Post Content

Mary Worth, 8/16/21

Oh, snap! Did Drew get emotional closure on the whole getting-dumped-by-Ashlee situation? Nope! Did we ever really find out why Ashlee skipped town, exactly? Not really! But too bad, we’ve spent all the time we can on Drew on his problems, because it’s been way too long since we spent some time on Wilbur motherfucking Weston and all his problems! Now, I know from this strip it looks like Wilbur doesn’t have any problems. Honestly, it looks like he doesn’t have a care in the world! But believe me, folks: this is a man with some problems, and we’re going to hear about them in gruesome detail.

Funky Winkerbean, 8/16/21

I’m not sure which possibility suggested by this strip is more hilarious to me: that the climactic “Les and Lisa discuss the disposal of Lisa’s cremains” scene of Lisa’s Story: The Movie was filmed on a tiny set in front of a greenscreen, or that they built that little bench as “fun” prop for this hot Hollywood party, to remind the cast and crew what it’s all really about (it’s about how Lisa died of cancer, and her husband is and has been extremely noble about it).

Beetle Bailey, 8/16/21

Like most Americans, I’m into gritty, “edgy” reboots of existing intellectual property. So obviously I was deeply disappointed that today’s Beetle Bailey didn’t pay off on the promise of the first panel, which implied that we’d see a story where the denizens of Camp Swampy wonder if Beetle Bailey committed suicide.

Gil Thorp, 8/16/21

CSI: GOLF SCAMS: SPECIAL VICTIMS UNIT

Post Content

Mark Trail, 8/12/21

Oh, uh, the “Mark parties with influencers” storyline has wrapped up, and I’m not going to describe everything that happened (it was confusing?) but there was definitely punching. Now Bill Ellis is assigning Mark to a new editor who works for a member of Woods & Wildlife’s family of trusted brands: Hot Catch’s print run ended in 2011 and now it’s a blog with six to eight mostly aggregated content items per day, but it does have a freelance budget for the stories that it knows will bring in those clicks. And the W&W audience development team has determined exactly what that magic element is: Mark punching somebody. Will Mark be punching people violating fishing conservation laws, or just punching the fish themselves?

Dennis the Menace, 8/12/21

We established years ago that Dennis has achieved at least basic literacy, which raises a lot of questions about today’s panel. Is he doing a gender-reversed version of the thing where girls pretend to be dumb so boys will like them? I leave it to you to decide if the overall terribleness of this strategy is mitigated by the menace to the patriarchy that this particular move represents.

Beetle Bailey, 8/12/21

In order for the rhythm of this interchange to work, we have to assume that General Halftrack already has that bottle of liquor in his right hand in panel one, just out of our sight. I was going to say that he was wandering around the house with the bottle, waiting for the perfect setup for him to unleash a bon mot as he poured himself a glass, but based on his well-known disdain for his wife, perhaps any interaction with her would serve as a suitable trigger.

Mother Goose and Grimm, 8/12/21

A couple weeks ago we learned that Grimm is dead, and being tortured eternally in hell. “But how did he die?” you probably wondered. The answer is revealed in today’s flashback strip: it’s rabies. He didn’t get his rabies shot, and then he contracted rabies, which killed him.

Post Content

The Lockhorns, 7/31/21

A fascinating thing about longstanding legacy comics is that many of their running jokes are built on cliches pulled from the broader culture at large, and then they keep on using those cliches for decades, even as they completely lose all real-world relevance. For instance, The Lockhorns posits a world where opera still holds a place in the cultural sphere that leads downwardly mobile middle-class suburbanites like Leroy and Loretta to occasionally attend, even if enjoyment of the form is strongly gendered for joke purposes. Maybe this was true in 1968 when this strip debuted, or maybe adults in 1968 had memories that this was true for their parents’ generation, but I would strongly disagree with anyone claiming this is true in the year 2021. Opera today is very niche, and I think its shrinking modern audience is probably a fairly specific slice of intellectual urbanites, and older ones at that, whereas Leroy and Loretta are are somewhere in the 30-50 range (that’s right, folks: with each passing day, Leroy and Loretta are more and more likely to be millennials).

Now, you could probably do a more realistic version of these jokes with “the philharmonic” rather than opera, but, you know what? The Lockhorns has been doing opera jokes for more than 50 years and it’s not going to stop now just because “no real-life version of Leroy or Loretta today would ever be caught dead at the opera” or whatever! And they’re not going to dumb it down for you, either! Did you know that Nabucco was a Verdi opera? I definitely did not! I definitely had to look it up! Is there any other way you would know that it’s opera specifically that Leroy is griping about in this panel, if you didn’t know that off the top of your head? Not as near as I can tell! They could’ve thrown us a bone and used Aida or The Ring Cycle or something ore obvious, but no, if you’re not intellectual enough to “get” this Lockhorns panel or do the research to bring yourself up to speed, then that’s your problem, friend.

Barney Google and Snuffy Smith, 7/31/21

“Ha ha! Overswept! But seriously, a child under our care has collapsed into exhausted unconsciousness because she’s done too much manual labor. That seems … not great?”

Beetle Bailey, 7/31/21

Sadly, that night an enemy unit was able to ambush the sleeping soldiers of Camp Swampy, killing most and capturing the rest. RIP Beetle Bailey, 1950-2021.