Archive: B.C.

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Gil Thorp, 7/8/10

“Oh, hey,” you are almost certainly saying, “What’s going in Gil Thorp?” (Yes, you are definitely saying this, in your minds, don’t try to deny it to me, I know you too well.) Well, Milford’s star pitcher Slim Chance’s band got the “chance” to open for their alt-country heroes, Backyard Tire Fire (they are a real band who actually exists, and who apparently have spent some extremely ill-conceived product placement money), which gig happened the day before Slim was supposed to start in the team’s opening game of the playdowns, but the team van broke down on the way home, and Slim had to take a cab the last 150 miles, and he arrived just as the third inning was starting, ready to be the hero…

…and he lost, terribly. This is one of the reasons why I like Gil Thorp. It isn’t afraid to have plots that fly in the face of the sort of narrative arcs you’d expect! This is especially the case when such contrarian plotting ends with the Mudlarks having their hopes and dreams ground to dust.

Beetle Bailey, 7/8/10

The soldiers at Camp Swampy have any number of good reasons to hate and loathe Sgt. Snorkel (mostly involving their relentless physical abuse at his hands), but it does seem kind of cruel of them to mock the broken shell of a man that he’s become, thanks to his harrowing food addiction. “Oh, God, a delicious brown blob of some sort, right there on my tie … uh, it doesn’t count if I don’t use my hands, right? Come on, tongue…”

B.C., 7/8/10

There are a lot of puzzling concepts in today’s B.C., but let’s start with the most obvious: the phone, built into the tree. I guess much of the visual humor of the strip comes from putting modern things in ancient settings, but the tree-phone is a really baffling mishmosh. I mean, I get why you have to build it into a natural feature, I suppose, but why do the phone-parts look like they’re from the early 20th century? “Oh, they’re in caveman times, so it would make much more sense to have a phone that’s from 9,900 years in the future rather than 10,000 years in the future.”

Then there’s the question of whose phone-tree this is. The Cute Chick and the Fat Broad (gah, I know their names, their terrible, offensive names) just seem to be casually strolling by it when it rings. In this primitive era, did people not “own” phones per se, but rather just answer the ones that were scattered around the landscape, or, if they were feeling sassy, pick one up and dial a number at random, then start talking dirty to whoever picks up at the other end?

Mark Trail, 7/8/10

In addition to having a mustache and threatening cute animals, our current Mark Trail villain appears to be a dirty communist, or at least that’s my assumption based on his complete inability to understand basic market economics. Sassy only has value as a beloved pet to a lonely, malformed orphan boy; but the baddie’s “What he’s offering may not be enough” implies, wrongly, that there is some kind of market demand for this irritating, mewling pup. Someone is about to be very disappointed by the results of an eBay auction.

Rex Morgan, M.D., 7/8/10

With Toots and Brook’s problems solved by a little TLC and karate, we can at last move on to the next plot, which should be hilarious, as we find out how Rex’s “be a supercilious dick to everyone” bedside manner works out when he has to drop the c-bomb on the mayor. Whether you’re powerful and influential, or have a serious illness, or both, Rex will be a jerk about it, and by “it” I mean “pretty much everything.”

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Apartment 3-G, 6/3/10

I’m assuming that Martin and Gabriella are sneaking into 3-G to find and dispose of Roberta’s Chekovian gun, but wouldn’t it be great if Martin has lost all of his money in the recession and the two have been forced to launch a spree of actual breaking and entry? They start with Margo’s apartment — that’s a gimmie, since she gave them a key and all — and then they’ll work their way up to homes where they actually have to break the locks, bickering comically all the while!

Spider-Man, 6/3/10

Some time ago I berated the newspaper Spider-Man strip for just giving up and embracing camp. Now I long for the days when at least I’d have campiness to entertain me. This most recent plot development, in which Sabretooth and Wolverine battle each other endlessly until simultaneously passing out from exhaustion, while Spidey scratches his head like a moron and cracks wise, is some sub-Three Stooges shit.

B.C., 6/3/10

Hey, remember three days ago, when B.C. made a joke with exactly this structure? It was 10 years out of date, but at least you knew what the hell it was supposed to be about. With this one, I’m not sure if we’re supposed to understand that capitalism is a dagger thrust through the heart of humanity, or if it harnesses the opposed forces of love and hate to work together, or what, exactly. I do know, from looking at the two strips next to each other, that no art has been reused; the two identical-looking scenes have been completely redrawn. You have to admire the dedication that shows, I suppose, but I can’t say that the baffling jokes merit the extra work.

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B.C., 5/31/10

With Johnny Hart’s grandson Mason Mastroianni firmly at the helm of the strip, at long last it can shake off its lassitude and take principled stands on current issues. For instance, there’s a major energy company whose sins of omission and commission have angered millions of Americans of late, and that company is … Enron? Eh, sure, why not. Logo’s sure easier to draw, right?

Apartment 3-G, 5/31/10

At least one employee of the Mills Gallery has the appropriate attitude for working there (i.e., constant, debilitating mortal terror). “NO, DON’T TALK TOO LOUDLY! SHE CAN HEAR US! SHE CAN ALWAYS HEAR US!”

Family Circus, 5/31/10

Ha ha! It’s another adorable malapropism from little Jeffy! Clearly the word he meant to use is “unemployable.”