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Dustin, 1/18/24

I think my record on the themes and narrative content of Dustin is pretty clear — I find them extremely objectionable, perhaps more than any other comic in my daily rotation — but I generally don’t say much about the art. It’s — well, “good” might be pushing it, but it’s generally perfectly workmanlike and occasionally shows flashes of charm. The one thing about it I don’t like is the weird way that the character’s eyes switch back and forth between stylized pupils-and-sclerae (as in panel two here) and simple black dots (as in panel three). Maybe this doesn’t jump out at you in black and white (which I still consider the canonical format for a daily strip), but in today’s scenario it honestly feels like we’re going from them talking normally about teenage boy trouble to their eyes suddenly going inky black and their voices shifting to an ominous thrumming as they say in unison “THE HANDSOME LAD, THE PRETTY ONE … HE HAS WRONGED US AND HE MUST BE DESTROYED.”

Gil Thorp, 1/18/24

Keri has been selling the “Pedro ghosted me!” sob story to anyone who’ll listen for a while now, but honestly it feels more like “Pedro is experiencing a major depressive episode that isn’t actually about me”? This is, I imagine, a fairly accurate example of a teenage reaction, though.

Mary Worth, 1/18/24

My immediate reaction to this strip was “Oh my god was this just setting up a MARY WORTH HAS A SECRET DAUGHTER PLOT????” Now, obviously, you’re going to dismiss that as anatomically impossible, but remember that Mary firmly believes that you can overcome past trauma simply by refusing to remember that it ever happened, so it’s more likely than you’d think!

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Crock, 1/16/24

I’m not sure what series of facial expressions I would make if I spoke to my institutionalized mother about the fact that she’s so dissocated from her body that she can’t recognize the rumbling of her own bowels, but I’m pretty sure this isn’t it. Honestly can’t really tell what it’s trying to convey, but it definitely wouldn’t be me!

Dustin, 1/16/24

“Anyway, you’re dying. Or maybe just depressed. One or the other for sure. Could be both.”

Mutts, 1/16/24

Why is her torso covered in eyes

Why is her torso covered in eyes

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Dustin, 12/10/23

A problem in comics in which nobody ages is that the viewpoint characters birth year gets later and later, even though their creators get older and older, creating an increasingly dissonant portrayal. This just gets exacerbated in strips like Dustin, which were deliberately created to do Generation Gap commentary, and whose Boomers vs. Millennials origin has now drifted confusingly into Gen X vs. Zoomers without getting any of the signifiers right. Like, Dustin’s parents now are clearly in the early-to-mid 50s, an age range I know [cough] a little bit about, and I’m here to tell you that in 2023 those people are not the ones somehow leaving the house without their wallet but with a checkbook. Anyway, I guess the final panel is supposed to be from the viewpoint of the customer service worker, who’s visualizing Helen as being from a different era, but I’m choosing to believe that Helen is actually so charmed by the fancy, old-fashioned process of writing a check that she feels like a pretty, pretty princess.

Dennis the Menace, 12/10/23

Look, I understand that the daily and Sunday strips for many legacy properties are done by entirely separate creative teams because … well, actually, I don’t understand why that happens, but I do understand that it’s a thing that does happen, and I think that if it does, the daily people and the Sunday people should check in with each other once in a while, you know?

Shoe, 12/10/23

I actually really appreciate the way that Skyler locks heavy-lidded eyes with us in the little mini-panel in the middle of this strip. “Brace yourself for the punchline,” he’s telling us. “It’s gonna suck ass.”