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Mary Worth, 10/15/06

Can I confess something to you? Like Toby, I’m looking for closure: Closure on the Aldo storyline. Sadly, I think this may be as close as we’re going to get. I think the best we can say about Mary’s thought-balloon trip here, which is redolent of an old Burma Shave ad, is that it’s short and to the point. At least she’s trying to make a good show of things: her moronic trio of friends are just openly gawking at her, as if they’d never seen an act of human kindness before in their lives.

Rex Morgan, M.D., 10/15/06

I was going to say that Rex contemplating whether or not June should quit her job without actually, you know, asking June is a bit retrograde, but then I realized that this is coming from the same creative team that’s having June parade about in a towel for our titillation.

It’s interesting that Rex is encouraging the only other medical professional who works in his practice to quit, especially since he recently agreed to help out at a free clinic for uninsured children. Maybe he finds being around his wife such a distasteful reminder of the heterosexual façade that is his life that he’s looking for any way to minimize his contact with her. “Yes, honey, you stay home with little Sarah, while I work at our practice … and the children’s clinic … I’ll be home … next week … maybe …”

Of course, it’s possible I’m misreading this and that Rex is talking about quitting his job for a while. In which case, I’m actually looking forward to the adventures of Rex Morgan, Unshaven and Unemployed Layabout.

Dennis the Menace, 10/15/06

In an attempt to recapture his “menacing” cred, Dennis assumes the powers of divine judgement and condemns Margaret to everlasting hellfire!

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For Better Or For Worse, 10/11/06

Is there anything grosser than Anthony harkening back to one of his and Liz’s furtive almost-certainly-didn’t-get-to-second-base teenage make-out sessions as Liz describes what it felt like being overwhelmed by the flood of memories of her near-rape? Well, maybe it’s the fact that just before said flood of memories arrive, we get that patented icky FBOFW close-up, where an ostensibly pretty girl looks like she’s been daubed with layers of makeup in preparation for a mall-studio glamor photo. Anyway, to summarize: Ew.

Dennis the Menace, 10/11/06

The first thing that entered my mind upon reading this strip, as I’m sure was true for all of you as well, was the immortal quatrain that concluded Ice Cube’s 1993 classic, “It Was A Good Day”:

Drunk as hell but no throwin up
Half way home and my pager still blowin up
Today I didn’t even have to use my A.K.
I got to say it was a good day

Ah, Dennis, so many opportunities for adventure your beeper opens up to you! All of which involve drugs. Because pretty much everyone other than drug dealers has gone in for cell phones now. Cell phones, Dennis the Menace scribes. Take a note. They’re like these little phones that you can take around with you wherever you go. Been pretty omnipresent since the late ’90s or so. No, no need to thank me.

As Dennis continues to be less and less menacing, his constant companion and foil has been consistently portrayed as even feebler in order to leave the impression that Dennis still has something of an edge. Has poor Joey ever looked readier for the short bus than he does here today?

Mark Trail, 10/11/06

People say that Jack Elrod can’t draw people very well. I say that never has the majestic American mullet been portrayed with the attention to detail and depth of feeling on display here.

I’m deeply intrigued by the suspense built up by the nonspecificity of “Are you thinking what I’m thinking? Yeah, let’s do it!” Here’s my idea for the missing fourth panel: Molly is wearing an adorable bonnet and drinking tea out of a tiny cup, sitting at an itty-bitty table with a bunch of stuffed animals, all of whom also have teacups in front of them. Orange Shirt and Mullet Head stand nearby, taking pictures for their novelty Web site and squealing in girlish delight.

Mary Worth, 10/11/06

Sometimes in a strip you see the gears begin to shift and new directions begin to open up, and you have to ask yourself if you’re willing to go down the new trails that are about to be forged. So if you’re wondering if I’ll still love Mary Worth if it becomes less about Mary meddling in the lives of others and more about Ian saying wildly inappropriate things sotto voce in delicate situations, the answer is: Yes. Yes I will.

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For Better Or For Worse, 8/30/06

Never has the flabby make-it-up-as-you-go-along nature of the Foobian plot been on display as nakedly as it is here. I mean: How far away is Liz’s apartment from her parents’ house that she would considering moving back there to shave a little off her commute? And she’s been back down south for, what, three months now? Don’t they have leases in Canada, or are Pattersons just allowed to break them with impunity? And doesn’t Ellie have any say over whether her totally adult and self-sufficient daughter decides to up and move back in, or is she just going to go on with the passive “It’ll happen if it happens” attitude? These are questions that I want answered. In return, I’ll answer April’s question about why Liz wouldn’t want to move back home: it’s because she’s, like, 26, and living at home when you’re 26 and have a job is for looooooosers.

Dennis the Menace, 8/30/06

Speaking of losers, Dennis is continuing his trend of eschewing menacing, preferring instead to hone his floral-themed dinner-table bon mots. It actually took me about 45 seconds to grasp the “bud”-“blossom” wordplay going on here, and I finally only got the joke because of the presence of the rose on the dinner table, which I assume was intentional. Note to cartoonists: If you need to put in a visual aid to forward the cause of a pun in your comic, your pun needs work.

Slylock Fox, 8/30/06

Apparently it’s terrified prey week in Slylock Fox. As if the terrified beaver wasn’t traumatizing enough, check out the discarded ribcage, presumably of one of his family members, next to the crocodile on dry land. Today’s scene of the savagery of nature provides a backdrop for a true/false quiz. “True or False: Sometimes things that are cute and basically good die in agony for so that something more powerful and vicious can survive. (Answer: So very true!)”