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Beetle Bailey, 11/12/10

I know I should be way, way past the point where I get discombobulated by arbitrary, contextless things happening in Beetle Bailey in order to set up a cheap laugh, but something about Donna here doesn’t strike me as right. Why does she have a “Donna” nameplate on her desk? Doesn’t the fact that Killer addresses her by name in the first panel establish her identity and adequately lay the groundwork for the hilarious URL-based punchline? Also, why is her desk empty but for a single tiny slip of paper, but she has two computers sitting uselessly on the shelf behind her? Is this to establish her “computer savvy,” since obviously anyone who knows how to create a terrifying “web-site” must be surrounded by advanced computer equipment at all times? This comic seems like what happened when the crew at Walker-Browne Amalgamated Humor Industries LLC heard the phrase “Internet dating” in passing and tried to extrapolate what that might mean without doing any further research.

One of the things that rings false about the appearance of Donna is that the Beetle Bailey is actually fairly stingy about the introduction of named characters, only bringing them in once a decade or so when some great shift in society seems to demand it. The last such character introduced was actually computer nerd Chip Gizmo, which leads me to believe that “Donna” is actually Chip in fairly impressive drag.

Judge Parker, 11/12/10

In the latest in a long series of Judge Parker storylines to focus on the problems of the wealthy and attractive, it seems that ex-Judge Parker is chafing at the confines of his extremely comfortable retirement and wants to go back to his old job of deciding who lives and who dies. But now that his son has been declared Judge Parker for Life in accordance with Spencerville law and traditions, how will he get back into the courtroom? Will he start a whisper campaign impugning his son’s heterosexuality? Or will he settle for his own syndicated judge show on daytime television, where he’ll get to berate and insult defendants unrestrained by the niceties of judicial ethics?

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Beetle Bailey, 11/4/10

The art in Beetle Bailey isn’t really “good” per se, but sometimes the characters’ faces are quite expressive in their stylized way. Today, Sarge in particular has this look of resignation slowly sliding into soul-wearing sadness, presumably due to his terribly fraught relationship with food, and I actually find it quite poignant. “Don’t mind me, I’m just going to sit here at my desk joylessly eating these indeterminate brown disks that have been sitting in my desk drawer for four hours, cramming them down my maw as I stare off into space, dying inside. See you in a few minutes! I hate myself!”

Family Circus, 11/4/10

On the other hand, the thought of Jeffy lying on the living room floor weeping ceaselessly while his mother talks on the phone and ignores him is something I find utterly hilarious.

Spider-Man, 11/4/10

Oh my goodness, Spider-Man is engaged in super-powered combat! Or at least he was, briefly, before being disabled by a swift whack to the thigh with a largish stick. “OWWW” indeed! Our hero has previously been brought low by some dude with a club, a butler with a lead pipe, and a brick, but all of those adversaries allowed him the dignity of swiftly disabling him by attacking him from behind. Mole Man, by contrast, just walked up to him and hit him in the leg. The Amazing Spider-Man!

Apartment 3-G, 11/4/10

Jokes on you, crazy taser lady! As was mentioned in passing six years ago and never explained since, the Apartment 3-G girls own your building, so you’ve just confessed your lease violation to your landlord! Tommie’s too wimpy to do anything about it, but she’s also incapable of keeping a secret from Margo — as soon as Margo makes eye contact with her, she’ll blurt out “CAT! MRS. BLOOM HAS A CAT!” — so you’d best take Prissy to Florida with you if you don’t want to find your furniture crushed into a cube and left on the curb when you get back.

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Archie, 11/3/10

So I think it’s important that we start asking ourselves what the deal is with Jughead and the homunculi. We all know that he keeps a tiny version of Archie, with its hands gruesomely removed, in his locker. Now we can see that a similarly stump-handed model of Jughead himself sits smiling on his bookshelf. Are these tiny figurines intended to represent the souls of Jughead and Archie? Does Jughead use them to manipulate their relationship, through ominous voodoo rituals? These are the sorts of questions that should be the root of the panic we see in Archie’s eyes in the final panel, but he appears to be more shocked that Jughead is working himself up into a frenzy by looking at hamburger porn on his laptop, when this ought not to come as a surprise to anybody.

Apartment 3-G, 11/3/10

Oh look, it’s Mrs. Bloom, aka the beloved crazy taser lady of six or eight storylines ago. Mrs. Bloom is excited about visiting her son in Florida, except she worries that she won’t be able to sneak her taser, which she’s nicknamed “Prissy,” onto the plane.

Beetle Bailey, 11/3/10

It appears that the Halftrack-bot needs a visit from the repair shop, because it’s disabled itself by humping the corner of its desk too vigorously.

Jumble, 11/3/10

As ever, I’m too lazy/dumb to actually do the Jumble, but I note that “IT’S ‘POISON'” fits nicely into the blanks of the answer and into the scene in the comic panel. Look at the ostentatiously casual way the waitress is checking out that customer out of the corner of her eye. Ha ha, that’s what you get for never leaving a tip, buddy!