Archive: Family Circus

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Mary Worth, 4/4/09

I suppose this strip is supposed to be interesting because it contains one of Dr. Jeff’s occasional and doomed attempts to become a Man Of Action, but to be honest I’m much more interested in his trademark green jacket. Presumably he bought it years ago from a Masters Tournament winner in desperate need of cash (John Daly?), and now wears it at all formal events to show his contempt for bourgeois notions that clothes should be “attractive to look at” or “match.” Still, look at the way he’s carrying it around Mary’s apartment at arm’s length. It’s almost as if he finds wearing it any longer to be an exhausting prospect, but its totemic power is such that he’s afraid to set it down or turn his back on it. He particularly needs to be wary of laying it on Mary’s mustard-colored sofa, because the resulting color clash could rip a hole in the fabric of space-time itself.

(UPDATE: As faithful reader willethompson pointed out, John Daly never won the Masters; I blame confusingly worded Wikipedia infoboxes. For a non-golf-fan, the appeal of a cheap “drunk and desperate John Daly” joke was too strong to resist.)

Archie, 4/4/09

These three panels of Archie contain all the power of a Greek tragedy. A blind (or, in this case, bespectacled) sage notes the rot that is destroying his culture from the inside out, but is powerless to do anything but comment. Then, like poor doomed Pentheus, he is torn to bits by a mob of crazed women.

Family Circus, 4/4/09

Normally, when the Keane Kids mangle the English language and/or basic common sense to make one of the subpuns or moronic bits of wordplay that are this beloved feature’s stock in trade, they just stare ahead with blank, dumb expressions while doing so, as the gags’ accidental nature is supposedly part of their charm. In this panel, though, Billy and Jeffy seem to be amused by the former’s wisecrack. This could herald a dangerous new phase, in which the melonheads, having somehow become aware of the fact that they are being cut out of the newspaper and hung on the refrigerators of nice old ladies everywhere, ramp up their cloying cuteness to unbearable levels. On the other hand, it’s possible that they’re just amused by the prospect of eating their grandmother’s head.

Curtis, 4/4/09

One of this strip’s most common running gags involves Curtis asking his father for a cell phone, and his father informing him that cell phones are too expensive. Thus, I must conclude that the strip’s creator has no idea what text messages are. Perhaps he thinks they somehow involve a tennis racket.

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Gil Thorp, 3/28/09

“Hey, Josh,” you’re probably wondering, “How did the winter Gil Thorp story finally play out?” Well, Gil managed to convince the Larkins (who are black) that it would be racist to move back to New York City to take a lucrative job that would help Mr. Larkin get his career back on track, and take the family away from the awful town where the kids are dating juvenile delinquents! Brenda Larkin marked the permanence of her presence in Loserville, USA, by blowing a key shot in the big game, thus keeping the Lady Mudlarks out of the playdowns, again. (The boys’ team’s fate wasn’t even discussed, so presumably they weren’t even in contention.) Then a career criminal, Ted Ex Machina, confessed to the convenience store hold-up that put all this in motion. And today, the one bit of whimsy and joy this plotline has given us — the fact that Ashley got robbed of a case of Nutboys (“It’s Nutty!”) — has been retroactively erased in Orwellian fashion. THEY WERE NUTBOYS, DO YOU HEAR ME? NOT ZAGNUTS! NUTBOYS! Now, for the love of all that’s vaguely wacky, let’s move on to baseball season.

In the final panel, we have confirmed what we’ve known all along: that Milford is a sort of Jerusalem for everyone who’s given up on doing anything with their lives.

Family Circus, 3/29/09

I’m not sure what’s sadder: that the Keanes view representational art as sacrilegious, and thus only decorate their otherwise blank walls with exuberance-restricting commands in terrifying blackletter font, or that said commands are so routinely disobeyed in the Keane Kompound, which is best known for the sounds of morons shrieking malapropisms.

Luann, 3/29/09

“You’ll be making crepes for me. While I wait in bed. Your bed. Which is where I’ll sleep, after I’ve captured and subdued you with my muscular, prehensile head-tail. Even now, it’s curling and uncurling at the tip, in eager anticipation of the moment when it will strike and wrap around you with its anaconda-like strength.”

Apartment 3-G, 3/29/09

“Aunt Carol thinks that being a child of divorce, like pretty much half of everybody in America today, and having a father with a lucrative medical career is the equivalent of growing up in a squalid refugee camp in the middle of a war zone! Aunt Carol has absolutely no God-damned sense of proportion.”

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Hello all! Your comments of the week coming shortly, but … hey, remember last summer when a reader pointed out that Blondie was just rerunning strips from the ’50s? Good times! Now evidence comes from faithful reader Shannon that the Family Circus apparently thinks the comics statute of limitations is even shorter!

When I saw piggish little Billy chastising Miss McElfresh for “shopping” when she was supposedly “sick,” I knew immediately that I’d seen that panel in one of the FC books I’d had when I was a kid. I wasn’t sure if I still had the book in question, but found it when I went rummaging through some old boxes. I scanned the panel in question (which is from ’70 or ’71) and am sending it along to you.

You’ll note that the panel has not been substantially redrawn, though there are some tweaks: the dialogue has been rearranged into the innovative new “partly in word balloons” system, the old chalkboard has been transformed into a modern dry-erase whiteboard, and of course the solid Miss Johnson has been replaced by some piece of ethnic trash. The strip’s obsession with the thought that our children are being taught by flighty whores who might enjoy personal adornment is still front and center, however.

