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Escape from the Kompound

Family Circus, 1/24/10

I’m pretty sure that the panels here have been both mislabelled and put in the wrong order. Our story begins in panel two, which is the moment when Mommy realizes that she needs to leave her kiddie-vomit-smeared life behind her, forever. In panel one, she wakes up alone in a single bed in some fleabag hotel, grateful to be forever free of her suffocating family. Among the responsibilities she’s left behind is hygeine, and in panel three her fellow elevator passengers take disapproving note of her noticable body odor. To her, that funk smells like freedom, sweet freedom.

Beetle Bailey, 1/24/10

The reasons why the soldiers of Camp Swampy would want to stand by and cheer as their seargant suffers physical pain should be obvious. But what’s with the rigamarole with his being ordered into the dentist chair? Does it serve any purpose other than to turn the perfectly servicable daily strip represented by the bottom row of panels into a Sunday strip? My guess is that odor of Sarge’s decaying teeth and putrefying gums was becoming so noticeable and distracting that his dental health had to be improved in the interest of maintaining unit cohesion.

Funky Winkerbean, 1/24/10

“Yeah, you kids today and your moral ambiguity! In our days, heroes were heroic, like Speedball, who’s named after an awesome combination of heroin and cocaine!”

Panels from Dennis the Menace, 1/24/10

Sorry, Dennis, the only way these lines might qualify as “menacing” would be if afterwards you headed down to the graveyard to find some well preserved corpse bits to piece together.

Panels from Rex Morgan, M.D., and Judge Parker, 1/24/10

Fun fact that newcomers to the soap opera comic scene might not know: Judge Parker and Rex Morgan have different artists, but are both written by the same guy, Woody Wilson. I’m assuming that his scripts for both strips today included prominent use of the phrase “ass crack.”

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