Slylock Fox: Repeat Victims Unit
Slylock Fox, 11/27/06
Today Slylock Fox takes a break from its usual kid-friendly fare to take us on a voyage into a shadowy demimonde of sleaze and degradation. Pretty much every aspect of this drawing is magnificent, from the scantily clad nightclub ladies, to the enormous purple-suited dog-thing (presumably their pimp) boogying down behind them, to the impassive bull bouncer standing outside, to Max Mouse’s decision to wear earmuffs and a scarf but no shirt.
My question is: Is this the same beaver who got his luggage stolen at LAX a couple of weeks ago? Why is he such a frequent victim of crime? I’m guessing it’s because he looks so hilarious when he’s indignant.
Mark Trail, 11/27/06
Yeah, Mark, I’m sure he’ll be very excited to learn that Molly’s safe, especially considering that he had no reason to believe that she wouldn’t be safe, since he left her in the hands of an experienced outdoorsman and all. It’s like the time I took care of a friend’s cat when she was out of the country, and the cat had some pretty disgusting gastrointestinal problems, but I didn’t tell her about it until after I took the cat to the vet and got it all worked out. Except I sought medical attention for the cat as soon as I realized he was sick instead of leaving him in the back of an open jeep so that he could be kidnapped by morons with stupid hair. So, my point, Trail, is good luck casually playing this bearnapping incident off when you go see Buck in the hospital.
Yes, that moose is talking out of its butt in the second panel. No, I don’t know why that’s happening or how to make it stop.
You know, many months ago, I completely in jest accused Sally Forth of taking payola from Target and/or Rush. I wish I could say that I have no actual suspicions about today’s Luann, but the floating little Â® bug after “Home Depot” gives me the uncomfortable feeling that we’re witnessing some kind of horrifying corporate synergy in the making. The only shred of hope I have to cling to is that the Â® is subscripted, not superscripted as it should be, so it practically looks like somebody’s trademarked the word “fix” (which, frankly, I wouldn’t put past Home DepotÂ®).
Anyway, all this speculation about artistic whoredom has at least blessedly distracted me from the joke in this strip, which is the always hilarious MEN ARE FROM MARS AND WOMEN ARE FROM VENUS HAW HAW WHAT’RE YA GONNA DO? Because I’m feeling generous, though, I will say that Momma DeGroot’s facial expression in the second panel is pretty funny.
Rex Morgan, M.D., 11/27/06
Like Troy Gainer, I’m not actually a doctor, but I’m still pretty sure that nobody’s eyes look like June’s in panel two unless they’ve already consumed copious amounts of meth. I’m beginning to see why she’s so eager to hook up with Niki’s mom.
By the way, I defy anyone to come up with a good explanation for a sock lying on top of a lampshade that doesn’t involve a set dresser presented with instructions that contain the phrase “cartoonishly squalid.”
Today’s Garfield appears to contain a reference to Jon’s penis.
Apartment 3-G, 11/27/06
Today’s Apartment 3-G appears to contain a reference to one of two slang terms for Eric Mills’s penis.
Actually, it took Mrs. C., romantic that she is, to point out to me that the four-letter word to which Tommie is referring is probably “love.” In my defense, I have a hard time conceiving of “Margo” and “love” in the same sentence. Margo requires worship, and servicing. Love doesn’t really enter into the equation.
Bizarre Apartment 3-G fashion update: Tommie’s weird white-sweatshirt-over-dusty-pink-polo-shirt combo seems to be slowly morphing into a slightly kickier futuristic two-tone zip-up jumpsuit. And while Margo’s decision to wear a white micro-miniskirt to Thanksgiving dinner was ultimately successful in the rich-guy-seducing department, it was also an embarrassing gravy stain disaster waiting to happen.
Funky Winkerbean, 11/27/06
Attention, comics writers who are thinking of ending a strip with a gentle bit of punny wordplay and depicting the characters engaged in said wordplay demonstrating through their facial expressions their mild appreciation for same: we already have one For Better Or For Worse and do not require another. Thank you.