Comment of the Week

Wizard of Id has succintly portrayed the difference between Early and Late Medieval modes of warfare: while his Dark Age companions are boldly dying for their feudal lord, the canny Sir Rodney treats war as a profession. He is akin to the condottiere who would dominate later Italian warfare. That sly look and crooked smile is that of a man who sees human corpses as nothing more than money in his purse, arguably far more barbaric than his predecessors. But trebuchets suck for hitting single guys so we're probably about to see Sir Smarty Pants' insides in spite of his historically progressive role.

m.w.

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Crankshaft, 6/27/13

When? America demands to know. When will we get Crankshaft making dickish puns about New York City, like we were promised? Well, it seems that after a week of Crankshaft being an asshole at the airport, we now have to deal with a week of Crankshaft being an asshole on a plane. Today’s strip actually nicely encapsulates what I frequently find off about the tone of this strip: this is a fairly zany gag, and an impossible one at that — you can’t actually open one of those doors in mid-flight by accident. It should be played pretty broadly. And yet everything about the art is actually pretty serious. Like, instead of just looking bored or wry or something, the flight attendant is actually running towards the back of the plane in panic. And Crankshaft’s face! That’s the face of a man who knows with absolute certainty that he’s about to die horribly, due to his own poor decisions. It’s the face I’ve wanted to see on Crankshaft for years, so I guess I’m not sure why I’m complaining so much about this.

Judge Parker, 6/27/13

Speaking of things that have been dragging on for two weeks against all expectations, Judge Parker Senior is still really mad about a bad review of his trashy mystery novel! The war criminal who dared disparage it is a professor at Princeton and Yale, which (a) isn’t a thing that happens, generally, but (b) should provide the Parker-Spencer-Drivers, who are fantastically wealthy and always get everything they want without putting forth any effort whatsoever, with a great opportunity to rail against “elitists.”

The Phantom, 6/27/13

UGH, the Phantom thinks World War I was still happening in 1919. Can we trust the veracity of any of the information from the Chronicle Chamber now?

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Barney Google and Snuffy Smith, 6/26/13

Oh, look, Cuzzin Zeldy has arrived in Hootin’ Holler! Her brand of pagan spiritualism may provide a welcome alternative to Parson Tuttle and his desperate, fraudulent promises. Her first attempt to transform the theological world of the townsfolk involves informing them that chickens and other animals killed for their meat have immortal souls, and will vengefully haunt those who murdered/ate them. Could be awkward!

Spider-Man, 6/26/13

I’ve never really doubted J. Jonah Jameson’s journalistic instincts before. I’ve had plenty of questions about his journalistic ethics, sure, obviously, but I always assumed the guy knows what sells. But if people won’t buy your tabloid when the front cover features a sugar-crazed mob angrily wielding candy bars and screaming for the blood of a mayor who’s deep in the pocket of Big Public Health, maybe print is dead.

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Mary Worth, 6/25/13

Ha, I bet you thought that once Beth and Tom had admitted to Elinor that they were totally in heterosexual love and planned to get married and Elinor miraculously came around to the point of view that Beth shouldn’t live a solitary, unhappy life for the rest of her days, all the conflict in this plot was over and we could move onto something more interesting, with that something to be introduced during a pool party. WELL I GUESS YOU THOUGHT WRONG, DIDN’T YOU?? Here we are and we’re still paying attention to these three mopes! What dramatic conflicts remain for our protagonists? Will Beth’s gratitude for Mary’s intervention transform into adoration and then into obsession? Will she manage to alienate both Elinor and Tom with her incessant Mary-worship? Will Mary’s beatific face appear in a floating picture-thought-bubble in at least one panel of every strip for the remainder of this storyline? Let’s hope!

Spider-Man, 6/25/13

I think we can all agree that “Irony, anyone?” is pretty much the greatest Newspaper Spider-Man narration box ever. It will be harder to come to a consensus as to which panel represents the ultimate Newspaper Spider-Man image: Spidey gazing forlornly into his empty wallet, or Spidey rubbing the back of his head and staring dumbly off into the middle distance.

Mark Trail, 6/25/13

Baker’s been here for two days. Has he seen anything? Stay tuned to find out!