Archive: Mother Goose and Grimm

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Family Circus, 2/25/11

The Family Circus is such a target for snarky Internet contempt that picking on it is a cliché at this point, but I really don’t understand how things like this get cut out and hung on people’s refrigerators, unless your refrigerator is where you keep your birth control and you need a reminder of why it’s very important that you use it. “Mommy, guess how much children you have! Also, guess why ‘children’ is now a mass noun instead of a count noun! It’s because we’re one monstrous organism that slithered out of your womb in four separate parts, but now we’re going to merge together to fulfill the tasks our demon creator has set for us!”

Mother Goose and Grimm, 2/25/11

I know, I’m pretty much programmed to find this funny, but I found it funny. The best part for me is the two characters’ facial expressions — Mary looks alarmed and a little shell-shocked at being discovered, while Rex looks grimly determined. Both are extremely appropriate.

Mark Trail, 2/25/11

“There’s a man inside and he looks … oh my! So handsome, so sexy! I may not be able to resist him! Also, I think he might be dead? But that’s not important right now. Come here honey, help me drag him out of the boat.”

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Mother Goose And Grimm, 5/12/10

So here’s what life’s like, if you’re me: you might find yourself spending a good part of an afternoon trying to figure out exactly what’s most objectionable about this cartoon, which manages to conflate one’s awkward and yet terribly exciting teenage sexual fumblings with both lactation and human-animal contact, to absolutely horrifying effect. I’ve finally decided that the worst part is fairly subtle: it’s the cow’s eyelashes. Exaggerated eyelashes like these are often used to signify that an otherwise gender-indeterminate beast or thing in a cartoon is meant to be a lady, and an attractive one at that. One might have thought that the femaleness of the cow was beyond question, what with it being milked and all, but there they are, driving the point home that this is a bovine with frank sexual needs that this farmer is fulfilling.

On the other hand, the farmer’s look of shock and horror is kind of funny. It’s as if this cow had never actually spoken to him before, and he’s just now realizing that their relationship is very, very different from what he had hitherto imagined.

Mark Trail, 5/12/10

You know, it’s all fun and games when Rusty gets trapped under a car, but even though Sassy is irritating, I would really prefer not to see her get run down in the middle of the road just two panels after Mark cheerfully states that letting the little dog run around unleashed and unfenced is totally cool. I’d say that we’re about to learn a valuable lesson about pet ownership, except that Mark is never ever proven to be wrong in this strip, and our last runaway dog storyline has as its moral not “keep your dog inside or behind a fence” but rather “petnappers love surprises,” so I don’t have high hopes here.

Apartment 3-G, 5/12/10

Tomorrow’s narration box: “Tommie immediately regrets demanding an explanation.” Notice that she’s attempting to casually sidle away from her roommates, keeping her facial expression as neutral as possible.

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Apartment 3-G, 9/24/09

“Oh, my goodness, Ms. Merrill, you almost stepped in front of that bus!! Oh, and by the way, how’re you doing on that ‘prescription’ I wrote for you?”

Mother Goose and Grimm, 9/24/09

“Costumes or no costumes, fellas, “Talk Like a Pirate” Day was last Saturday — why don’t we try a nice technology joke instead?”

Mark Trail, 9/24/09

I got nuthin’ — except Mark and the turtle in the same relaxed pose, with the same adorable expression. Hope it starts a trend!


Margo Moments — a Fall Fundraiser special, part 5

Apartment 3-G (panels) — 2/4, 2/5, 2/10, 2/27, 3/16, 4/15, 5/29, 6/23, 7/23/2008


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