Post Content

Mary Worth, 12/6/09

Every once in a while an installment of one of the soap strips comes along that in my mind wholly justifies the lavish attention I expend upon them. Just the throwaway panel dialogue here would be enough to make this strip an instant classic; “Now on to explore new worlds … in online social networking!” should be the mission statement of some terribly misguided Web consultancy that shows businesses how to set up Twitter accounts that they don’t need. And yet this is just the opening gambit. We feel that we are right there with Wilbur as he makes his perilous roller-coaster ride of Facebook insanity. First, he clenches his stubby fingers into unaccustomed shapes as he prepares for a vigorous social-networking session. Then, upon receiving this mysterious missive, he’s so in awe of it that he reaches his fingertips half-consciously towards the screen, as if he could feel the human connections being created by intangible electrons. Next, he becomes pensive, then slips into anxiety as he contemplates the implication of this anonymous message. (“Someone” warned you about these social networks, Wilbur? I think we all know who among your acquaintances spreads fear about all things newfangled and enjoyable. It’s OK, you can name her, in the safety of your thought balloons!) Then his face brightens a little. Maybe something interesting will be crawling out of the woodwork!

But in the final panel, we tumble headlong into madness. The existence of Dawn has forced us all to acknowledge, at least to ourselves, that Wilbur has had sex at least once. But now we are confronted with the possibility of Wilbur’s wild, swinging past, and while it may enrage and disgust us, I for one plan to get over my initial hesitation and embrace the lunacy. I dearly hope we are treated to flashbacks to Wilbur’s unprotected sexcapades, possibly involving him wearing a leisure suit and having as many as a dozen hairs to comb over his bald spot.

Rex Morgan, M.D., 12/6/09

Well, now that Becka’s runaway oldster adventure has ended incredibly awkwardly, it looks like it’s time for Rex and June to reclaim their comic strip! It appears that their house has been trashed by squatters, which makes sense as they’ve been away for, what, a year and a half now? It would be fun drama if Rex’s beloved ward Nikki were responsible, having turned Chez Morgan into a party pad for his low-life friends (or, worse, his low-life mother), but it’s also possible that Abbey, having been left alone with no one delegated to take her on walks, was the culprit.

This strip offers further confirmation that all cab drivers in Rex Morgan, M.D., are required to wear ludicrously exaggerated ethnic headgear.

Family Circus, 12/6/09

There might be something among this world’s possibilities more horrifying than three smirking Keane Kids thrusting their no doubt filthy feet at you expectantly, but I’d be hard pressed to name it.

Post Content

Barney Google and Snuffy Smith, 12/3/09

It has long been my contention that Parson Tuttle is a fraud, using his position as Hootin’ Holler’s lone clergyman to bilk his gullible parishioners out of their meager savings. Today it has become clear that he never even bothered acquiring the rudiments of a theological education before launching into this long-term grift. He’s desperately trying to come up with some vaguely Biblical-sounding thing about niceness that might get these ladies to make peace with each other, and all he can pull out of his fancy hat is the Good Samaritan; but even the semi-literate locals know that this parable is really about expanding the notion of “neighbor” to encompass mercy and virtue, not just geography or ethnic and religious loyalty, and has little to do with stopping people who actually live next door to each other from feuding. Still, they might yet get some spiritual edification out of it; after all, the parable does involve a man beaten by bandits and left for dead at the side of the road, which I imagine happens in Hootin’ Holler with depressing regularity.

Crankshaft, 12/3/09

I have to admit that I kind of enjoy the often nonsensical “Crankshaft-speaks-to-the-garden-club” episodes of Crankshaft, mostly because there’s so much disconnect between the various components. The ostensible point of the strip is to provide a humorous counterpoint between the ’Shaft’s educational agenda and his wacky and relentless malapropisms; but funnier still is the comical juxtaposition of both with his look of unbridled disgust and contempt and his audience’s terrified cowering. Pretty much the only way to parse any of this is to imagine Crankshaft as an aged absolute dictator, still wearing his proletarian uniform to show his revolutionary bona fides despite years in power, launching into hour four of a rambling, nonsensical harangue that his audience cannot escape or ignore for fear of execution.

Funky Winkerbean, 12/3/09

Ha ha, whoops! I think we’re about to find out that Funky recently decided in a “cost-saving move” not to renew his restaurateur’s license. Westview’s last economically viable private business will be shut down, throwing its already struggling employees out of work just in time for the holidays. Merry Funkmas, everybody!

Rex Morgan, M.D., 12/3/09

I’d argue that the blame for this whole escapade really ought to be placed not so much on Henry the non compos mentis golf pro but on the neglectful management of the nursing home that allowed the two oldsters to escape. I’d also point out that it’s incredibly common for people with Alzheimer’s to form romantic attachments to each other in care facilities, and that it probably brings a certain amount of joy to their lives. But whatever, Tim! I’m sure your mother will be much happier locked up in your basement! I do hope you and Becka can stay friends, if by “friends” we mean “she will come by a couple times a month free of charge to make sure your mother isn’t dying.”

Mary Worth, 12/3/09

People, people, people, this strip, in which Wilbur confesses (while moodily chewing on an orange celery stick) that his daughter helped him set up a Facebook page, has been live on the Chron Web site for more than 10 hours, and yet nobody has set up an actual Wilbur Weston Facebook page yet. Shame on all of you! Whoever does this first, and makes sure that his six combover hairs are visible in each and every one of his profile pictures, will be a true Internet hero.

UPDATE: Wlibur profile is up! Go to it!

Marmaduke, 12/3/09

It’s a good thing that former president Bill Clinton has his wife’s salary as Secretary of State and the money he makes from his speaking engagements to fall back on, because I don’t think his bosses at the dealership will be pleased that he let a demon-dog with unnaturally powerful neck muscles destroy the roof of one of the cars he was trying to sell.

Mark Trail, 12/3/09

OH OH OH! Please, please, please let Sassy get eaten by a squid!

Post Content

Dick Tracy, 12/2/09

So it turns out that one of my earlier assumptions — that Dick’s reference to “long hair stuff” meant that he and his wife would be attending one of those subversive rock and roll shows, put on by some damn hippie band — was off by several centuries. It turns out, intriguingly enough, that up until the 1960s “long-hair music” denoted classical music. You can find the etymology here, but the gist is that 19th century artists and intellectuals (the damn hippies of their day, like this shaggy-haired punk here) tended to wear their hair long; by the 20th century, the term came to denote intellectuals generally, most of whom by now had gotten respectable haircuts, and by the 1930s it was being used by jazz musicians and journalists to refer to classical musicians, who apparently appealed to a more high-falutin’ educated audience.

Obviously this whole association between classical music and long hair in American vernacular English was abruptly and definitively ended by the advent of the aforementioned long-haired hippies and their rock and roll music. Thus, Dick’s persistent use of it is revealing. Like all right-thinking American law enforcement officials, he hates hippies with every particle of his being; in his fight against what they and their dope-smoking have done to this nation’s moral fiber, he simply refuses to even acknowledge their existence, and will speak as if the 1960s never happened and everyone associates long hair with tempestuous 19th century German artists.

Almost as interesting as all this social etymology is how depressed Dick looks in panel two. “Am I ready for long-hair music?” he asks himself, as if this was the last stage in a man’s life before death. “Normally the only music I listen to is made up of perps begging for mercy as their bones are shattered. Has it really come to this?”

Mary Worth, 12/2/09

AAAUUUGGGGGHHHH WILBUR CLOSE-UP TOO CLOSE ABORT ABORT ABORT