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Blondie, 12/23/09

As is sadly typical, the actual punchline in today’s Blondie is so gentle as to be essentially undetectable, but I confess that I like the visual gag. Generally, when the Bumsteads’ shop, they end up with packages ludicrously stacked in their arms in structurally improbable configurations. Today’s strip takes this to its logical conclusion, with a series of boxes just sort of floating in a cloud around Blondie, without any visible means of support.

Mark Trail, 12/23/09

OH YEAH MARK TRAIL JUST PUNCHED A COP RIGHT IN THE FUCKIN’ FACE! This is the greatest Christmas gift you or I or anyone else will receive this year. Note that the mighty blow has miraculously dislodged the car keys that Mark and the lawmen were discussing in the previous panel; Mark’s fists are unerring plot-device-seeking projectiles.

Hi and Lois, 12/23/09

Add another entry to the “call social services on the Flagstons” file: the apparently unsupervised Trixie is just eating garbage she finds under the furniture now.

Herb and Jamaal, 12/23/09

I’ve been reading this strip for going on five years now, and more or less against my will I’ve actually accumulated some knowledge about the title characters. For instance, here’s what I know about Jamaal: He’s a firefighter, he’s in love with his fellow firefighter Yolanda, his name is “Jamaal J. Jamaal,” and — a relevant detail about today’s installment — he’s a former professional basketball player. Since today he’s challenging his gnomish best friend to a game of one on one, I’m guessing I’m going to have to add “he’s a cruel bastard who needs to boost his fragile ego by demolishing poor Herb on the court” to that list.

Apartment 3-G, 12/23/09

“To be more specific: I hope you like them enough that you’ll let me trade these poinsettias I stole from the Macy’s window display for more sleeping pills!”

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Mark Trail, 12/13/09

The hilarious “Rusty in peril” plot dominating the weekday strips prove that Mark Trail has changed its core mission from “wildlife education” to “gleeful sadism.” Today’s installment offers further evidence, as Mark finally seems to acknowledge that Cherry needs to love, and to be loved, before abandoning her to have fun party times with Andy the dog. Much of the rest of the imagery in the strip is allegorical, with the ludicrously sad-eyed puppy in the middle bottom panel representing Cherry’s emotional devastation, and the terrifying devil-cat in the first panel representing her ever-growing rage.

The rightmost panel in the middle row, meanwhile, offers a unique in-fireplace perspective, and presumably stands in for the eternal punishment that awaits any wanna-be Santas who would give an unwanted animal as gift. Mark and Andy will be right there to watch you cast into the hellfire, animal abuser!

Blondie, 12/13/09

This may be the most unsettling Blondie yet produced. Those who don’t get to see the throwaway panels are missing the full effect, as Dithers creepily demands that Dagwood close his eyes as he approaches with his sinister doll — presumably so the tiny monster’s little face is the first thing he sees when he opens them again, and he can be more easily hypnotized. Dagwood’s stunned silence in the antepenultimate and penultimate panels are the behavior you’d expect from someone given an evil little homunculus, but the fact that he’s brought it home is evidence that he’s under its power. Soon it will tell him to kill.

Slylock Fox, 12/13/09

Also, Slylock and Max have been lurking outside that window for hours, watching Cassandra walking around in her little bathrobe, so if anything like that happened they would have noticed.

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Mark Trail, 11/17/09

Hello there, faithful readers! I think it’s been a little too long since you were last treated to the dimension-warping horror that is apparently the natural configuration of Rusty’s face when he’s excited about Sassy. So, enjoy! Take a good look at his eyes bugged out in terror! Against your better judgment, try to look down his maw, only to see darkness, infinite darkness! Watch each of his blue-black hairs rippling across his huge, bulbous head! And then maybe you’ll understand why Mark doesn’t let Rusty go to school with the other children.

Mary Worth, 11/17/09

So I’m guessing that someone over at King Features told the Mary Worth creative team to use the interweaving and ongoing Apartment 3-G storylines as a model, rather than this strip’s typical self-contained plots. The grinding of the plot-shifting gears are still loud and obvious; it’s just that we appear to be revisiting older plots rather than allowing them to vanish into Mary’s Successful Meddles file. Thus, we had “Adrian gets flim-flammed” followed by “Delilah in Charley’s sex den” followed by “Adrian’s boyfriend in a coma,” and now we’re back to Delilah again.

But! Perhaps Mary Worth needs to learn when a beloved character from the past should be revived! For instance, Adrian was a prime candidate for a plot sequel, since her previous storyline had ended with her emotionally devastated and in the process of being wooed by an unethical cop who was the son of Dr. Jeff’s secret schoolboy crush. EXCITING! When we last saw Delilah, meanwhile, she had rejected Charley’s lustful advances and was reconciling with her boring husband. We certainly don’t need to see any more of that. It’s possible that Delilah is calling to beg for advice on her compulsive need to rapidly change clothes, having somehow gone from a canary yellow number to an even more hideous salmon-colored tracksuit in just a few seconds; but more likely she’s just calling to let Mary know that she’s finally decided to embrace her womanly destiny and pop out a kid. If so, I hope for entertainment’s sake she at leasts brings the little squaller over to Charley’s no-children-allowed pad, to humiliate him further.

Blondie, 11/17/09

Most everyday objects in Blondie, like Herb’s weirdly top-heavy little car, are in a sort of boring version of the uncanny valley: while not cartoonish enough to be funny or interesting, they’re also not particularly realistic-looking if you really examine them for any length of time. I have to say, though, that in panel two pretty much nails that lonely exurban freeway off-ramp and overpass. The dark sky makes for quite an evocative scene, as these four white-collar drones head back to their identical houses, bickering in a desultory fashion about their hated jobs, in that incongruously cheery pastel car.

Family Circus, 11/17/09

Normally I’m against any and all premature expressions of the Christmas spirit, but if Dolly is humming her little tune slowly and creepily off-key while staring at Billy with that blank expression as a prelude to strangling him with a garland of tinsel, I’ll let it pass.

Marmaduke, 11/17/09

It probably shouldn’t come as any surprise that Marmaduke has harnessed the slower, plumper inhabitants of his community so as to more efficiently drag them off to his blood-drenched devouratorium. The question is, how did he get these poor damned souls to ingest the powerful tranquilizers that have made them so complaisant and easily led to their own doom?