Post Content

Garfield, 1/13/10

I’m near-sighted in one eye and far-sighted in the other, which means that when I was growing up my eyes never really learned to work together properly, which in turn means that my depth perception is quite poor. This has had effects on my life large — I long ago gave up driving for the safety of myself and those around me — and small — 3-D movies generally don’t have the same impact on me as they do on other people. Whether the technology is what they use in Creature From The Black Lagoon or what they use in Avatar, to me it just basically looks like an ordinary movie — except for brief moments when something comes flying terrifyingly right at me.

Anyway, I don’t know about anyone else, but Odie’s tongue in panel two is providing me with just a nightmarish 3-D moment, with the leading edge of it appearing to be freakishly out of proportion to its apparent distance from the slobbering beast’s mouth. There are few things I want less when reading the comics in the morning than to even briefly worry that I’m about to be licked by some cartoon dog, and I resent the flash of panic that this induced in me.

Funky Winkerbean, 1/13/10

As you probably learned in your introductory English class, narrative is total snoresville if it doesn’t include conflict of some kind; but the inhabitants of Westview are generally far too morose to actually have competing goals or desires, so the only conflict comes when the doomed characters must do battle with their own cruel universe. Thus, I’m vaguely intrigued by the rivalry being implied here between the town’s only two vaguely ethnic downscale restaurants. I hope the Toxic Taco is a mirror image of Montoni’s, with the original Tacoteer having long since retired to Arizona, leaving the restaurant and its cast of regulars (including the zany UPS delivery guy and a single mom who overparents her only son) in charge of the manager, a bitter, burned-out recovering cocaine addict.

I’m not entirely sure what Mopey Pete’s sentence in the first panel is supposed to mean, actually. Is he saying that, since he’s not working on anything, he’ll have time to really focus on his favorite hobby, taco eating? Is he short of cash because of the lull in his work, and thus the only food he can afford is the Toxic Taco’s meat-style food substance topped with cheese byproducts? Or are the Toxic Taco’s wares literally poisonous, and his career failure is driving him to commit suicide in the most grotesque fashion he can imagine?

Mary Worth, 1/13/10

I love the look of mounting panic on Wilbur’s face as all his idle daydreams of what life with Abby would have been like are shattered by Kurt’s terrifying talk. Like all characters in Mary Worth, Wilbur values stability above all else, and if that means a life where the only “moving from place to place” happens when you move from the computer to the counter where you make your sandwiches, then so be it. Thank God he and his erstwhile lover broke it off when they did, or he might have been forced to grow as a person or experience joy.

Post Content

Mary Worth, 1/11/10

You’d think that after, what, five and a half years of analyzing this nonsense “professionally,” my capacity to be amused and delighted by the total inability of Mary Worth characters to speak the way that the humans do would have slowly been dulled. But you would be mistaken, as nothing in today’s comics got as big a laugh out of me as “I suffer from an uneasy restlessness” did. It might actually seem here that scruffy neo-hobo Kurt is going to offer a radical alternative to this strip’s suffocating bourgeois values, and will lure Wilbur away from his comfortable condo life towards a new less stable and more vital existence, traveling from town to town to see what experiences the world has in store. But Kurt came into Wilbur’s life via the Internet, and everything associated with the Internet in Mary Worth is bad, so clearly this storyline will end with that sort of disaster averted and Wilbur returned safely to his ordinary soul-numbing life.

More proof that Kurt and Wilbur may actually be related by blood: their shared impulse to wear jackets and hats of precisely the same hue.

Jumble, 1/11/10

Speaking of suffocating bourgeois values, there’s something quite poignant about today’s Jumble, in which a group of crazed shoppers respond to a half-off sale on sodium-laden processed semi-food with a level of frenzy usually reserved for the Beatles circa 1964. I’m particularly saddened by the dude in the background, who’s cheerfully running over to the freezer case to make sure that he can bring home as many trays of microwaveable goop as possible, unaware of his life’s essential emptiness.

Crock, 1/11/10

I have many gripes against the creative team behind Crock, but one particular unlikable aspect of the strip as I encounter it is beyond their control: the fact that the desert setting is routinely slathered with a neon yellow unlike any found in nature must be blamed on the post-production colorists, not the credited artists. Still, it’s distracting, as in today’s strip, where it appears that Kerwood is being worked to death in some kind of sand mine.

Marvin, 1/11/10

For decades scientists have wondered: Would it be possible to create a character less appealing than Marvin? Well, the creators of this long running crime against humanity strip have decided to take that challenge head-on, by creating a Tyler Durden-style alternate personality for the titular hell-infant that encapsulates all of his worst qualities. The horrible little pig-faced monster is wearing his hat backwards for no good reason, which I suppose is a start.

Ziggy, 1/11/10

Thanks to a challenge from Stephan Pastis, Ziggy briefly experimented late last year with putting pants on its title character. That experiment has now thankfully been abandoned, but today we can see why Ziggy usually eschews trousers, as even a few weeks of wearing them has horribly mangled his legs. Are his feet pointing backwards?

Post Content

Mary Worth, 1/8/10

I’m pretty sure that panel two of today’s Mary Worth is what happens when you have MC Escher draw your family reunion. Note that Kurt and Wilbur are ostensibly sitting on the same piece of furniture, but Kurt’s waist is somehow level with Wilbur’s knees. That may have something do with the fact that Kurt is turned 90 degrees towards Wilbur, but his legs are still magically able to bend! Meanwhile, Dawn appears to be drawing away from Wilbur and her probably-not-actually-half-brother in disgust, tucking her right arm awkwardly behind her back so that Wilbur can’t touch it, and somehow moving closer to the viewer than the actual length of the couch would seem to allow. Just as Kurt has disrupted the Westons’ lives with his story about his illicit parentage, so too has his presence disrupted the actual fabric of time and space in their condo unit.

Also, I like their plan of finally setting some time aside to get to know each other better next week! It should make the next few days of sitting around the house awkwardly super-fun.

Apartment 3-G, 1/8/10

Wow, it looks like dating a foul-mouthed married pill addict isn’t a bed of roses — who could have guessed? I’d have more sympathy for the outrage being perpetrated against Ari’s professionalism if not for the fact that he actually appears to be not so much “with a client” as “wandering around the foyer of his office while his client presumably drones on and on about his emotional problems in the next room, seriously, that guy never shuts up, he probably won’t notice if I take a break for a few minutes.” Also weighing against Ari’s right to be self-righteous: the fact that he prescribed sleeping pills to one of his clients almost immediately upon meeting her, then started sleeping with her. What I’m trying to say is that Ari can, in fact, go to @#*%!!

Family Circus, 1/8/10

My favorite thing about today’s Family Circus is the look of disappointment on Big Daddy Keane’s face. It’s like he always had dreams of having kids so he could read stories to them, only discover that actual children ruin everything by thinking for themselves and being bored and irritated by the things you like. At least Dolly is staying engaged enough to know what’s happening in the story, even if she’s going to pick it to bits with her dumb questions; PJ looks as if he’s fantasizing that something more interesting is happening — that’s he watching television, or instance, or staring at the wall.

Garfield, 1/8/10

Ha ha! Garfield and Odie are voyeuristic perverts!