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Panel from Slylock Fox, 10/12/25

Look, by anthropomorphic animal logic, it’s fine to have an anthropomorphic animal wearing a shirt but no pants or underwear. But what you can’t do is have such a character standing right next to another character who’s talking about the fact that animals in this universe wear underwear, because then all anyone is gonna think about is WHY IS THAT DUCK NOT WEARING UNDERWEAR OH MY GOD

Panel from The Lockhorns, 10/12/25

I’m not going to say that The Lockhorns are great art by any stretch of the imagination, but I will say that there are certain things that the workshop that generates Lockhorns panels absolutely nails, and one of those things is a facial expression I call “chewing joylessly.”

Rhymes With Orange, 10/12/25

You know, newspaper comics as a medium were thriving in 1933. Do you think that once the 21st Amendment was enacted, there were a bunch of extremely square strips that were like, “Ha ha, alcohol! The intoxicant we all know about!” I assume not, because I assume the majority of contemporary comics artists were raging drunks.

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Slylock Fox, 9/10/25

This is one of the most baffling Six Differences cartoons I’ve seen in quite a while. Why does the horse have a butt wound? Why does he look high as a kite? Why does the kid look so smug? Why does the cow look so sad? Where are the birds leading the horse and the kid? Are they leading them to their deaths? None of these questions are meant as criticisms, obviously, they’re a series of delightful unsolvable mysteries that I will enjoy contemplating, unlike the question of whether the clouds in the two panels actually look different from one another.

Barney Google and Snuffy Smith, 9/10/25

How much of Jughaid’s flesh do you think Sukey would eat before she realized he wasn’t actually a giant carrot? Would it be little enough that the lad would survive the procedure?

Shoe, 9/10/25

“No, he has a gang that sells drugs and stolen property out of ice cream trucks. He killed six people by burning down their house once. It’s really quite grim and I’m not sure why you’re making light of it.”

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Crock, 9/1/25

Even if you hate Crock with a passion, you don’t read it every day for 20+ years without learning a little something about its character dynamics, though if you’re me and you’re notoriously terrible with names, you do manage to not learn some of the names of those characters. I wanna say this woman’s name is … Fatima? We’re going to go with that, although she doesn’t make the Wikipedia list of characters, and while I normally am quite dubious about the utility of Google’s AI answers, based on its “In the comic strip Crock, there is no ‘pretty girl’ character” response to me, I have to admit it may be getting better at parsing visual input. Anyway, the point of (let’s call her) Fatima here is that she’s supposed to be pretty, and also that she’s a foil for Grossie, who is supposed to not be pretty, and who she hangs out with a lot and routinely insults. You can tell that she’s not supposed to be pretty because they named her “Grossie,” and I think it’s telling that Fatima (?) abbreviates Maggot’s equally vile name to the cuter “Mag,” whereas Grossie gets no similarly softened nickname.

Anyway, speaking of character dynamics, I get that Fatima (??) has to be talking to some third party for this joke to work, but it’s kind of weird that she’s having drinks with Captain Poulet, right? It’s like running into your English teacher and your shop teacher hanging out together outside of work. Sure, it sort of makes sense that they know each other, but you’ve never seen them interact and it feels wrong, somehow.

Blondie, 9/1/25

As AI becomes integrated into every feature of human life and we begin to worry about who’s really calling the shots, a new question arises: Which of our fellow biological humans will go quisling when the clankers take over? Well, the team behind Blondie seems to be making tentative moves in that direction, and sad as it is, it makes a sort of sense: if anyone serves as a model for “humans don’t really desire autonomy and would be satisfied to simply have their needs met by industrially produced foods and material goods,” it’s the characters in this strip. Once a robot figures out how to make a giant sandwich, it’s curtains for the human race!

Slylock Fox, 9/1/25

Um, actually, we know that those are Reeky’s pants he left behind because a janky thrift store with magic eight balls and VHS tapes displayed on the floor would never sell torn-up jeans; those are fashionable garments that can only be found in high-end boutiques.