Shannon was also kind enough to send me a scan of the cover of the collection from which the original panel derived:

“Today it might be better titled Hello, Child Protective Services?”, he says.

Also! I got the following intriguing email from faithful reader Dave, currently living in China!

I am an SAT tutor in Shanghai. Rent is a little expensive here so I kind of live way out in the middle of nowhere. However, there are a lot of little alleyway restaurants where you can get a good meal for under 2 bucks U.S. Last night, I was on my way to such a place when I discovered that Garfield had somehow found his way to my neighborhood, looking sassy as ever. As you can see, he is either coming on to me or he wants to eat me. I guess this is where he goes when he leaves Jon to stew in existential terror.

PS: This Garfield was not hocking any Davis goods or anything even remotely related to Garfield. He was really just chilling outside a cheap, back-alley Chinese food restaurant. I have no idea why he was there.

There is something unspeakably creepy about the way Garfield is looking at the camera here. Dave, for not screaming aloud and fleeing in terror into the night, you are to be commended.

And now, it’s time for … your comment of the week!

“TJ’s background is obvious. He was created in a lab using the combined DNA of Arsenio Hall, Liberace, and a Portuguese Water Dog.” –Charlene

And the runners up! Very funny!

“It is a sad, sad criminal conspiracy that can be derailed by a picture on Rusty’s Flickr page. Just turn yourselves in now, boys. There’s no hope.” –Artist formerly known as Ben

“I didn’t realize he had batted the alarm clock; I instead thought he projectile-shat onto the wall. Either way, his dexterity is amazing.” –Al of the Christian Singles Jungle Patrol

“Hot Hot Hot. A threeway with Love Story Ryan O’Neal and What’s Up, Doc? Ryan O’Neal. Lucky lucky Tommie circa 1972.” –Cranky

“Curtis’s dad’s expression is not one of surprise or amusement. My guess, given the circumstances, is that Curtis’s incessant anti-smoking hounding has finally driven him to replace his instant coffee mix with pure Skoal.” –Dragon of Life

“Wow, you know what I just realized? A picture shows images of things. That could include our faces! And our faces are wanted! Um, is it legal to kill a kid with a camera? Oh, what do I care. I’m a wanted man! I can kill anybody!” –un malpaso

“Jack Elrod is atoning for the chauvinist sins of the last storyline by giving the ladies in the audience what they’ve been clamoring for: a prison-hardened reimagining of My Dinner With Andre. You’re welcome, ladies.” –Joe Blevins

I am not a pork item in the stimulus package … unless you want me to be. Wink wink. Anyone? Anyone? No? I WILL DO ANYTHING FOR MONEY UP TO AND INCLUDING THAT WHICH IS EXPRESSLY FORBIDDEN BY SEVERAL DIFFERENT LAWS AND RELIGIOUS TEXTS.” –Nate

“Tommie makes her move! Of course, almost any price would be worth it to get rid of that horrible blue, um, sports coat thing from Gary, but I still admire Tommie for being willing to offer her body as a reward for his removing it.” –Master Softheart

“I refuse to believe TJ’s story until he mentions the years as an underage gigolo and the stroke that paralyzed his face. Preferably in the same anecdote.” –150

“I don’t care if TJ’s father was a con, or his mom died. My only question is that grin. I need an origin story on that grin. Did his mother die of Smiley Sardonic Rictusosis? Did his dad go to jail for stealing his son’s lips?” –Spk

“Mark and family are apparently considered the local technology superstars, the Lost Forest version of Steve Jobs if you will, based on the fact that they can be uniquely identified as ‘the folks with the camera.'” –DaveyK

“The Greaser and Workshirt plot could be the beginning of an absurdist parable where the infinitely distracted heroes never arrive at any destination: ‘Workshirt, when we were renting the car to go to Lost Forest, the Avis guy got a good look at us. Better head over there and kidnap him.’ ‘Greaser, that gas station we stopped in on the way to Lost Forest had a security camera; I’m gonna go ask them to sell me the footage.’ ‘Good thinking, Workshirt. Now let’s pull over and ask these innocent bystanders for directions … D’oh! The innocent bystanders made us!’ And so on, an endless Finnegan-Begin Again loop of covered tracks.” –Tim Cavanaugh

Clint Brawny and Emily Armfull are scions of a paper-towel and baking-soda fortune, respectively. Blondie and Dagwood came up with a plan to seduce them on purpose, because, frankly, there’s nothing more important to either of the Bumsteads than a clean kitchen and an inviting refrigerator.” –BigTed

“Sam, fully aware that this can only end in her turning into another one of the strip’s buxom pinups, oversees the transition with a look of intensest ennui.” –Black Drazon

“I don’t know what this impostor strip is, but it’s not Judge Parker. I know that because there are no scantily clad women, nor men discussing inanely trivial details of their latest lucrative career ventures. We all know those are the only two themes allowed in the Judge Parker strip.” –Alan’s Addiction

“It is a little disconcerting for him to call her ‘Princess’ and her to call him ‘Sam’. Sorta like he’s saying, ‘Let me love you like a father!’ and her reply is ‘Can’t we just be friends?’ Which is odd, because Sam normally doesn’t give a shit about feelings or affection.” –Donald the Anarchist

“Oh sure, you think she’s cute now, when she’s fetching you beer and peanuts with her lowered eyes and her little apron on. But you won’t think so later, when you’re cowering in a hollow tree incubating one giant egg after another for a dozen weeks at a time.” –Joe Btfsplk

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