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Archive: Barney Google & Snuffy Smith

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Mostly downers

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The Lockhorns, 2/10/21

Leroy has traditionally commuted to work by train, but it looks like he’s managed to make friends the acquaintance of some coworkers and weaseled his way into a carpool. I guess he thought that, unlike his experience on public transit, in a carpool he’d get a response when just threw out some unprompted ruminations about how depressing his marriage/life is? Based on how studiously that guy is looking at his phone, I’m going to have to say he’s wrong on that point.

Hi and Lois, 2/10/21

What really makes this strip for me is that Goldie does in fact look extremely depressed. This isn’t a typical joke about a little kid’s boundless empathy overestimating an animal’s unhappiness; nope, Trixie is like “wow, our goldfish never gets to go anywhere!” and the goldfish’s face absolutely confirms that it’s stuck in a hell-prison and hates every minute of it.

Barney Google and Snuffy Smith, 2/10/21

I’m not sure what about Jughaid’s statement reflects more misplaced optimism: that he thinks Hootin’ Holler’s economy will improve in the next eight years to the extent that it will be able support a movie theater, that the movie theater business will even still be around in eight years, or that, as someone living in an impoverished community where malnutrition and clan violence are endemic, he’ll survive to adulthood.

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Real grim stuff

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Pluggers, 2/2/20

There is a surprising amount to unpack in today’s Pluggers! Let’s start with the idea that Groundhog Day is some kind of national plugger holiday, like the Oscars is for us coastal elites, and they get up early to catch all the shadow-seeing action on TV — or, if they live in DuBois, PA, a mere thirty minutes from Punxsutawney, drive to see the event in person. Then you have a thought balloon from the poor groundhog, indicating that he’s capable of sapience, which reaffirms all our worst fears about the blurry lines between “humans” and “animals” in the world of Pluggers. Finally, there’s the content of that thought ballon: Punxsutawney Phil feels like he’s done this before, implying that he’s stuck in the same hellish time loop that ensnared Bill Murray in the 1993 film Groundhog Day, only he doesn’t have access to the possibility of the redemptive love that freed Murray’s character. Real grim stuff!

Dennis the Menace, 2/2/20

Not only does this panel feature Dennis engaging in actually menacing behavior — and with malice aforethought! it’s menace in the first degree! — but it also features a movie theater worker who isn’t some teenager who can laugh this off as a story to tell his buddies because fuck this stupid job anyway, but a man who looks like he’s in late middle age, probably lost his full-time job due to outsourcing or computers or apps, who can even keep track, and who took a minimum wage job to put food on the table, just while he’s looking for other work, just so he can keep a little dignity. But it’s hard, man. It’s hard to hold onto your dignity when they make you wear that hat, and it’s even hard when you have to deal with little shits like this. Real grim stuff!

Barney Google and Snuffy Smith, 2/2/20

Ha ha, it’s funny because … Hootin’ Holler, economically impoverished and physically isolated, has only one medical professional serving the community, and it turns out he’s a fraud? And nobody cares? I’ve said it before, but: real grim stuff!

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“I mean, just look at this guilty-lookin’ dude”

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Marvin, 1/31/21

I feel like I’ve touched on this in a few recent posts, but I want to talk about it in slightly more detail today: I have become somewhat worried lately about coming across like one of those people who do ninety-minute YouTubes where they dissect all the “mistakes” in a movie, intending to “prove” that the filmmakers are idiots but mostly proving that they’re focused on minutia and not really taking in the big picture. Like, with today’s Marvin: I feel like before I go in on how weird it is, I need to establish that yes, I’m 100% aware that the idea that these characters are sort of like adults with adult worries and problems but are also babies isn’t something that’s wrong, in the sense of an IMDB “goofs” entry for Looks Who’s Talking that says “The movie depicts talking babies, but all these characters are far too young to be capable of idiomatic human speech.” I’m fully aware that the they’re-babies-but-they’re-not tension is itself the joke-radiation in which this whole strip is bathed. I’m just saying, if you’re inviting us to imagine babies who are capable of thinking, in very adult ways, about their future, and one of those babies is stressed about her parental expectations about her future education and extracurricular activities, and the other one is apparently planning to keep on shitting his own pants well into junior high — well, the “error” you’ve made is one of judgement, not world-building.

Panel from Slylock Fox, 1/31/21

The text of the solution to this crime sort of implies that Slylock has set up this mystery to teach these animals about the complex web of institutions and processes that make up the industrial civilization they’ve taken from the humans — that cans of pea soup don’t just grown on trees, but must be purchased from a store, where someone places the can on the shelf, and someone else drove the can there in a truck from a warehouse, and it got to that warehouse from a factory, and so and and so forth back up the supply chain. But the drawing makes it seem like he’s mostly saying “See this guy? This is Count Weirdly. You see him, your job is easy. If he’s one of the suspects, he fuckin’ did it, man.”

Barney Google and Snuffy Smith, 1/31/21

Obviously I know that, in this fallen, degraded age, newspapers feel free to print unspeakable filth in the comics section without shame. Still, even I thought there were some limits; but now that we see a proper Hootin’ Holler matron depicted in fully color without her kerchief, hair all exposed — well, now I know there truly is no depravity to which these people won’t sink.