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Blondie and Crock, 5/10/10

One of the defining features of legacy comic strips is of course their trapped-in-amber quality, which goes beyond just the characters’ archaic motivations and gender roles and goes right down to their homes’ decor. In fact, incidental details are even less likely to change than major points; Blondie might have started a business with much fanfare sometime in the ’90s, but the Bumsteads will apparently only have a single corded phone, sitting atop an early 20th century credenza in some out of-the-way location in the house, forever. (At least it’s a modern push-button model!) It’s such an ingrained part of the Blondie universe that I can’t decide if today’s strip is some kind of knowing wink to it, or just the logical extension of having the layout of chez Bumstead so burned into your brain that its anachronisms seems totally natural to you.

Crock, meanwhile, shockingly manages to be more in touch with modern reality today, in the sense that it acknowledges that phones untethered by wires do, in fact, exist. Of course, the strip artists seem to believe that you can create one merely by detaching the handset of a classic bakelite phone from its base, but hey, baby steps.

Apartment 3-G, 5/10/10

At long last, all distractions will be put aside and we’ll now enjoy unfettered A3G-girl-on-A3G-girl-on-A3G-girl action! Three will enter — how many will leave? I suppose this is supposed to be the first time Tommie has seen Margo since the latter’s spa vacation, but I prefer to believe that our redhead has taken to just groveling before Margo every time they encounter each other, to reduce the frequencies the beatings. “O Margo, our days were like nights without the warm glow of your sun! Please, do not remove your divine presence from us again, for we cannot stand the thought!” Meanwhile, Lu Ann has finally decided to face Margo’s tyranny head-on, the prospect of which fills Tommie with obvious terror. Lu Ann knows there’ll be bloodshed, which is why she’s prepared herself by putting on a butcher’s apron.

Mark Trail, 5/10/10

Sassy’s wide, haunted eyes in panel three don’t say “excited” to me so much as “my God, I’ve seen things no living thing should have to bear, and which you can’t even begin to imagine.” Oh, but we can imagine them, Sassy! We’ve seen panel two!

Pluggers, 5/10/10

Longtime Pluggers readers know that Reed Hoover is a relentless, unstoppable Pluggers-idea-submitting machine, whose name pops up in this feature with unsettling regularity. Thus, it comes as no real surprise that the Chief Plugger has just given up and gone on vacation for a week and handed the strip over to some classic Hooverisms. Reed is no doubt celebrating pretty mightily down there in Dallas, presumably by hiking his pants all the way up to his nipples.

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Blondie, 4/24/10

Why do cartoonists feel like they can’t say the actual names of products and companies in the comics? Today’s Blondie is fairly transparently referencing the “Flame” meat-scented body spray put out by Burger King. Are there trademark issues, or fears of lawsuits? Perhaps Blondie was hoping to reap product placement money from Burger King, and decided to go with this genercized reference only after the elaborate negotiations for that deal collapsed, which would explain why Dagwood is reading an article in the paper describing a product that was released nearly a year and a half ago.

Of course, this doesn’t get at the core horror of the strip. What foul meat-based sex perversions did Blondie agree to participate in on the Bumsteads’ tenth anniversary? Surely the barbecue sauce behind the ears (and whose ears?) were only the start of it. She’s still so ashamed all these years later that she won’t even make eye contact with her husband, or us.

Apartment 3-G, 4/24/10

“I mean, sure, wimps might think that having a crazy woman wave a gun in your face constitutes something bad happening in and of itself, but I say that so long as nobody gets shot, it’s just one of those moments of adrenaline-soaked terror that really make you feel alive, in the long run! Anyway, like I was saying I graduated from the school of bad choices — choices, like, say, throwing myself at a man who enabled his girlfriend’s pill habit and then had her bundled away to a mental hospital when she got too crazy. That’s good boyfriend material right there!”

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Pluggers, 4/15/10

Let us pause here for a moment to talk about Mr. James Todd Smith, aka LL Cool J! Do you know when Radio, LL Cool J’s first full-length album, was released? 1985! For you pluggers who are bad at math, this was 25 years ago. (His first single, “I Need A Beat,” came out a year before that! It sold more than 100,000 copies!) To put that in perspective, in 1985, the year Radio was released, Joan Baez celebrated the 25th anniversary of the release of her first album. Can you imagine some Reagan-era plugger saying “Wait, Joan Baez is some kind of protest singer? I thought she was your aunt’s hairdresser!” They would be laughed at! They would not parade their lack of pop-cultural literacy in a newspaper comic feature!

And don’t try to say that “Oh, it’s OK for someone to have literally never heard of LL Cool J, because he’s one of those hippity-hop artists, with the baggy pants and disrespectful attitudes.” You know, I’m not an aficionado of, for instance, contemporary country music, and could not identify by name or tune a single song by the band Rascal Flatts (a band whose career is a mere 11 years old at this point). But if in the course of casual television watching I happened to encounter the name of this band, I would not say, “Rascal Flats? Isn’t that the salt desert in Utah where they test the rocket cars?” And if I did, I certainly wouldn’t smugly send this anecdote into some sort of Bizarro-world elitist version of Pluggers; instead, I would be reasonably embarrassed about it.

In conclusion: LL Cool J is a 42-year-old man with a fairly high-profile career that is a generation old. He is so integrated into the entertainment mainstream that he now stars in America’s second-highest-rated broadcast TV crime scene investigation franchise (the ultimate origin of this strip, I suppose). You have in fact heard of him. His name is not the name of a ranch in Montana.

As a side note, this is the same plugger couple we saw yesterday in happier times. Clearly the garage cleaning and/or the post-garage cleaning mealtime and/or “garage cleaning” didn’t go so well, and now we find them in their usual position: bear-husband wedged into his recliner, drunk and belligerent, and kangaroo-wife sticking her snout into a magazine, desperately trying to pretend she can’t hear him.

Apartment 3-G, 4/15/10

Disappointed as I am that this Apartment 3-G storyline seems determined to not end in a hail of bullets (as certain other plots we could mention did), I do have to admit to being intrigued by this twist, in which an exasperated Margo has now been tasked with hiding a major piece of evidence from a crime scene, getting her sexy fingerprints all over it in the process. All indications really do point to the idea that Martin and Margo are so long accustomed to Bobbie’s actual diagnosable insanity that they have just learned to accommodate it and no longer see it as unusual or shocking. Threatening us at gunpoint? Ha ha, that’s our Roberta! No, we don’t want the cops nosing around, because they might start asking questions about all the people that she actually shot, whose bodies we helped to hide.

Blondie, 4/15/10

It’s well known that Mr. Dithers runs his company like an Orwellian police state, where employees are encouraged to constantly monitor one another for disloyalty. Thus, we shouldn’t be surprised that he’s installed spycams in every room of his headquarters. Dagwood’s co-worker, who fears even mentioning the existence of the omnipresent cameras that haunt his every moment, has been reduced to the state of quivering terror expected by his sinister overlord; Dagwood, in contrast, has adopted an air of open defiance, like the true hero of liberty and freedom that he is. We will never forget you, Dagwood, even after you’ve been dragged out back for summary execution!