Archive: Blondie

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Slylock Fox, 11/15/09

Something seems seriously askew about the justice system in the world of Slylock Fox. Count Weirdly is the defendant in an elaborate trial with no fewer than five witnesses against him, yet we all know from experience that no matter what the verdict, he’ll be back in his critter-filled lair, plotting deranged, pointless evil, in only a few weeks’ time. It has to really make a lawfox like Slylock question the importance of his vocation, as he busies himself arranging the order in which his witnesses will testify in a needlessly complex fashion.

Meanwhile, in the Six Differences, our pastoral painter is about to learn about the drawbacks of photorealism the hard way, as a befuddled pooch, unable to differentiate between the representation and the represented, urinates all over his artwork.

Hagar the Horrible, 11/15/09

Yes, this bachelor rarely enjoys a home-cooked meal! He generally eats out, or eats a meal that he, uh, cooks at home. Oh, wait, I get it, “home-cooked” is code word for “cooked by a vagina-bearing individual!”

Panel from Blondie, 11/15/09

I found this panel strangely touching. While Dithers generally subjects Dagwood to nothing but persecution and abuse, when he finally admits to himself that his mind is going, he realizes that he’s driven away all intimate companionship with his bluster, and that Dagwood is the closest thing he has to a friend. However, subsequent panels completely fail to follow up on the notion of Dithers gradually going insane, and thus I quickly lost interest.

Panel from Crock, 11/15/09

Meanwhile, because the bottom half of the telephone handset depicted here seems to have vanished, when I first saw this panel I thought for a moment that Crock had decided to put a gun to his head and end both his life and the strip named after him. IF ONLY.

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Dick Tracy, 11/3/09

For me, the trajectory of a Dick Tracy storyline goes something like this: first it’s interesting because it’s so hilariously wacky and surreal; then the strip refuses to in any way engage in traditional “storytelling” that “makes sense” and I get irritated and start ignoring it; then the climax, with its promise of unspeakable violence, looms, and I get interested again. In this case, obviously-guilty-from-the-beginning evil clown Mr. Pops is about to be strangled, or ripped in half, or thrown down into a tiger cage and eaten alive, by circus giant/strongman Fee Fi. While it’s true that bad guys in Dick Tracy inevitably die in agony, they generally either perish in ironic accidents while trying to escape or are killed by Dick himself. I wonder therefore about the legal issues that might arise from this act of freelance vigilantism. Or will Dick merely praise the behemoth for his perp-mangling skills? “I like the way Pops’s enormous shoes kicked in terror right before you hurled him to his death! That was a nice little flourish.”

Blondie, 11/3/09

Dagwood should not be worried about the complexity of Elmo’s sidewalk diagram here — after all, what is childhood for if not the creation of elaborate and impractical systems? No, the real issue is his concern for Dagwood’s safety. Any self-respecting American youngster ought to be over the moon with joy at the prospect of two adults running pell-mell into each other face-first and then collapsing to the sidewalk in a heap of slapstick pain. Yet Elmo is determined prevent this hilarious event from recurring. Is this the end result of a generation raised on play dates and non-violent cartoons?

Mark Trail, 11/3/09

Oh my goodness, in my recap of possible Mark Trail plot points, I completely neglected the obvious: Sassy used as gator bait! I certainly hope we continue along these lines when Rusty inevitably comes out in his pajamas to look for his mewling pup. “We may be in luck, fellows … alligators love hideous, deformed little boy meat!”

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Jumble, 10/22/09

If you remember the first batch of WWMMD pictures, you knew that eventually I’d be put in chains at the behest of a corrupt justice system in the Jumble. You can see by my face that I’m shocked at this miscarriage of justice. How could I possibly be found guilty, when I know that I’m innocent? Does my snappy Fist O’ Justice shirt count for nothing? What monstrous jury pool would be capable of such cruelty? Faithful readers, while newspaper readers only got part of the story, I am authorized to share with you the entire courtroom scene:

I … I know I should have hired a lawyer with more courtroom experience. I’m pretty sure he was just doodling on his legal pads all through voir dire.

Blondie, 10/22/09

Here’s the thing, Blondie: If you don’t want to draw attention to your status as an ancient relic from another decade, it may be best not to build a strip around the fact that your main character usually struts about in an outfit that nobody in living memory has worn outside of the most formal situations, and you’ll particularly want avoid equipping him with another set of clothes that, despite his cheery statements to the contrary, would not make anyone in his probable 35-to-50 age range feel “young.” Nevertheless, I’m willing to give you a pass because chubby Dithers in a Nehru jacket is in fact pretty hilarious.

Rex Morgan, M.D., 10/22/09

So earlier this week, I noted that it would be an amusing improvement on the current RMMD storyline if Tim proved to be a sinister kidnapper. However, I’m even more pleased at the current plot direction into horrible social discomfort. Now that Peanuts is no longer being produced, there are very few places in the comics where you can see painful interpersonal awkwardness so deliciously drawn out until it makes you cringe. I look forward to the next several days’ worth of strips after this clumsy pass consisting mostly of silence — frosty in the passenger seat, humiliated on the driver’s side.

Apartment 3-G, 10/22/09

Speaking of awkwardness, this Apartment 3-G storyline is just getting better and better. Remember, the funniest Tommie storylines are the ones where she’s casually insulted!

Slylock Fox, 10/22/09

I’m assuming the parents in these Six Differences panels have commissioned some kind of report from their children on the pros and cons of various domestic pets. Despite their big smiles, I can’t imagine they’re all that pleased to see that the kids are just drawing on big pieces of paper. What is this, the ’80s? If you really want to make an impression, you want to set up a PowerPoint presentation, with animal clip art and ungrammatical bullet points about why dogs and/or cats are awesome. How do you kids expect to succeed as white-collar drones? Sorry, you’re getting a turtle.