Family drama
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Mary Worth, 2/5/26

“Good lord,” you’re no doubt thinking, “how is it that, more than two weeks after Ian ended his war against Sunny the parrot by pathetically surrendering, this plot is still happening?” Well, it’s to set up a long-term plot point: if Ian refused to love the bird Toby acquired a few weeks earlier just because it shat in his shoes, could she ever trust him again? Somehow, after so many years of marriage, Toby has finally noticed that her husband is an asshole, and sure, maybe it’s over something that he’s actually right about, but he’s on thin ice going forward (until Toby remembers she has neither a job nor any marketable skills).
Judge Parker, 2/5/26

Ann’s triumphant return has, predictably, devolved into wall-of-text family dysfunction, but I am kind of curious why Ann’s dialogue in the second panel makes it seem like she’s trying to de-escalate but the jagged-edged word balloon indicates that she’s yelling. Maybe she’s worried a furious Katherine is about to deliver a potful of hot coffee right to her face? Don’t worry, Ann, that would be exciting, so it definitely won’t happen.
Mother Goose and Grimm, 2/5/26

Say, just out of curiosity, did, uh, Robin Hood famously have any kind of interesting relationship with the tax assessment and collection apparatus? You know, the kind of dynamic that might provide a punchline of some sort in a strip like this? A better punchline than what we got here, maybe?








