Archive: Mark Trail

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Mark Trail, 1/9/09

“Dear Penthouse: I never thought this would happen to me, but one day I came home from a long trip early in the morning, with my dog Andy, and found my wife with both of her hands touching another lady! Andy is a St. Bernard! The lady who isn’t my wife was blonde, and my wife was wearing her robe! They leaped away from each other when I came in, and yet it still made me feel funny, somehow, as if I were seeing something unlawful! Andy sure is a good old dog! That’s why I take him on trips, instead of my wife! Later, my wife told me she had changed her hair, but I didn’t notice. I hope you print my letter! Sincerely, Mark Trail.”

Dick Tracy, 1/9/09

The current Dick Tracy plot is only just getting underway, but since it revolves around Tess attempting to market a Dick Tracy line of cosmetics, it may already the strip’s most laughable yet, since the Dick Tracy brand mostly consists of his impossibly square head and cheerful fascism. It’s appropriate that the final panel juxtaposes the phrase “doesn’t smell right” with a flaming house in which a scientist has just accidentally immolated himself, as the Dick Tracy cologne will smell mostly of seared human flesh.

Marmaduke, 1/9/09

When Marmaduke viciously claws at the eyes of random passersby, blinding them, his owner refers to his violent acts as “kisses.” I shudder to imagine her home life.

Oh, yes! Don’t forget:

(Thanks to Uncle Lumpy for the graphic! And vote for Ces and Medium Large, too!)

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Barney Google and Snuffy Smith, 1/8/09

Must I take on the burden of keeping comics within the bounds of their self-constructed universes? Look, the chances of Loweezy’s Gossipy Friend Whose Name I Neither Know Nor Care About being acquainted with the still-popular-but-no-longer-red-hot-enough-to-merit-pop-culture-namechecks TV program Gray’s Anatomy are pretty low, seeing as her community’s only contact with the outside world comes from the town’s few lovingly maintained Hoover-era radios. I suppose its a possible that a few of Hootin’ Holler’s more successful moonshiners acquired fancy tee-vee sets back in the day to tune into the Dumont Network; fortunately, after the switchover to digital broadcasting next month, we will be spared any more attempts on the part of Snuffy Smith to engage with modern television programming.

Frankly, I’m more concerned at the sight of a doctor cramming with a basic anatomy textbook just before an appointment. “OK, the hip bone’s connected to the leg bone, the leg bone’s connect to the … to the … damn it! I knew I shouldn’t have prescribed myself so many drugs during med school!”

Judge Parker, 1/8/09

Ah, so Sexy Heidi the Sexy Detective is turning to Sam not for sexy sex, but for emotional comfort. “Sam, I admire the way you just stood by bored and disinterested while we pumped that woman full of bullets. You’ve obviously learned to look death in the eye and not be touched by it, just as you’ve managed to remain detached from all other aspects of the human experience other than your own smug self-satisfaction. Can … can you teach me how not to feel?”

Mark Trail, 1/8/09

[INSERT PREDICTABLE AND DISTASTEFUL BUT COMPLETELY MANDATORY BESTIALITY JOKE HERE]

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Mark Trail, 1/5/09

With yet another Mark-spurns-a-pretty-non-wife-lady plotline behind us, it looks as if Mark Trail is finally going to touch the third rail of Mark Trail storytelling, by tackling the pretty wife-lady whose advances Mark also routinely spurns. Cherry is so worked up that she’s dispensed with her usual polo shirt and put on a sexy pink robe that’s allowing us to see her collarbone. “I hope he notices that I’ve changed my hair again!” she says, as she gingerly touches the vaguely rearranged curls perched upon her unnaturally large skull and stares at nothing in particular with her horrifying pink eyes. All the while, she’s thinking about her plans to fall on Mark and ravish him the moment he walks in the door, like an owl grabbing a mouse in its razor-sharp talons and tearing it to bits with its beak, only hotter, and with Mark maybe not being killed at the end.

Meanwhile, Doc is thinking “I hope he notices that I’ve paired up this baby blue cardigan with my orange shirt! I think the color combo really does wonders for me!” But he’s too shy to say this aloud, so he just stands there smoking his pipe, and waiting.

Beetle Bailey, 1/5/09

As you may or may not know, for the first six months of its 58-year existence, Beetle Bailey was actually a college strip, following the antics of Beetle and his fraternity brothers; then, one day in March of 1951, Beetle spotted the two girls he was dating both heading towards him simultaneously, ducked into an Army recruiting office to escape, and has been in the military ever since as the subject of some kind of terrifying black-ops time-freezing experiment. The draft has ended and he completed his term of service decades ago, so technically he can leave whenever he wants; however, as his totally neat and keen outfit today suggests, the still twenty-year-old Beetle is completely unequipped to deal with modern collegiate life, with its Facebooks and casual sex and kids wearing flip-flops in the dead of winter for some reason. He will no doubt go crawling back to his captors at the Defense Department’s Chrono-Retardation Corps soon enough.

Crock, 1/5/09

Today’s Crock is actually a philosophical masterpiece of metanarration. Poor Figowitz’s whole purpose for existence in the world of the strip is to be an unlovable sad sack; by deciding to abandon his deepest essence and force his features into a grin, he unravels the very fabric of his universe and brings everything in it — that is, the strip Crock — to an end, plunging his world into inky nothingness. This is intriguing from a metaphysical standpoint, and heartening in that it implies that Crock will cease to exist and we won’t have to read it anymore. If we’re really lucky, the universe-collapse will also occur along the time axis, eliminating the past of the strip and our memories of ever having read it.