Funky Winkerbean, 10/17/22
Look, I’m kind of face blind in real life, with actual human faces, and so since I’m dealing with a cartoon face here it’s wholly possibly I’m about to give you a big infodump about the wrong person, but I think that’s supposed to be Susan Smith, who in the long-ago pre-time-jump era of Funky Winkerbean was one of Les’s students, who developed romantic feelings for him somehow and then attempted suicide when he didn’t return them, and then years later came back to Westview herself as a teacher, and was of course enraptured by his prose about his dead wife Lisa, then eventually proclaimed her renewed love for him and there was briefly a moment where it seemed like she might be a romantic rival for Cayla (remember, this was a woman who tried to kill herself because she was so in love with Les when he was her teacher and she was a teenager! gross!) and despite some Three’s Company-style misunderstandings Cayla eventually won (“won”) and so Susan slipped quietly out of town. You’ll note in that last linked strip she says she’ll be “first in line to see” the Lisa’s Story movie if anything ever came of it, so maybe she was maybe one of the few who actually saw Marianne’s improbable Oscar-winning performance. On the other hand, the first panel here says that we’re flashing back to “several years ago,” and it definitely seems like she’s about to jump into the river, so maybe she never got to see the movie, a truly devastating final Les Moore-related tragedy in a life that was full of them.
Rhymes With Orange, 10/17/22
Ha ha, it’s funny because St. Peter, who was granted the keys to heaven by Jesus himself, wants to condemn this dog to eternal torture, in hell! Anyway, if you were wondering if you were still going to have to/be able to urinate in the afterlife, Rhymes With Orange is here to tell you: yes.
Judge Parker, 10/17/22
Oh, sorry, Judge Parker readers, we know you were all alarmed that something interesting and exciting seemed to be happening in this strip, but don’t worry: this week we’re getting back to the wall of emotionally fraught post-divorce scold-text that we know is the real reason you tune in every day.
The Lockhorns, 10/17/22
I love this panel because it tells us that there was a brief moment where Leroy experienced a moment of pure, childlike happiness. It was of course immediately followed by pain and trauma. This is the nature of the Lockhorns’ reality. I like the black eye he has because it lets us know that whatever he hit, he hit it face first.