Archive: Shoe

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Shoe, 12/3/10

I’m a little embarrassed by how much information about the world of Shoe I carry around in my head, but it took today’s strip to make me notice a gaping hole in its bird-person society. The denizens of Treetops, East Virginia (that is the name of the town where the bird-people live — one of the many things I am embarrassed to know) are, as we see today, represented by an elected bird-official; their society also features dying print media, a medical system and associated pharmaceutical industry, institutions for disposing of their dead honorably, and sexually deviant auto mechanics. But where do these birds go for spiritual comfort? I can’t think of any appearance of the sort of stereotypical priest-bird-man that one might expect from the strip; the resulting need for divine guidance explains the weird sway that Madame Zoo Doo has over her customers. Look at how desperate the Senator appears for news of his soul’s fate in panel one, and how relieved he is in panel two! Yet the Madame never offers any guidelines for living, never creates the foundation for a system of ethics that might transform her superstitious mummery into a great moral belief system; instead, she merely uses her mystical connection to the “other side” as a source of power and control here on earth (or whatever the hell the freaky bird-planet these creatures live on.)

Mark Trail, 12/3/10

Oh my goodness, the hilarious sitcom-style misunderstanding hijinks are already getting underway, and Mark’s not even out of the shower. Kelly playing idly with the phone cord in panel three is a delight — is in fact so delightful that it almost seems to indicate that the strip is becoming aware of its own ludicrousness, which would of course ruin everything. But Kelly’s weird innocence salvages things. She’s not trying to scheme here; her spoken motivations in panel two are completely honest (and why wouldn’t they be, as they’re spoken aloud to no one in particular?). She really does want to make sure Mark doesn’t miss an important call! She’s helping!

Marvin, 12/3/10

I’m not sure why Marvin and Marvin’s dad (Jeff, Marvin’s dad’s name is Jeff, another thing I’m embarrassed to know) have such looks of numb horror in panel three. Maybe Roy’s misjudged modern mores and “you bet your sweet bippy” is still an incredibly shocking and profane thing to say. “Who is this monster,” thinks Jeff, “and how can I keep my poor son away from him?”

Mary Worth, 12/3/10

Dr. Jeff is usually closely aligned with Mary on Team Destroy Anyone Acting Even Slightly At Variance With Acceptable Norms, so it’s rather touching that he’s showing a little softness towards Jill’s human frailty here. “It happens, Mary! I mean, in my day I occasionally got blotto and lunged at someone inappropriate; if I hadn’t, Adrian wouldn’t be here today! Whoops, I’ve said too much.”

Adrian is taking good care of her boozy friend; based on the look of Jill’s hair, I’m guessing that the bride-to-be dunked her bridesmaid’s hair in a bucket of ice water, to shock the drunk out of her. I’d say that Scott is being awful kind to allow Jill to take his seat at the sweetheart table, but I’ve seen no evidence so far that the future groom even bothered to show up for his own rehearsal dinner.

Rex Morgan, M.D., 12/3/10

Oh, right, Rex Morgan, remember that? As usual, a promisingly hilarious storyline has wrapped up dumbly, with everyone loving Mayor Dalton because they read about his prostate on Pacebook, and with the mayor convincing his rival to drop out of the election by agreeing to give the man’s wife a volunteer job at the museum. Still, I’m amused by today’s strip, in which Dalton decides that unsolicited cheer from a middle-aged mustachioed gentleman is a good opportunity to talk “street.” “Thanks, man! Wait up! That’s how the kids talk on the Pacebook, right?”

Hi and Lois, 12/3/10

Cyclists often set up white-painted ghost bikes as memorials on the spot where someone riding a bicycle was killed by a car, which makes Ditto’s spectral white bicycle extremely creepy to me. Perhaps Lois ran over Ditto months ago on that very spot; driven mad with grief, she can’t remember that her youngest son is dead, and every evening she comes home from work, expecting him to come out and move the bike-memorial out of the way. Dot can no longer bring herself to shatter her mother anew every day, and now just feeds her comforting lies. “Ditto’s, um, not here right now, but he wants a new bike, mom! I’m sure you’re going to give him one, real soon, and he’ll be so happy!”

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Curtis, 11/30/10

Though we may mock Curtis for the eternal clockwork-like return of its eight or so plots, in truth there is more than a little comfort that can be derived from this nonthreatening reliability; in this sense, the strip serves as a stand-in for the the newspaper comics section as a whole. So it’s a bit discombobulating when a new character is introduced, and even more so when an old character shows up in different circumstances. All Curtis trufans know that Derrick is always accompanied by his bullying partner “Onion,” and that when Curtis spots them, his thought balloon inevitably reads, “Oh no! Derrick and ‘Onion’!” But today we see that Derrick has put away childish things like friendship and has now entered the grown-up world of romance. And while it’s nice to see that he’s met someone who shares his core interests and horse-like laugh, it’s a little sad imagining “Onion” sitting somewhere with his hood cinched tightly around his face, bitter tears of abandonment running down his comically oversized nose.

Mary Worth, 11/30/10

Oh, God, this week is going to be all I hoped for and more, as a drunken, predatory Jill decides that she’s going to forcibly dance with any man who comes within arm’s reach. All reactions in soap opera strips are of course ludicrously overplayed, but I’m not sure why exactly Jeff’s face in panel two is framed by a nimbus of sheer panic. “Oh my God, Mary’s going to see me touching another woman! She’ll never agree to marry me now!”

Shoe, 11/30/10

I’m not sure what’s worse: the suggestion that the Perfesser’s car might have sexual needs, or the downright lascivious look the mechanic is sporting as he relays this fact. “Bet you never knew that cars had sex, did you? I’ve got some instructional videos on the subject around here … why don’t we watch them, and what happens, happens?”

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Crankshaft, 11/29/10

You know, it seems the holiday season lurches into action earlier and earlier every year. For instance, somebody’s dearest Christmas wish — to see Crankshaft in his underwear — has already arrived, and it isn’t even December yet! Merry Christmas to you, you desperate pervert!

Mary Worth, 11/29/10

Meanwhile, it seems that Adrian has already given herself a Christmas present — the massive dose of high-grade Ecstasy necessary for her to become Mrs. Scott Hewlett without first becoming catatonic with anxiety and self-loathing. She seems to have perhaps overdone it a bit, however, as in panel two she appears to actually be floating several feet off the ground.

Mary Worth plots are generally linear to a fault, so I offer kudos to the strip for jumping over the rest of the wedding preparation and getting right to the rehearsal dinner, before Mary even gets a chance to meddle Jill into submission. I am assuming that Jill is the Amazonian gal in panel one, listing wildly to her right and demanding more booze, all the better to lay the groundwork for a drunken tirade that will prevent anyone but Jill from enjoying themselves tonight. This week may be awesomer than any pool party!

Shoe, 11/29/10

“Ha ha, just kidding, you know I love a good pun! Seriously, though, we see the same prostitutes.”