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Mark Trail, 11/18/09

Here’s a question for you: am I spoiled by Mark Trail? I mean, yes, this is the sort of wordless action strip that makes the feature worth reading, and yes, Mark has waded into the swamp to deliver a crushing blow to an alligator’s mouth, without regard for his personal safety, in order to save his mutant ward’s whiny little dog. I should just be able to sit back and enjoy it! And yet … well, he’s not using his fists, is he? He’s using a tool to do his fighting for him. Sure, for an ordinary human punching an alligator would be a recipe for certain death, but Mark is not ordinary, and may not even be human. When his violent righteousness turns on the poachers, as it inevitably will, will Mark think, “Hey, I am already holding this stick! It helped me beat the alligator — maybe it will help me defeat these men as well!” And once there’s an intermediary object between Mark and his targets, well, it’s all downhill from there. The next think you know, he’ll be suing them, or writing angry letters to the editor about their misdeeds.

Gil Thorp, 11/18/09

Today is the day that reveals the true shape of Gil Thorp’s football season B-plot: it’s Cyrano de Bergerac, if Cyrano were a band geek, and instead of feeding love poetry to Christian he just gave him recaps of high-school volleyball games, and while watching the whole drama you kept waiting for the action to switch back to Christian’s teammate’s brother in prison. Still, I have a feeling that Valerie will learn that the person who really enjoyed watching her play volleyball was a slightly cross-eyed clarinet player, and true love will blossom at last!

Rex Morgan, M.D., 11/18/09

You know, I really and truly would have been delighted if the whole Becka-Tim side story ended up being entirely tangental to the plot, with Cue successfully negotiating the return of the wayward oldsters with the crooked nursing home operator while Becka fended off Tim’s ham-handed advances. But now it appears that the two narrative threads will finally meet, so I’m hoping that the fisticuffs between the exceptionally dim small-time marijuana dealer and the socially awkward fishing magazine writer will at least be kind of hilarious.

Apartment 3-G, 11/18/09

“Kitchen staff” no doubt sets alarm bells off in Ari’s head. “Wait, she used to be rich, and now the only person she can afford to exploit to get her meds is me? Danger, danger!”

(By the way, if you’re trying woo a pill-popper with rice pudding in actual New York, might I suggest Rice to Riches at 37 Spring Street in Manhattan? YUMMY!)

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Mark Trail, 11/17/09

Hello there, faithful readers! I think it’s been a little too long since you were last treated to the dimension-warping horror that is apparently the natural configuration of Rusty’s face when he’s excited about Sassy. So, enjoy! Take a good look at his eyes bugged out in terror! Against your better judgment, try to look down his maw, only to see darkness, infinite darkness! Watch each of his blue-black hairs rippling across his huge, bulbous head! And then maybe you’ll understand why Mark doesn’t let Rusty go to school with the other children.

Mary Worth, 11/17/09

So I’m guessing that someone over at King Features told the Mary Worth creative team to use the interweaving and ongoing Apartment 3-G storylines as a model, rather than this strip’s typical self-contained plots. The grinding of the plot-shifting gears are still loud and obvious; it’s just that we appear to be revisiting older plots rather than allowing them to vanish into Mary’s Successful Meddles file. Thus, we had “Adrian gets flim-flammed” followed by “Delilah in Charley’s sex den” followed by “Adrian’s boyfriend in a coma,” and now we’re back to Delilah again.

But! Perhaps Mary Worth needs to learn when a beloved character from the past should be revived! For instance, Adrian was a prime candidate for a plot sequel, since her previous storyline had ended with her emotionally devastated and in the process of being wooed by an unethical cop who was the son of Dr. Jeff’s secret schoolboy crush. EXCITING! When we last saw Delilah, meanwhile, she had rejected Charley’s lustful advances and was reconciling with her boring husband. We certainly don’t need to see any more of that. It’s possible that Delilah is calling to beg for advice on her compulsive need to rapidly change clothes, having somehow gone from a canary yellow number to an even more hideous salmon-colored tracksuit in just a few seconds; but more likely she’s just calling to let Mary know that she’s finally decided to embrace her womanly destiny and pop out a kid. If so, I hope for entertainment’s sake she at leasts brings the little squaller over to Charley’s no-children-allowed pad, to humiliate him further.

Blondie, 11/17/09

Most everyday objects in Blondie, like Herb’s weirdly top-heavy little car, are in a sort of boring version of the uncanny valley: while not cartoonish enough to be funny or interesting, they’re also not particularly realistic-looking if you really examine them for any length of time. I have to say, though, that in panel two pretty much nails that lonely exurban freeway off-ramp and overpass. The dark sky makes for quite an evocative scene, as these four white-collar drones head back to their identical houses, bickering in a desultory fashion about their hated jobs, in that incongruously cheery pastel car.

Family Circus, 11/17/09

Normally I’m against any and all premature expressions of the Christmas spirit, but if Dolly is humming her little tune slowly and creepily off-key while staring at Billy with that blank expression as a prelude to strangling him with a garland of tinsel, I’ll let it pass.

Marmaduke, 11/17/09

It probably shouldn’t come as any surprise that Marmaduke has harnessed the slower, plumper inhabitants of his community so as to more efficiently drag them off to his blood-drenched devouratorium. The question is, how did he get these poor damned souls to ingest the powerful tranquilizers that have made them so complaisant and easily led to their own doom?

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Dick Tracy, 11/3/09

For me, the trajectory of a Dick Tracy storyline goes something like this: first it’s interesting because it’s so hilariously wacky and surreal; then the strip refuses to in any way engage in traditional “storytelling” that “makes sense” and I get irritated and start ignoring it; then the climax, with its promise of unspeakable violence, looms, and I get interested again. In this case, obviously-guilty-from-the-beginning evil clown Mr. Pops is about to be strangled, or ripped in half, or thrown down into a tiger cage and eaten alive, by circus giant/strongman Fee Fi. While it’s true that bad guys in Dick Tracy inevitably die in agony, they generally either perish in ironic accidents while trying to escape or are killed by Dick himself. I wonder therefore about the legal issues that might arise from this act of freelance vigilantism. Or will Dick merely praise the behemoth for his perp-mangling skills? “I like the way Pops’s enormous shoes kicked in terror right before you hurled him to his death! That was a nice little flourish.”

Blondie, 11/3/09

Dagwood should not be worried about the complexity of Elmo’s sidewalk diagram here — after all, what is childhood for if not the creation of elaborate and impractical systems? No, the real issue is his concern for Dagwood’s safety. Any self-respecting American youngster ought to be over the moon with joy at the prospect of two adults running pell-mell into each other face-first and then collapsing to the sidewalk in a heap of slapstick pain. Yet Elmo is determined prevent this hilarious event from recurring. Is this the end result of a generation raised on play dates and non-violent cartoons?

Mark Trail, 11/3/09

Oh my goodness, in my recap of possible Mark Trail plot points, I completely neglected the obvious: Sassy used as gator bait! I certainly hope we continue along these lines when Rusty inevitably comes out in his pajamas to look for his mewling pup. “We may be in luck, fellows … alligators love hideous, deformed little boy meat!”