Archive: Mary Worth

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Hi and Lois, 11/22/12

Happy Thanksgiving, everybody! What are you thankful for? Are you thankful that your Thanksgiving dinner isn’t some awful liberal nightmare where the lady womyn of the house forces you to sully this most American of holidays by speaking non-American languages? Such heresy! (Also, we would suggest that if we’re going down this road maybe adding Wampanoag to the list might be appropriate, but, sure, Japanese and French, whatever.)

Crankshaft, 11/22/12

Or maybe you’re thankful for the antics of your elderly relatives, who are muttering inappropriate prayers to open the holiday meal. Worried that they’re slipping into dementia? Ha ha, no, they just had to get drunk, in order to deal with all of you!

Mary Worth, 11/22/12

Personally, I’m thankful that Mary Worth hasn’t taken time off from its edge-of-your-seat plot just to bring us boring Thanksgiving messages. After all, we wouldn’t want to miss even a single day of Mary’s horribly misguided passive-aggressive meddling, would we? “Gee, Dawn, I’m sorry to hear that you don’t want to ‘help’ Jim with his sexual urges! The boy has already lost his sister and his arm, so your rejection of his advances is just one more horrible wound to his fragile psyche that he’ll just have to learn to deal with, somehow!”

Apartment 3-G, 11/22/12

While others may chose to measure Greg by the pound, Greg thinks of his own worth in terms of inches. Interpret this as you will! (I’ll be interpreting it as being about his penis.)

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Mary Worth, 11/21/12

In keeping with its overall M.O., Mary Worth is grappling with its current high drama in a weirdly blunt and concrete way that ignores underlying motivations and issues. To wit: Jim is a profoundly emotionally damaged creep who wants to be “more than friends” with Dawn because she reminds him of his dead sister (gross). He also has an irrational fear of water due to his own tragic boat-themed accident, and refuses to go to the pier because it’s “not safe” (because WHO KNOWS when some ferry is just going to stone cold slam into it, without warning?). Naturally instead of thinking, “Gosh, Jim is profoundly delusional and also creepy and controlling,” Dawn has managed to simplify this into a conflict about whether they should go down to the pier or not. If only some arbitrary compromise could be found to paper over this conflict, Dawn could live happily ever after with the guy who wants to have sex with and/or dictate every move of someone who looks just like his dead sister.

Judge Parker, 11/21/12

So it looks like this Judge Parker storyline is going to end without any chainsaw murder, but with all the newly introduced characters getting what they want — Bea a new business partner and/or boyfriend, Bubba a road out of the precarious marijuana business and into the no-risk, sure-to-succeed solar power industry, and Avery with a financial interest in both, a romantic interest in one, and a fishing hole he can go to whenever he wants to boot. But where is the lucrative financial windfall for our main characters, which is an important part of the resolution of any Judge Parker plot? At first I thought Avery’s back-cast talk was some specialized bit of movie jargon — remember, Sam and Avery’s completely conflict-free negotiations over movie rights to Judge Emeritus Parker’s book set this whole plot in motion — but no, it’s some kind of fishing thing, boring.

Shoe, 11/21/12

Longtime readers know that the patented Shoe Goggle Eyes Of Horror, in which a character reacts to a mildly corny punchline as if they’ve been told they have less than a month to live, are one of my favorite visual tropes in the strip. They’re a particularly funny overreaction when, as here, the character sporting them was the one who set up the joke in the first place. “Look, I just wanted to make a little joke about how the gender-coded cultural constructs of romance inform marketing for Mattel’s Barbie toys, and how that construct contrasts with real-world experience of monogamous, state-sanctioned relationships, but you … you took it too far!”

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Marvin, 11/15/12

Q. Why couldn’t I have been born into a one-story family?
A. Why not? You’ve been living in a one-story comic for years.

Mary Worth, 11/15/12

Q. It’s because I’m missing an arm … isn’t it?
A. No! That’s not it at all! Although I did notice when you gestured expressively at me over there in the left panel a moment ago that you were holding your drink and pointing using the same hand, and frankly it looked pretty awkward. I, on the other hand, with my two arms, count ’em yourself, one … two, can hold a drink in my right hand while gesturing expressively — like this! — with my left hand, from its convenient location at the end of this arm here! The left arm, second of two! Pretty useful, wouldn’t you say? I was wondering why you don’t do something like tha… AUGH OH MY GOD YOU HAVE ONLY ONE ARM GET AWAY FROM ME YOU HIDEOUS MAN-FREAK!

Family Circus, 11/15/12

Q. Mommy, do we know any princes?
A. We’ve been over this, Dolly — that’s where the pisketti comes from.

Spider-Man, 11/15/12

Q. What’s he up to?
A. He’s introducing Sherry to the Four Stooges.
Sorry, that was harsh — the four monkeys.

Lockhorns, 11/15/12

Scabs, again?


Oh God I am so profoundly sorry.

— Uncle Lumpy