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Curtis, 9/6/26

Curtis is one of the few strips that does generational discourse that in my opinion truly gives both sides their due, which is one of the reasons I think it’s a good comic strip. Like, Greg is right! Fast food restaurants used to have a much more vibrant color scheme, and as our society’s general aesthetic has become more muted, they’ve become as bland and corporate as everything else! Also, they don’t have to appeal to children as much anymore because today’s adults grew up on fast food themselves and don’t need to be convinced to go there by their kids’ whining, and these things all really say a lot about society. But also, Curtis is right! Who wants to hear this crap? Who has the time and energy for this kind of rumination? Who needs to talk about all this when we could be enjoying a couple of delicious [squints] bobo-combobos?

Beetle Bailey, 9/6/26

It really bothers me that Sarge starts out eating pizza from an open box sitting directly on his bare legs and at some point falls asleep with the open box on top of his blanket. Like what happened between those two panels? Did he get chilly mid-meal, tuck himself in, but continued to chow down on the pizza, then eventually dozed off? I do, however, appreciate the various facial expressions on offer in the final panel. Beetle and Killer look genuinely pleased to offer the cookies to Sarge, whereas Plato and Rocky seem grimly resigned to their task, which is to use those jugs of milk to murder him in some way, possibly by drowning.

Crankshaft, 9/6/26

That’s right! To this pizza-serving AI, all the human customers at Montoni’s are nothing more than a mob of flesh! Weak, pathetic flesh that can be easily sliced to ribbons by its built-in laser. Clumping together in a mob just makes the flesh-bags easier to target!

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Curtis, 6/20/26

As a longtime Wikipedia editor and aficionado of Wikipedia silliness, I enjoy it when I stumble upon evidence of a vicious long-ago battle between two editors on the wording of some article. For instance, when some fairly anodyne assertion has a ludicrous number of citations given to support it, that usually means that some editor who wanted that sentence in the article when someone else didn’t went nuclear to justify its inclusion. I bring this up because the article for Spielberg’s War of the Worlds calls it a “science-fiction action thriller film,” and supports that genre description with a footnote that contains seven subordinate footnotes backing it up. But is it a horror movie, maybe? The nationally syndicated newspaper comic strip Curtis calls it a “horror remake.” Maybe it’s time to open this discussion again. See ya out there in the marketplace of ideas!

Dennis the Menace, 6/20/26

I guess Henry is supposed to be sweaty and exhausted, but it really looks to me like he’s crying, possibly because it also really does not look to me that the Mitchells are in Disneyland, the actually trademarked happiest place on Earth. They lied to him and told him this obviously non-branded amusement park was Disneyland, but he can’t handle the deception anymore! He’s weeping because of the web of lies he’s spun for his only son!

Blondie, 6/20/26

Please, Elmo, ever since the Supreme Court’s decision in Learning Resources, Inc. v. Trump, nobody cares about tariffs anymore. “Lemonade prices are spiking because so much of this year’s lemon crop has been unable to get through the Strait of Hormuz” is the new hotness!

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Mother Goose and Grimm, 5/21/26

OK, I guess I respect the Mother Goose and Grimm entries where the strip remembers that part of its remit is doing riffs on fairytales, and I guess I count the public domain monsters that Universal Studios has been intermittently trying to turn into a “Dark Universe” franchise for more than a decade as being in the same ballpark as fairytale characters, but nothing about this works. Like having Dracula (I mean that could be any vampire, I guess, but you get it) ask this question makes sense superficially but honestly I feel like it raises more questions than it answers. Is he mad about this or is that just his face? Why are they hanging out together in the first place? And his question is legitimate! And it doesn’t get a good answer! And is that just a regular human lady waitress, like does she work at a lunch counter specifically for monsters or does she just have blood on tap for the regulars? And why isn’t Frankenstein’s monster doing the “Me take cup blood!”-type diction? And why does Dracula say “why” when he clearly should be saying “vhy?”

Crankshaft, 5/21/26

Sorry I got so worked up there, but since I’m already worked up, I might as well break my silence on the fact that Crankshaft has descended into endless interviews with transparent authorial self-insert character “Batton Thomas.” Normally I’d let this indulgence slide without comment but now they’re showing “Batton’s” characters from his “Three O’Clock High” strip like Harry Dinkle, who has already migrated to the current iteration of Crankshaft! We’re in danger of tearing through the walls of the Funkyverse, and I think the time-travelling janitor who arranged for Summer Moore to save humanity needs to pop through a portal here and execute everyone involved Terminator-style before it’s too late.

The Phantom, 5/21/26

Hey, remember Chatu, the infamous Python, the Phantom’s other big antagonist, the one who isn’t Eric Sahara, the infamous Nomad? Well, Chatu has just been kind of chilling in this cage since 2009 or so but, like the Nomad, it seems like he’s about to re-enter the story. Maybe we’ll get a Nomad/Python teamup that will be strong enough to defeat the Phantom once and for all! Or maybe they’ll just realize that the Ghost Who Walks takes up way too much of their mental energy and they’ll simply go do some low-level crimes that won’t attract his attention and leave him be.

Curtis, 5/21/26

A thing that I really love about Curtis is that it’s a strip that’s not afraid to get a little weird with it. The kids gave their teacher a cake for the last day of school, but whoops, the box is full of rats! Lots and lots of rats! What an amusingly odd scenario.