Comment of the Week

Is Dr. Jeff's 'again’ meant to indicate that he's already (willfully?) forgotten what Mary's told him, or does it display his belief that Wilbur's life is a karmic circle of disasters that are superficially varied but basically the same thing happening to him over and over?

Pozzo

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Beetle Bailey, 9/4/13

I was going to say something snide here about how if you hear the phrase “3-D printing” on the news you can’t just panic and throw it into a comic at random, you have to do a few minutes of research about what 3-D printing actually is, but then I thought: what if Gizmo has one of those 3-D printers that can create living tissue and has decided to make another version of General Halftrack, piece by piece? If nothing else, this horrible 3-D-printed abomination of science will allow us to do some good nature vs. nurture studies about terrible, crippling alcoholism.

Mark Trail, 9/4/13

Now that Mark Trail’s gotten all the punching out of the way early, the strip is free to draw out the rest of this storyline as one long, dull anticlimax. “Thanks for the tip, Dusty … it turns out it was surveyors who had been damaging our fence! They had been leaning their equipment up against it. I explained to them why they shouldn’t do that, and they apologized and said they wouldn’t do it again. Anyway, good luck catching those poachers! I’m going to go get some pancakes.

Apartment 3-G, 9/4/13

Oh my goodness, which character from Apartment 3-G will suddenly find themselves appointed the new Lieutenant Governor of New York? Probably Tommie, right? Lieutenant Governor is about the most boring political office America has to offer, Tommie’d be perfect.

B.C., 9/4/13

Wait, none of the ant-adults in B.C. have jobs? All the stories about their work ethic are just lies!

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Mark Trail, 9/3/13

Oh, man, this Mark Trail plotline is just getting started — it involves a mysteriously dead elk Mark found on Lost Forest property — and already there’s punching! Panel two is a true classic of the Trailian punching genre, with hat and gun flying in opposite directions as Mark interprets “turn around, mister … slowly” as “turn around mister … very quickly and then punch me in the face as hard as you can.” I guess it’s a little bit awkward that Mark ended up punching his friend Dusty, but that’s just the price you pay when you punch first and verify identities later! Everyone’s all smiles and there appears to be no permanent harm done, unless that parabola emanating from Dusty’s mouth in panel two is meant to be a trail of spittle following behind a dislodged tooth, which it almost certainly is.

Shoe, 9/3/13

I grudgingly respect the fact that Shoe follows the logic of at least one aspect of a society of bird-men to its logical conclusion and has a bird that feasts on the dead as the town undertaker. I do wonder how many casual Shoe readers know that Mort is a mortician-bird-man, which I’m pretty sure is a key piece of information for this joke. Not that it makes much sense anyway? Ha ha, did you enjoy your time at the opera … in a coffin? Because you’re a mortician-bird-man, and opera is a dying genre? Eh? Eh? Death?

Momma, 9/3/13

Well, it looks like I was right yesterday, and we are going to get a multi-day plot in Momma, a strip that never, ever does multi-day plots. So since we’re going into uncharted territory, I guess why not take a head-first leap into howling madness, with MaryLou walking up the aisle of an airplane, shoving big steaming spoonfuls of glop into the mouths of the weirdly compliant and passive passengers? I look forward to further airborne insanity over the rest of the week!

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Slylock Fox, 9/2/13

Despite his unnatural skin tone, I’ve more or less accepted Count Weirdly as one of Planet Slylock’s few remaining humans. But his “cousin” Creepy seems significantly genetically divergent, and not just in superficial areas like coloring. Was Weirdly performing illegal genetic experiments not just on the animals that ended up rising up to seize control of the planet, but on his own kin? Or does he grow mutated clones of himself in rows of ghastly tanks, deep beneath his castle-lair? Creepy might suffer from physical abnormalities, but his unnaturally large head and today’s little drama implies that he may actually benefit from enhanced intelligence: he’s already packed and ready to get out of town before yet another classically pointless Weirdly caper ends in failure. “High five, cuz, we did it! I, uh, gotta go.”

Luann, 9/2/13

The huge majority of comic strips exist in “comic strip time,” in which their characters all remain the same age relative to each other for years or decades and unmoored in absolute time, which gives rise to unsettling results like Ted Forth being the same age as my dad when I was a kid but then wearing a Sonic Youth t-shirt several decades later. You also have strips like Doonesbury and pre-time-freeze For Better Or For Worse in which characters would age a year for every calendar year of real time.

Then you have the strips that go through a sort of comics punctuated equilibrium, with long periods of stasis and then sudden leaps forwards. The most famous example of this is of course Funky Winkerbean and its various time jumps, but Luann seems to be in this boat as well. Luann was in junior high for the first 14 years or so of the strip’s existence, then was suddenly aged into high school in 1999. Now, another 14 years later, we learn that she’s actually starting her senior year. The question is: are we ready for a world where Luann is in college? Am I? Are you? Is she? I’m not sure any of us are.

Momma, 9/2/13

Meanwhile, one strip that has zero continuity or aging or narrative advancement for its characters is Momma, which is why today’s installment is especially bizarre, seeing as it contains a major life change for one of its characters and nothing that could be even vaguely construed as a “joke.” Will Momma suddenly be transformed into MaryLou, That Dizzy Dame Of The Skies, now that strip management has finally looked at the results of the 1973 focus group showing that flight attendants are more appealing to audiences than controlling, passive-aggressive mothers and their unlikeable children?