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The Lockhorns, 6/4/12

I guess the “surprise” is supposed to be whatever the brownish glop on Leroy’s plate is, but since every Lockhorns meal involves earth-tone glop of some sort, and since Loretta hasn’t served herself anything, maybe something more momentous has happened. After all, despite endless decades of marital combat and mutual loathing, what could be more surprising than one partner in this hell-union finally announcing that he or she was leaving? It’s always seemed that they can’t imagine a life beyond their endless, claustrophobic war, and so if Loretta really is about to grab her bag and walk out forever, it would explain why Leroy is looking even more slumped over and crumple-faced that usual. After all these years, what will he do? Will he have the capacity to do anything other than stare at the brown glop for hours, as it congeals?

Spider-Man, 6/4/12

My experience with Broadway theaters is fairly limited, but they’re mostly older buildings and often surprisingly small and cramped. So, kudos to the owners of this theater for retrofitting it so well for handicap accessibility that Clown-9 can drive his duckhead-car (which isn’t exactly large but is still significantly bigger than, say, a Rascal mobility scooter) off the street, through the doors, and right up the aisle! Meanwhile, anti-kudos go to the artist of this strip, who apparently realized that they forgot to make Peter visible in panel two and decided “Enh, we’ll just put his face in a weird little circle thought-bubbling out of nowhere.”

Mark Trail, 6/4/12

You better watch yourself there, mister, because littering in America’s majestic wilderness and murder aren’t that far apart in Mark’s moral code! Note in panel one that Mark has a firm grip on his belt — it’s the only way he can stop himself from punching this guy a time or three right now.

Herb and Jamaal, 6/4/12

Looks like Herb’s mother-in-law has been spending some time with her favorite book, Incredibly Bland Aphorisms From History’s Insanest Philosophers.

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Mark Trail, 5/5/12

Oh, man, you didn’t expect this Mark Trail storyline to end without a powerhouse moral lesson, did you? “Rusty, America’s landscape is lousy with marijuana, and probably most of your little school friends are dopers! It’s not safe out there for anyone, so maybe it’s better that you just stay in the Lost Forest compound, forever. Those friendly beavers won’t try to push a reefer at you, I can promise you that!”

Crankshaft, 5/5/12

Don’t Leroy and Loretta usually at least try to make their hostile asides about one other relate in a vaguely punny way to whatever situation they find themselves in? Like, Leroy should be stage-whispering this to a salesman as they shop for a new car. Just blurting this stuff at a party reeks of even greater levels of desperation than we’ve seen before. “Loretta’s hair isn’t factory color. I mean, she dyes it. Her blonde hair is a lie. A lie like our marriage. Oh, God, I hate every waking moment. Do you have a gun in the house? Can you put it to my head and pull the trigger? I’ll pay you!”

Funky Winkerbean, 5/5/12

Many of you may have already heard about the blockbuster Gay Teens Go To The Prom storyline Funky Winkerbean’s got lined up for the spring. I’m fully in favor of this because (a) I think gay teens should go to the prom together if they want and should be depicted as doing such in comics where proms happen and (b) any Funky Winkerbean strip time dedicated to gay teens going to the prom is strip time not dedicated to beloved characters dying in agony, leaving emotional devastation in their wake.

The mechanics of such stories are a bit tricky in comic strips like this, in that if you suddenly make an established character is gay it seems a bit deus ex machina just to make the plot happen, whereas if you suddenly introduce generic gay characters who only exist for the purpose of the storyline, it makes it very obviously an Issue Story rather than a story about the characters in your strip. Probably the best way to do it would be to introduce a new character who then becomes a part of the recurring cast (which is what Archie did), and who knows, maybe these two guys will stick around, though there are already so many Funkyverse teen characters that I can’t keep track of them all. Hopefully they’ll be given names at some point, at least.

But maybe they won’t! Because as the third panel reveals, the nemesis of gay teen happiness for the next several weeks will be Becky’s mom, who, if I’ve got my Funky history right, once launched a moral crusade to get Comic Book John’s comic book store shut down, because comic books are smut. Thus the important lesson that Gay Relationships Are Valid will probably just serve to make clear the real point of the storyline, which is that Becky’s Mom Is Terrible.

Crankshaft, 5/5/12

But maybe we won’t get to see any of this played out, because it turns out that the entire Funkyverse is really just a series of tales Grandma Rose is telling to her grandkids in order to scar them emotionally.

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Barney Google and Snuffy Smith, 2/26/12

I had always hoped that, if there were anywhere in America where the bane of helicopter parenting had yet to arrive, it was Hootin’ Holler. And yet here we have the Smifs hovering intrusively over their toddler instead of just letting him engage in the sort of non-supervised play in a trash-strewn backyard that made Americans from previous generations healthy and strong (those that survived, anyway). My one consolation is that Snuffy is still pretty bad at this, having stuck li’l Tater in a dog house that’s almost certainly filthy beyond description.

Panel from The Lockhorns, 2/26/12

I suppose that Loretta needed to be in the back seat in order for this joke to work (to the extent that you would consider this a “joke” that “works”), but that still doesn’t solve the mystery of who this grim-faced fellow is in the front seat. He sort of looks as he’s being driven somewhere by the Lockhorns to be done in execution-style and dumped in a shallow grave, but if that were the case he’d probably be happier to see this cop, so I’m assuming that he’s just listened to them talk for 15 or 20 minutes and has now completely lost his ability to feel joy.

Panel from Slylock Fox, 2/26/12

It seems that Rodney Rat has graduated from eager teenage grifter to “career criminal,” with sunglasses and everything. It makes me a little sad that he’s hit this elevated status in his criminal trajectory while his much awesomer relative Reeky is left back in the small time. I also question the practicality of the rope-lasso as a prisoner-retainment device, which may help explain why Rodney gets to make a career out of his criminality.

Panel from Mary Worth, 2/26/12

Mary, no! You don’t have anything to prove to her! YOU’RE LETTING HER INSIDE YOUR HEAD!