

Archie, 9/7/10

Mr. Weatherbee, with his black shirt and white jacket, always seems to be waiting for an ’80s fashion revival that never arrives; today, he’s really attempting to force the issue by donning a piano tie. GIVE IT UP, MR. WEATHERBEE. IT’S NOT GOING TO HAPPEN.

Spider-Man, 9/7/10

I love the fact that Spider-Man, true to his intense laziness, just automatically associates computers with video games and nothing else. “Wait, you can use the keyboard-television for things that aren’t Farmville?”

Pluggers, 9/7/10

Seriously, pluggers are shockingly lazy and just straight up don’t give a rat’s ass about what you think.

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Mary Worth, 8/4/10

There are few things in this life that I enjoy more than Mary Worth’s version of squalor. Some great previous examples include Mary’s journey past the Charterstone gates into the hellscape of “downtown,” Vera’s sad post-disinheritance apartment, and Wilbur’s not-son’s hilariously run-down hovel. But Lonnie and Fred’s crash pad is pretty great too, with its combination of decay (crumbling plaster, torn curtains) and disregard (picture askew; pink curtains, black wall, and baby blue chair placed in close proximity). And of course Fred carries this slovenliness over to his own person, with his wispy combover and unbuttoned, untucked shirt. (At least his undershirt is tucked it; he’s not a monster.)

The question is: what exactly is the relationship between Lonnie and Fred? I would actually be thrilled if they were a couple, because it would strike a blow against the stereotype that all gay men are classy and well dressed and have an innate interior design sense. Some of them just drink off-brand beer right from a can, a can that they set down on their hideous end table without using any kind of coaster.

Archie, 8/4/10

What … what exactly is happening in panel three? Has Archie opened the door only to be killed by Leroy’s elaborate wind chime-based booby trap? Or is “He really enjoyed making wind chimes” the phrase that triggers his post-hypnotic suggestion? What we see is Archie’s own self-perception, as his consciousness falls down a rabbit hole of wind chime hallucinations; meanwhile, his body stands silently in the Lodges’ foyer, awaiting instructions to kill.

Jumble, 8/4/10

Wow, I’m pretty sure this is the only puzzle game in the newspaper that’s ever depicted a guy who may well be on the verge of being beaten to death in a dank alley somewhere. You don’t get this with Sudoku, kids!

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Archie, 7/23/10

You know, I actually feel kind of bad for Archie, here; his facial expression in the third panel, though partly masked by terrifying clown makeup, really is sort of heartbreaking. Archie’s a nice guy! He only wants the best for Veronica, at least when he doesn’t want the best for Betty! Why won’t Mr. Lodge love him, or at least treat him with grudging affection? With all the mean things Mr. Lodge has said to Archie’s face, you’d think there wouldn’t be anything he could say behind his back that would make Archie so upset, but there he is, looking like the saddest clown in Riverdale.

Archie, you don’t want this heartless plutocrat’s love! Look, he’s currently smugly reading his own autobiography, Me! Not that he wrote it himself, mind you; he passed that duty off to one of his minions, which is why the author photo is actually of the money he used to pay the ghostwriter.

Shoe, 7/23/10

The Inappropriate Goggle Eyes of Horror are one of my most favorite visual tics in Shoe; these occur when a Shoe character encounters a typical lame Shoe punchline and reacts with a facial expression more appropriate for someone who just heard news about a fresh round of genocide. It’s common enough that it’s actually sort of remarkable when you don’t see it, as you don’t here. What is the distinction between punchlines that elicit goggle-eyed horror and those that do not? They all seem equally tepid. Is Shoe’s desperate alcoholism just such a well-known part of his personality that nobody bothers to react to it? Or is the Perfesser even more numb to life’s horror than usual today?

Crock, 7/23/10

Well, I guess this week’s evidence is that Crock is just going to hurl headfirst into horror and nightmare. If they’re going to go that route, I wish they’d do a little fact-checking. For instance, generally speaking germs are used in germ warfare rather than chemical warfare.

Mary Worth, 7/23/10

Oh, God, please let the Oedipal Complex be one of the Freudian theories Mary disputes. “Tell me about your mother. She and I are probably about the same age. Do I resemble her … physically?”

To avoid having this conversation, Dr. Mike has clearly chosen suicide. In panel one, his face twists in pain as he plunges that pencil he was playing with into his gut; in panel two, his expression goes slack as he finally finds peace.