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For Better Or For Worse, 10/9/06

Well! The witnesses need to stay in town, you say? That sure is inconvenient for any of the witnesses that might have out-of-town boyfriends that they’re trying to build a relationship with! And plenty convenient for total losers who have nowhere else to go but might be able to wear down the objects of their affection with their constant mewly, schlumpy presence! Yes, it appears that every aspect of Liz’s near-rape ordeal has been calculated to ease Anthony’s wooing process. Years from now, they had better have a good child therapist on retainer for the moment when their kids finally ask the inevitable “So how did you guys finally get together” question.

Note also that Anthony is staring at Liz’s ass in the first panel.

I’d say that we’re at least going to get an introduction to Canada’s fascinating, British-derived legal system out of all this, but surely the only law this strip will be obeying is the Law of Narrative Convenience. For starters, who exactly is this bald fellow our power couple is talking to? Ontario’s official Junior Minister for Exposition?

B.C., 10/9/06

Things this deranged B.C. might possibly mean:

1. Columbus’ actions upon his “discovery” of Hispaniola began a legacy of enslavement and genocide that forever tainted the European colonial enterprise in the Americas.
2. What we need are more leaders like Columbus, who don’t let considerations of “political correctness” prevent them from getting done what needs to be done.
3. Them colored folk sure are good at the ball games.
4. MADNESS MADNESS MADNESS

Rex Morgan, M.D., 10/9/06

“Elvis.” Huh. I … I don’t think any of us were expecting that. Well played, Rex Morgan, well played.

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For Better Or For Worse, 9/29/06

Boy, the icy specter of death sure shut those kids up quick, didn’t it. I think Michael and Deanna need to keep this in mind for the future. “Be quiet, Meredith! Your Grandpa Ted just had a massive heart attack!” “I DON’T HAVE A GWAMPA TED!” “Yes you do, and you love him very much. Now get in bed, dammit.”

A lot of people have asked me for my opinion on the impending death of Grandpa Jim. I’m just glad that it stopped being a source of punny punchlines after the first day or two.

Gil Thorp, 9/29/06

Gil Thorp is well known of its radical leftist views, so I think it’s pretty clear that this latest plot development is part of a larger political allegory. See, student body VP Marcus Newton is a stand-in for US VP Dick Cheney. Just as Newton was responsible for blowing up an innocent mailbox, Dick Cheney is responsible for engineering the invasion of Iraq. And Newton’s swift deposition for his crimes represents the strip’s author’s fantasies that Cheney will be impeached for his own misdeeds and removed from office. And Stormy Hicks is a stand-in for … um … the football-playing drag queen that will replace Cheney. OK, that last part needs work.

Gil Thorp is also well known for its ludicrous hairstyles, but the combination bun-bob on the guidance counselor here is really pushing the envelope. Is it even physically possible?

Blondie, 9/29/06

Welcome to the panopticon, Dagwood! This strip might have actually been funny if everyone at this … whatever it is … hadn’t been theatrically holding their hands to their ears. Then we would just be seeing that Dagwood had been reduced to a quivering, paranoid wreck by his evil ogre of a boss. But this is Blondie, so “funny” isn’t really on the agenda.

Judge Parker, 9/29/06

I look forward to the next week or so of Judge Parker, which will no doubt involve finding a beard on short notice.

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Apartment 3-G, 9/23/06

Ah, Eric Mills, engaging in a little art discussion with Lu Ann! Say, is something looking a little … different about this art impresario and Hat Man since last we saw him?

I know, I know, it’s the coloring mules’ fault, but I prefer one of the following explanations instead:

• Eric Mills realized that he’s got to stay “young” and “hip” if he wants to get involved in the New York avant-garde art scene. Signing Lu Ann and her faux-Victorian fern drawings is a good start, but if he wants anyone in the art world to take him seriously, he’s got to dye his hair blonde. Unfortunately, he’s too cheap to go to a salon and tried to do it with nobody’s help but Miss Clairol, which resulted in that sort of orangey color that really dark hair gets when its been inexpertly dyed.
• Eric Mills is a chameleon shapeshifter. His hair changes color to match the tresses of whatever young lady he’s trying to bed. Today’s strip indicates that Lu Ann and Margo’s fight over him is pointless, as he’s really after Tommie.
• Eric Mills has “mood hair.”

Anyway, Margo is sure not winning any points with her ludicrously petulant behavior. What with her pouting, her bossiness, her demands for attention, and her lack of the sort of social skills that most of us learn in kindergarten — well, she’d better hope that Eric Mills is into four-year-olds. Wait, that came out wrong.

Mary Worth, 9/23-4/06

Now … now see here, people. Aldo is not dead, OK? He … he can’t be dead. I’m sure he’s just … terribly injured. Terribly, terribly, passive-aggressively injured. When the jaws of life pulled his shattered body out of his smashed, smoldering car, I’m sure the first words out of his mouth were “Mary … Worth,” which is why the cops called her. His second words were “Where’s … my … booze?”

Saturday’s strip also offered a revealing look at the home life of Professor and Mrs. Chinbeard. Grading papers, snotty putdowns, bumper sticker quotes, endless hair brushing to avoid getting into bed with that smug bastard … it all goes a long way towards explaining Toby’s emotionally deadened look in Sunday’s final panel.

For Better Or For Worse, 9/24/06

This made me throw up in my mouth a little bit.