Archive: Blondie

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Blondie, 2/5/14

Today’s Blondie is mostly standard-issue Mismatched Marital Hijinx, but I have to say I’m pretty in love with the weird and delightful second panel. It’s as if the sudden disruption of their comfortably distant routine has sent Blondie into a vertiginous spiral; even the low-level boost in emotional intimacy that comes from just making eye contact with her husband has sent her reeling. This is a couple that deliberately arranged their living room furniture so they don’t have to see each other even when they’re in the same room, remember. After only a moment of looking at her husband, she takes the opportunity afforded by his sipping his coffee to put her head most of the way down, maybe to overwhelm her senses by taking a big whiff of whatever’s on her plate, or maybe to just calm her nerves so she doesn’t vomit. In short order, she needs the barrier between her and Dagwood again. This experiment in spousal interaction is now over.

Apartment 3-G, 2/5/14

I find it deeply hilarious that Tommie answers what I assume is either Apartment 3-G’s landline or the phone connected to the building’s intercom system by saying “This is Ms. Thompson.” I guess she wants to put her most formal foot forward because she’s been eagerly awaiting a phone call — not from her fiance, with whom I assume that not even Tommie would be on a last-name basis, but from the producers of the hit reality TV show I Can’t Stop Hoarding Baby Animals! “This is it! I’m going to be famous!” she thinks. “Just let me finish dusting up all this deer urine!”

It should of course come as a surprise to nobody that Tommie’s fiance is a Identical-Looking Apartment 3-G Male Type (Dark-Haired Model), but it is a little weird that he appears to be calling from downstairs but also sitting in an office somewhere. Maybe he got a job as the building’s doorman, to be closer to her?

Barney Google and Snuffy Smith, 2/5/14

Oh no

Oh NO

The devil’s rock ‘n’ roll has finally reached Hootin’ Holler

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Beetle Bailey, 2/1/14

Ha ha, isn’t this an enjoyable image? Two digestive systems, a man’s and a dog’s, growling with animal rage, and eventually bursting forth on their own terrible volition, blood and gore everywhere, grappling with each other, still connected to the man and the dog by a trail of steaming viscera. From the creators of the foulest Japanese horror manga? Or from one of America’s best-loved whimsical newspaper comics?

Better Half, 2/1/14

This one’s probably more disturbing, though? First off, nobody finds CPR erotic, despite it being an opportunity for meet-cute and/or gay panic in a thousand movies and TV shows. Second, you shouldn’t do CPR on a cat. Third, AUGH AUGH AUGH THE LIPS THE CAT’S LIPS GROOOOSSSSS

Blondie, 2/1/14

Ha ha, it’s funny because the Bumsteads’ finances are in the process of imploding, and Blondie does not want to know about it.

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Crankshaft, 1/13/14

One of Crankshaft’s beloved/tiresome running gags is “Lena’s snack food is extremely poorly prepared and thus largely inedible,” but I don’t particularly remember her coffee being a punchline before. At first I thought it was the same gag, but note that Mary is taking another deep swig even after having spun into pin-eyed freakout mode in panel one. Clearly, while Lena’s brownies are dangerously unchewable, Lena’s coffee is dangerously addictive, with only a single sip of the pure stuff capable of turning you into a mindless junkie, drinking huge gulps even as your mind turns to mush.

Blondie, 1/13/14

Boy, Dagwood looks awful cheery for a guy who knows he’s going to die at five o’clock today! One can only assume that he has this attitude because he’s chosen this death; probably it will take the form of a spectacularly gory and public suicide capping off a killing spree in the office he hates so much. But as a final fuck-you to his employer, he’s going to dick around on the Internet on the company’s dime all day before he murders everybody.

Archie, 1/13/14

Mr. Weatherbee’s thousand-yard stare in panel two is the proper result of sudden, terrible knowledge: he realizes that we are well into the second generation of food’s transformation from a craft to commodity. Soon nobody left alive will remember a meal that was formed by your own hands or the hands of someone you loved. Whether or not we have any particularly fond memories of family dinners from our childhood, the marketing construct of “Just like mom used to make!” is so embedded in our brains that we’ll repeat it to each other endlessly as we scarf down machine-shaped corn byproduct extrusions dusted with MSG flavor crystals.

Apartment 3-G, 1/13/14

I’m not sure what’s sadder: that Margo doesn’t know anything about Tommie’s car situation, despite the fact that she’s her roommate and ostensibly one of her closest friends, or that Tommie thinks she can drive to England to see her fiance.

Slylock Fox, 1/13/14

Oh my God … that Footprints Jesus posterit’s really a crime scene