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Mary Worth, 8/11/15

I moved to Baltimore in 2002, and, as was the style at the time, subscribed to home delivery of the local print newspaper, which had four glorious pages of comics, including the soap opera strips, which I had never really read before. The Mary Worth storyline in progress at the time involved a cantankerous old man named Smitty Smedlap, who was in the midst of a dinner with Mary and Jeff at the Bum Boat that, I swear to God, lasted for weeks, much of which spent with him complaining that he didn’t like fish (or, as he called it, “feesh”). I found it riveting, not least because, as the dinner unspooled day after day, I wasn’t sure who, if anyone, I was supposed to like. Was this dinner unusually comically full of mutual irritation for the strip, or was everything like this? Thus, I have high hopes that this meal will go on interminably as well, with Ian increasingly desperately trying to convince his boss to move into his condo complex for the most tenuous of reasons; in this case, though, any newcomers wondering how exactly they’re supposed to understand what’s happening will be helped out by Toby’s “can you get a load of this shit” facial expression.

Dennis the Menace, 8/11/15

Dennis the Menace has definitely crossed some kind of line today by having a panel in which Dennis isn’t present and Mr. Wilson says a cranky old man thing that isn’t Dennis-related at all. Is America ready for this feature to slowly become entirely Wilson-centric, with each day’s “joke” consisting of Mr. Wilson angrily informing his wife or some unfortunately passerby that things today are bad, especially things that involve or cater to young people? I’ll bet it is!

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Mary Worth, 8/4/15

I’ve gone through a lot of fads and obsessions over the eleven (!) years I’ve been writing this blog, but Mary Worth is, and always has been, my lodestar. A quick peek at my stats shows that fully a quarter of the posts I’ve ever written discuss this strip. And you know what? It deserves all the attention. Today’s strip, in two efficient panels, encapsulates everything great about it: the overblown narration box, the crazy dutch angles in panel one as Ian pulls his hair out in consternation, and Toby’s twisted rage-face making her look like she’s planning on slitting Ian’s throat with that X-Acto knife. All this drama, of course, is turning on a relatively minor dispute, which could be resolved in one of several wholly acceptable ways — Ian could apologize and reschedule, Ian could cook something simple himself, Ian could explain his own error and ask the University Director what kind of takeout he’d like. But no, the Camerons have mutually and angrily decided to spin a terrible web of lies, in which Toby will attempt to pass off restaurant takeout food as her own, for literally no good reason at all. We can only hope this all unravels terribly and violently over dinner and Ian’s quest for academic advancement is ruined, ruined, but no matter what I am salivating to see what comes next, just as Ian probably is at the thought of takeout food.

Judge Parker, 8/4/15

Judge Parker’s joys are more subtle, but still worth savoring. Obviously when Sam’s close personal new friend (with whom he will never interact again, not once) gave him a skeet gun as a gift, it was a $20,000 Italian skeet gun. Unlike Sophie, I have no desire to Google anything about skeet gun models or their cost or nation of manufacture, so I’m just going to enjoy Sam’s rapid change of heart between panels one and two. “Hey, Sophie, this’ll be a chance for us to bond, and … wait, it cost how much? Yeah, keep your grubby hands off my high-quality, luxurious gun.”

Rex Morgan, M.D., 8/4/15

Speaking of class war, I too like my whiskey neat, and one of my go-to jokes about that is to say “in a glass” when people ask me how I like it — a joke I will now immediately stop making after seeing an addled British aristocrat say it in a soap opera comic strip. I’m pretty sure our put-upon servant is wearing gloves so that he doesn’t leave prints when he eventually throttles Avery.

Hi and Lois, 8/4/15

Having Lois’s head stick appear in front of the bottom of Dot’s word balloon is an interesting visual choice, but the fact that said word balloon covers up the house shutters makes it look like Lois is sticking her head right through that window. Anyway, I’m focusing on this minutia because I don’t want to deal with the fact that Hi and Lois’s long marriage is riddled with lies and deception.

Pluggers, 8/4/15

GOD DAMN IT PLUGGERS I’M NOT A HUGE FAN OF THE BIG BANG THEORY OR ANYTHING BUT IT’S BEEN ONE OF THE HIGHEST-RATED SHOWS ON TV FOR EIGHT YEARS. THERE’S NO WAY IT CAN BE DESCRIBED AS “THE LATEST” ANYTHING. EIGHT GODDAMN YEAAAAARRRRRSSSS

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Mary Worth, 7/31/15

Uh oh, looks like Ian’s plan to have Toby cook his boss dinner has hit its first snag: Toby has no desire to cook Ian’s boss dinner! That’s because Toby is not some young trophy wife who lounges around the condo pool gossipping with Mary all day while living off her husband’s posh academic salary; she’s an artist who Ian snatched away from the Greenwich Village scene to sterile southern California exurbia, and her creative urges still need an outlet. It appears that she’s moved away from the tiny paintings of her New York days to a new medium: tiny sculptures lovingly crafted then put on a shelf in her studio to be admired by nobody. Actually, that white lab coat makes her look more like a scientist, and she appears to be sculpting a tiny replica of Blucifer, the giant horse statue with glowing red eyes outside Denver Airport that literally killed its creator, so maybe she’s doing research on how to harness its evil powers. Better take Hilton out to dinner Ian! Better take him out to dinner … forever.

Dennis the Menace, 7/31/15

“The meaning here is that he’s literally wrecking our home, to be specific. He’s not breaking up a marriage by seducing anyone’s spouse, which is the usual meaning of the phrase. Just wanted to be really clear on that. Why would I even bring that up? He’s a child! I, uh, I really should walk this back, shouldn’t I.”

Family Circus, 7/31/15

The best part of this installment in the current “Keanes go to Disney World” sequence isn’t that Billy is being a moron; it’s that he seems to be all by himself, far from the hubbub of the main areas of the park. It’s as if his parents lured him to this out-of-the-way section, said, “Look, Billy, it says ‘PUSH’ in big letters! It’s very important that someone push it!”, and then ran away as soon as he was distracted.