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The Phantom, 9/11/26

Happy Friday, everybody! I was going to explain the backstory to today’s Phantom to those who haven’t been reading along, but, you know what? Snakes, aliens, devil-Phantoms, screaming, flames … this right here is art and it doesn’t need any explanation. Just let it wash over you! Let loose with an enthusiastic “YAAAAHHHH!!!” while you’re at it. The weekend is almost here!

Marvin, 9/11/26

Marvin’s grandmother lives with her husband in an apartment building for which she has to write the newsletter because the Great Financial Crisis wiped out all their retirement savings, which forced them to briefly move in with Marvin’s parents (an episode for which their son-in-law has never forgiven them) before eventually settling into their current digs. Sometimes I feel like I must be one of the only people on earth walking around with this amount of Marvin lore in their heads, but I’m pleased to learn that the strip’s current creative team at least remembers that they’re too poor to live in one of the nicer apartment buildings that gets first dibs on the bingo guy.

Mary Worth, 9/11/26

Damn, Nelly must be a true master of the gossiping arts. How else can you explain the fact that Alma has gone in mere minutes from “So what?” to “Wow, that Worth lady always seems so proper, but if you say she and Prof. Cameron were engaged in full penetration intercourse right there in her car in the Charterstone parking lot, I have no choice but to believe you! I guess you can never really tell about a person!”

Daddy Daze, 9/11/26

Men will literally project a truly awful death-related pun onto the nonsense “ba” syllables their children produce rather than going to therapy so they can deal with their grief at losing a parent. It’s sad!

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Hi and Lois, 9/10/26

Now, look, I more or less enjoyed Forrest Gump as a college-aged moviegoer in 1994, but I wouldn’t say that it had much of a lasting cultural footprint, you know? Certainly not to the extent little kids would be going around quoting it. Just for comparison, an eight-year-old in 2026 quoting Forrest Gump would be like me as an eight-year-old in 1982 quoting … actually, I looked this up, and the Forrest Gump equivalent from 1960 (hit winner of multiple Oscars, including Best Picture and Best Director) is Billy Wilder’s The Apartment, one of the greatest movies ever made. I also saw The Apartment for the first time in 1994, but if I had seen it as a child, I’m pretty sure I would’ve loved it then too. A lot of it would’ve gone over my head but the dialogue is pretty accessible, I think. “That’s the way it crumbles, cookie-wise!” I would’ve said, if I had found myself in a situation like Ditto has in today’s strip. It would’ve still been appropriate, and my mother would’ve been charmed by my precocious taste in film instead of vaguely annoyed like Lois is here.

The Lockhorns, 9/10/26

Very longtime and very faithful readers of this blog know that today is my wedding anniversary, and, on the I think justified assumption that Leroy is a last-minute gift shopper, it appears to be the Lockhorns’ anniversary as well. This is even more disturbing than the fact that they’re millennials. This one’s personal.

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Mother Goose and Grimm, 9/9/26

“Why do they mention the King’s Horses in ‘Humpty Dumpty?’” is an extremely hoary bit at this point, but I have to say I like the art here. Humpty’s shell has shattered, creating a jagged mouth for what we must assume is the first time. The very event that has caused him such agony also provided him with the means to scream! It’s a neat little trick.

Mary Worth, 9/9/26

Alma … no! You need to follow your first instincts and remain aloof from gossip and speculation here. Look at Nelly’s crazed expression in panel two! She says your guess is as good as hers … but she’s clearly been guessing in vivid, erotic detail for hours now. Let her be a cautionary example for you!

Shoe, 9/9/26

The saving grace of Shoe is that no matter how much you hate reading these jokes, the characters’ facial expressions make it clear that they hate saying them much, much more.