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YOU GUYS, every year when I come back from my Christmastime voyage I’m all like “I’m just going to quickly look over the continuity strips from the past week to make sure I didn’t miss the 45 seconds of Judge Parker strip-time in which something happens,” but then every year I end up finding a slate of delightful nonsense that I feel compelled to share with you all. So before I get to today’s strips (in another post), here’s what you might have missed if, like me, you took a comics vacation over the past ten days or so.

Panel from Apartment 3-G, 12/24/12

Greg Cooper, the next actor to play James Bond and thus one of the most visible and famous movie stars in the world, got dissed on Christmas by his own mom.

Family Circus, 12/25/12

Over at the Keane Kompound, unto us an extremely smug savior was born.

Panel from Mark Trail, 12/26/12

Otto decided not to take Mark and Bill Ellis’s ransom money, but will instead force Mark to lobby on his pirate kingdom’s behalf, in violation of the Foreign Agents Registration Act.

Panel from Spider-Man, 12/26/12

Spider-Man, a superhero with powers beyond those of ordinary mortals, was disabled with a quick blow to the back of the head, something that’s happened to him on multiple occasions.

Panels from Gil Thorp, 12/28/12

Oh, yeah, there’s a Gil Thorp basketball-season plot happening, I guess! It involves this basketball player, Scott, who is sad (and therefore not as good at basketball as he should be, which is the most important thing, obviously) because his little brother “Jay-Bird” died of leukemia. I had a brief hope that the horrible noise in this final panel was little Jay-Bird bursting out of his grave to feast on living flesh, but instead it was just a mysterious peacock that only Scott can see, which may in fact be Jay-Bird’s soul, which has come back to this mortal realm in bird form to feast on living flesh.

Panels from Funky Winkerbean, 12/29/12

Cayla and Les are already pretty sick of each other’s company, to nobody’s surprise.

Panels from Judge Parker, 12/30/12

In Judge Parker, Sam Driver shows that he knows the golden rule of lawyering: snitches get stitches.

Panel from Apartment 3-G, 12/31/12

Back in Apartment 3-G, Evan has finally revealed himself for what he truly is! …which appears to be a member of some kind of medieval craft guild, I guess?

Panel from Mary Worth, 12/31/12

John Dill’s entry has been accepted into the Santa Royale cake contest, and the excitement appears to have caused a massive stroke event.

Curtis, 1/1/13

Oh, right, Kwanzaa! This year’s nutty Curtis Kwanzaa tale involves an African village where an evil never-seen witch makes all the handsome young men mysteriously disappear when they reach marriageable age. Our hero, Maya, awakes in her lair only to discover that, despite evil witch stereotypes, she’s actually pretty sexy. “Well, uh, you’re not rich!” says Maya, but then she demonstrates that she has piles of gold and an elephant servant. “Hmm, tell me more,” says Maya.

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Momma, 12/14/12

I was trying to figure out a “Francis is secretly blowing people for money down at the bus station” joke here, but then decided that wouldn’t be true to his character. Not because he’s unshakably heterosexual or anything, but because he’s notoriously lazy. Francis doesn’t do anything with the word the “job” in it, and fellatio takes a dedication to craft and an interest in other people that he’s simply never demonstrated.

Pluggers, 12/14/12

The first rule of senior plugger fight club is: you do not talk about senior plugger fight club, because the details are all hazy, because of the encroaching senility.

Judge Parker, 12/14/12

“When I married your father, and you were 12 and I was 15, I thought, ‘I can’t wait to see that young man walk down the aisle.’ That isn’t creepy at all!”

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Mary Worth, 11/21/12

In keeping with its overall M.O., Mary Worth is grappling with its current high drama in a weirdly blunt and concrete way that ignores underlying motivations and issues. To wit: Jim is a profoundly emotionally damaged creep who wants to be “more than friends” with Dawn because she reminds him of his dead sister (gross). He also has an irrational fear of water due to his own tragic boat-themed accident, and refuses to go to the pier because it’s “not safe” (because WHO KNOWS when some ferry is just going to stone cold slam into it, without warning?). Naturally instead of thinking, “Gosh, Jim is profoundly delusional and also creepy and controlling,” Dawn has managed to simplify this into a conflict about whether they should go down to the pier or not. If only some arbitrary compromise could be found to paper over this conflict, Dawn could live happily ever after with the guy who wants to have sex with and/or dictate every move of someone who looks just like his dead sister.

Judge Parker, 11/21/12

So it looks like this Judge Parker storyline is going to end without any chainsaw murder, but with all the newly introduced characters getting what they want — Bea a new business partner and/or boyfriend, Bubba a road out of the precarious marijuana business and into the no-risk, sure-to-succeed solar power industry, and Avery with a financial interest in both, a romantic interest in one, and a fishing hole he can go to whenever he wants to boot. But where is the lucrative financial windfall for our main characters, which is an important part of the resolution of any Judge Parker plot? At first I thought Avery’s back-cast talk was some specialized bit of movie jargon — remember, Sam and Avery’s completely conflict-free negotiations over movie rights to Judge Emeritus Parker’s book set this whole plot in motion — but no, it’s some kind of fishing thing, boring.

Shoe, 11/21/12

Longtime readers know that the patented Shoe Goggle Eyes Of Horror, in which a character reacts to a mildly corny punchline as if they’ve been told they have less than a month to live, are one of my favorite visual tropes in the strip. They’re a particularly funny overreaction when, as here, the character sporting them was the one who set up the joke in the first place. “Look, I just wanted to make a little joke about how the gender-coded cultural constructs of romance inform marketing for Mattel’s Barbie toys, and how that construct contrasts with real-world experience of monogamous, state-sanctioned relationships, but you … you took it too far!”