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Hi, everybody! I’m back at last. I see you’ve all been having fun in my absence (1270+ comments worth of fun!), but I’m rested and ready, if not tanned, and eager to get back in the blogging saddle.

So, how was your Christmas? Did it feel like it was brusquely shoehorned into someone else’s drama, as in Mary Worth?

Was everybody else busy and you had to get your holiday greetings from someone peripheral and random, à la Abbey the Wonderdog in Rex Morgan, M.D.?

Or were you fobbed off on some generic winter scene that had nothing to do with anyone you know or have even heard of, as in Judge Parker?

Or, perhaps worst of all, did you have to spend the week staring into the dead, soulless eyes of your hideous square-headed family, as in Gil Thorp?

OH FOR THE LOVE OF CHRIST, MAKE THEM STOP STARING AT ME! AAAHHHHHH!

Ahem. Anyhoo, not a whole lot of great interest to report in the comics, as they mostly treaded water during a low-readership week. The most action took place among the foobs, most of which was easily predicted and won’t be rehashed here. There were a few bright spots, though. Mark Trail featured this happy, non-beaver-slaughtering scene:

I don’t know what’s creepier: the chipper “Thanks for not killing the beavers!”, or the way daddy’s fondling that chicken leg.

Speaking of beavers, Barreto needs to get back to Judge Parker ASAP before Sophie turns into one permanently.

In non-beaver news, Mary Worth can pretend that she’s dreaming about her not-boyfriend, but thought balloons don’t lie: her main interest, as always, is herself.

And in Milford, we learn that the aesthetic requirements for “favorite couple” are shockingly low.

And! You may have missed your chance to give the gift of Comics Curmudgeon gear for Christmas, but Valentine’s Day is coming up! What better way to say “I love you” than a shirt bearing the crazed rantings of a drunk? Faithful reader Genetic Mishap, who designed this logo, here re-enacts this classic scene:

She also illustrates that the shirt also works when you’re not imitating comics characters:

Operators are standing by, so buy yours today!

Finally, let’s get the new year off on a good foot with a tacky joke about cancer:

Funky Winkerbean, 1/1/07

See, they totally set up a great Yul Brynner joke here and then completely failed to follow through with it.

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Mary Worth, 12/21/06

So a mustachioed malcontent has a beef with Charterstone’s power clique. After a confrontation in which he is humiliated by them, he stalks off, despite one of their number’s feeble attempt to end things on a good note. I think we all know where this is going: The liquor store. The road. The cliff. The end.

This is what Aldomania hath wrought, everybody: every Mary Worth plot from here on in is going to end with the meddling condo creeps driving some new character to a self-inflicted death. There’ll be an awkward funeral visit, some murmured platitudes, and then on to the next victim. They aren’t just murderers; they’re serial killers. I sure hope you’re happy.

Apartment 3-G, 12/21/06

You should not, however, harbor similar worries about our girl Magee as she prepares to rock Christmas the way only an angry, drunken, jilted young woman can. Margo is no danger of harming herself. Margo will only harm others. Many, many others.

Mark Trail, 12/21/06

As an antidote to the above, I offer you the continuing love story of Lucky the Beaver and his mate. I’m not a biologist, but I’m pretty sure that beavers do not actually put their paws tenderly on one another’s shoulder; still, I can’t deny how heartwarmingly adorable it all is. In the larger scheme of things, though, this whole thing is starting to freak me out. I’m a relative Mark Trail newbie, having only read it for the last four years or so; can any longtime Trailheads tell me if the strip has ever dropped its boring, stilted humans before to focus on the improbable anthropomorphized antics of adorable forest creatures? My guess about the current scenario: the word came down from King Features that a heart-warming Christmas episode was required, and Jack Elrod realized that, since nobody has any emotional involvement in any of the oddly shaped human characters, someone appealing was required, stat.

Rex Morgan, M.D., 12/21/06

Awwww, look at how sad June is in panel three. She just wanted her garage painted, Rex; is that so much to ask? Shouldn’t the lengths she’ll go to achieve that end trouble you at least a little?

Crock, 12/21/06

I’m pretty sure this comic strip is about masturbation. Me is the gift I can give myself all year long!

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For Better Or For Worse, 12/19/06

Betting on what this smoke portends shall now commence! Here are your odds:

• The apartment building is on fire: 2 to 1.
• The fire was started by one of Mr. Kelpforth’s aromatic cigars: 4 to 3.
• Mike’s horrible novel only exists in that paper manuscript and on that laptop: 3 to 2.
• Mike must choose between saving his horrible novel and one of his horrible children: 3 to 1.
• Mike realizes that he has two kids but only one novel: 5 to 1.
• Mike must carry a sleeping child to safety: 2 to 1.
• Mike must carry a sleeping Deanna to safety: 3 to 1.
• Mike must carry a sleeping Lovey to safety: 4 to 1.
• Mike must carry a sleeping Kelpforth or two to safety: 10 to 1.
• Even after burning down the house and being saved by Mike, the Kelpforths are still insufferable: 4 to 1.
• Lovey plotzes: 3 to 1.
• Deanna’s awful mother attempts to force them to move in with her: 5 to 1.
• Mike and Deanna actually end up back at chez Patterson while their digs are being reconstructed/they search for a new home/indefinitely: 3 to 1.
• Friction among the siblings occurs, but the true meaning of Christmas is learned by all: Even.
• Liz sees Mike and Deanna’s strained, child-ruined, sexless marriage and realizes that Anthony is The One: 7 to 6.
• Mike’s manuscript is thought to be lost, but is eventually recovered miraculously on Christmas day: 3 to 1.
• Mike’s slightly charred manuscript is snapped up by Canada’s biggest publisher and becomes an instant best-seller and critical darling: 2 to 1.
• Mike and Deanna continue to live with his parents anyway: 5 to 1.
• The house isn’t on fire at all; the smoke is from the massive bong hits Deanna needs to keep from murdering her husband and children: 100 to 1 (but it would be awesome.)

Slylock Fox, 12/19/06

Wow, Slylock Fox’s “six differences” is exceptionally grim this week. I wonder if earlier versions featured a cat instead of a fish, or perhaps a baby, and had to be ratcheted back a little bit so as to not traumatize all the youngsters who read this feature. Still, Mr. Jones’ look of total devastation belies the notion that this is just some cartoon fish that we don’t have to care about: it was clearly his only friend, which may explain why he’s been in denial about its deaths for the weeks it would take to skeletonize.

My favorite difference between the two panels is the rabbit’s facial expression in the background: at left, it just stares forward with numb incomprehension, while at right it gives a sidelong glance to the viewer, establishing a rapport in which both cartoon bunny and comic reader share a moment of awful comprehension of their own mortality.

Rex Morgan, M.D., 12/19/06

Now I know why June keeps up this loveless sham of a marriage with Rex: he’s such a colossal prick that she actually seems to be capable of a shred of empathy by comparison.

Mark Trail, 12/19/06

Yes, the beavers are excited about being with each other. I could not make this stuff up if I tried.