Archive: Crock

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Crock, 6/2/10

So I’m in the midst of a minor fixation on the geography of the Crock universe, which I dearly hope passes soon. But, while I’m being tortured with it, I may as well share it with you! Today’s baffling segment of physical space is what I assume to be the command center of Crock’s Legionnaire post. This appears to be a vast, unadorned concrete chamber; its only contents are work areas for Crock and his adjutant, which are separated by a good twenty feet of emptiness. The exterior of the fort appears primitive, so I’m assuming this windowless chamber isn’t air conditioned; therefore, we must assume that Crock and Poulet spend their days shouting at each other through the thick, unspeakably hot air, their words echoing off the bare walls. Thus, the fort’s architecture duplicates — and perhaps exacerbates — the brutality of the colonial regime that it houses and represents.

Family Circus, 6/2/10

Uh oh, it looks like Billy’s managed to somehow get a hold of some off-Kompound knowledge, possibly from one of the devil’s own “books”! It’s totally in character for the Keane eldest to use some hard-won nugget of information to prove his superiority over his little brother, but his use of it here is weirdly contextless. Wouldn’t it be easier to make Jeffy feel stupid by pointing out that his attempts to color on a piece of paper that isn’t laid on a surface are doomed to failure? As it is, Jeffy is given an opportunity to offer up one of his trademarked defiantly ignorant comebacks.

Mary Worth, 6/2/10

Her work with Bonnie and Ernie complete, Mary has decided to jump right into another meddle without even the rest-period denoted by a pool party. This is a physically demanding choice — you can see that she’s checking her pulse to make sure that her body can handle it — but she’s highly motivated to reach a new pinnacle of her craft.

Pluggers, 6/2/10

Pluggers have no friends. The people pluggers think are their friends are just those acquaintances too polite to abruptly break off conversations and walk away, no matter how much they want to. Once these people have managed to extract themselves from a plugger’s awkward grip, any promises of future social interaction that were offered up in order to smooth their exit are immediately forgotten.

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Barney Google and Snuffy Smith, 5/30/10

Snuffy is admittedly improvising under pressure here, but I’m a little disappointed at his excuse-making’s failure to cohere into a satisfying whole. Since he was questioned about his intentions for that sack full of live chickens, surely all concerned could better pretend at the virtue of the situation had the subsequent bribe been offered in chicken form. Indeed, I’ve assumed that poultry is more or less the main currency in Hootin’ Holler anyway, a suspicion that is confirmed by the somewhat dodgy appearance of the note Snuffy is handing Sheriff Tait. It certainly doesn’t resemble a U.S. greenback, which makes sense as those probably haven’t been seen around town since the local TVA office closed down. My guess is that this is a piece of scrip issued by the operators of the nearest coal mine; though the mine and the accompanying company store have also been shuttered for decades, Hootin’ Holler residents still atavistically ascribe value to the crumbling pieces of paper.

Crock, 5/30/10

I’m also interested in how exactly the local economy works in Crock. There doesn’t seem to be any kind of permanent settlement associated with the strip’s Foreign Legion outpost, just a series of isolated retail establishments created as needed to support the lame joke of the day. I guess it’s understandable that the employees of “Dress Shoppe,” having no competition in the clothes trade, lack any sense of customer service. Maybe the next shop will do better, now that Grossie has destroyed this one.

Panel from Mary Worth, 5/30/10

EMERGENCY! EMERGENCY! THE INDIVIDUAL KNOWN AS “BONNIE” (indicated) HAS HAD HER SOUL COMPLETELY DEVOURED BY MARY WORTH! SUGGEST IMMEDIATE MERCY TERMINATION OF HER UNDEAD CORPOREAL FORM!

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Dick Tracy, 5/29/10

The current Dick Tracy storyline, in which one of Dick’s old adversaries (or possibly said adversary’s grandson) has gone to all the trouble of being cast opposite Dick in a dramatic re-enactment of one of his old cases just so he can murder the detective and one or more bystanders in front of hundreds of onlookers, is painfully dumb, dumber than usual for this feature, and I’ve been studiously ignoring it. However, I do have to pause to offer appreciation for the fact that Director Lady Whose Punny Name I Have Forgotten has chosen to only thought-balloon that “Oh, no!” Sure, there’s a crazed murderer on the lose and the entire audience is at risk, and it’s important to tell people that, but we wouldn’t want to start a panic with unseemly displays of emotion.

Crock, 5/29/10

We’ve already established that the Crock artist has long forgotten, if he ever knew, that Grossie is supposed to be wearing a niqab. So I suppose it makes sense that he might think of that cap on the top of her head as a “hairstyle.”

Hey, everybody! By the time you see this, I’ll be gone for the long weekend. See ya back here Monday evening, or maybe Tuesday morning!