Post Content

Crock, 7/8/11

At first I thought that this might be a joke about the recent (2005 being “recent” on the geological timescale one needs to use to assess Crock) controversy over the Muhammed cartoons in Denmark. This would be shocking not merely for its relative pop culture relevance, but also because it would mean that the Crock creative team suddenly remembered that its characters are in fact in a Middle Eastern country. However, upon reflection, both those suppositions seemed extremely unlikely, so now I’m just going to assume that the Crock creators think that people often get riled up about political cartoons in modern day-to-day life, because that’s exactly the kind of out of touch that Crock is.

Apartment 3-G, 7/8/11

Palpably scheming Margo is of course the best kind of Margo, so I’m very eager to see what kind of money-making plan she comes up with for the under-renovation Mills Gallery. I’m thinking either “hollaback reverse harassment center, where New York women can come and pay money to sexually humiliate construction workers” or “stash house.”

Luann, 7/8/11

The sad thing is that Brad doesn’t really have the people skills necessary to be a good restroom attendant.

Herb and Jamaal, 7/8/11

Jamaal’s date is concerned that he may have the clap.

Post Content

Apartment 3-G, 7/3/11

Margo is smart enough to recognize what Lu Ann doesn’t: that the Linskis are an incestuous polyamorous collective. Paul is making things clear in the throwaway panel. “Lu Ann, feel free to enjoy yourself sexually with anyone else in our clan, but remember, I’m your primary partner!”

Panels from Barney Google and Snuffy Smith, 7/3/11

Ol’ Snuffy chuckles to himself while contemplating the fact that neither romance nor political change can happen in Hootin’ Holler without the threat of violence.

Post Content

Crock, 7/1/11

Do you think that the Crock creative team realizes that a timeshare is in fact a kind of real estate, and thus cannot be contained in a small box of the sort that our protagonist is attempting to offer to his desert god? It’s possible that the strip creators’ sense of time and space is permanently skewed: they may have long ago forgotten that the running gag about the hotboxes being spacious inside is indeed a running gag, and have come to believe that structures in the Crockiverse are simply dimensionally transcendental. This makes sense, as Crock is singularity from which no joy or humor can escape, and where the normal rules of existence simply don’t apply.

Mary Worth, 7/1/11

Mary Worth dialogue that bears no resemblance to any speech act that an even vaguely human creature would perpetrate is of course par for the course, but Liza’s line in panel two is really something else. Pretty much the only context I can imagine for “Despite what happened, I’m excited about my future for the first time!” is the end of a long televised show trial, right before the speaker, at whom a number of guns just off camera are pointing, is shipped off to a re-education camp.

Apartment 3-G, 7/1/11

“So I hope you’ll understand that I have to request that you and your brother Paul refrain from physical relations, as that would be disgusting.”