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Dick Tracy, 6/10/18

Ha ha, I guess this is why they call him “Sawtooth”: if you try to make small talk with him during the 46-hour train ride from California to Chicago, he’ll bite your head off! Metaphorically. And maybe literally, later. 46 hours is a long time. And that’s the scheduled travel time. Those long-haul Amtrak routes often run very late. Lotta opportunities for, say, a guy with metal teeth to bite another guy’s head off, is what I’m saying. He’d have some soothing quiet then, by God. Except for all the horrified screaming, I guess.

Mary Worth, 6/10/18

Remember, Mary is of a certain age, so she uses euphemisms like “seeing someone at the Medical Arts Building” to mean psychotherapy and “exciting personal life” to mean “non-stop fuckfest with a hot rich dude her son’s age, to which I have given my blessing.”

Spider-Man, 6/10/18

Boy, there’s a lot of musing about hospital administrators padding out this comic before we get to the best: the NEXT: box that boldly uses the completely horrifying phrase “spider of flesh!” Imagine if you will a spider not covered in chitin like the ones you know, but rather just composed entirely of flesh. Just a spider-shaped flesh-chunk, no organs or anything like that, but somehow alive, and moving. Pretty awful, right? Sure would want a fist made of iron to come along and pound it into oblivion!

Rex Morgan, M.D., 6/10/18

“…with a bigger budget than most, of course. So, in other words, I’m not like a regular mom at all! I’m rich as shit!”

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Spider-Man, 6/4/18

There are of course plenty of different schools of thought on storytelling. Some people will say that every detail should point towards the eventual resolution of the narrative, and if that’s the template Newspaper Spider-Man is going for perhaps this angry cabbie will show up up at a crucial part of the climax, out for revenge. But many writers like adding little grace note details to their stories, which make the world of their tales feel more filled out and lived in, and clarify the nature of their characters, without really pertaining to the plot. I assume that’s what’s going on here as Peter Parker is berated by a cabbie as a cheapskate. While Peter himself doesn’t make much money, his wife is a successful actress and, honestly, he doesn’t even attempt to beg poverty. “Sorry. Didn’t have that much money on me,” he says casually. “I just didn’t think ahead, and now you have suffer for it. Oh well!”

Dennis the Menace and Pluggers, 6/4/18

Here we have two men in the twilight of their lives evaluating their priorities in very different ways. Mr. Wilson rejects Dennis’s extremely non-menacing nutritional advice, for a number of obvious reasons: he’s already lived a good long life, and why not enjoy the time he has left, or at least use the fleeting joy of a sugar rush to distract from the fact that what should’ve been his golden years are being spent constantly feuding with the child who lives next door? Then there’s our elderly dog-man plugger, whose house and body are in equal states of disrepair. He could try getting out the toolbox and fixing up the house — he is a plugger, after all, and that’s the sort of thing they do — but, you know, he’ll be dead soon, so why bother? The stair will outlive the knee, at least, and soon he won’t be able to walk down the steps anymore to hear the squeak. Then it’ll be somebody else’s problem.

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Spider-Man, 5/30/18

If you’re going to have entire cinematic universe of stories dedicated to superheroes whose intellectual property rights are held by a specific #brand, I think one of the things that would be good to explore is how the media covers super-combat for the benefit of their mostly non-super-powered readership. Ideally, as I’ve noted before in this space, this exploration would take the form of a Netflix series called Bugle, of which I would be the executive producer, featuring a ragtag group of underpaid twentysomething reporters and bloggers whose lives are made miserable by their overbearing skinflint boss J. Jonah Jameson (J.K. Simmons, who we can hopefully get under contract to do at least six episodes a season) who occasionally yells at them to get more pictures of the Shocker up on the Bugle’s Snapchat or whatever. The big question, of course, would be how you’d do this without Peter Parker, who’s the best known Bugle employee but whose teen MCU arc doesn’t seem like it’d intersect with life as a stringer photographer anytime soon. My solution: there’s one episode where they use some of the blurry Spidey pics he’s posted to Twitter and promise to give him “exposure” and hint that maybe they’ll start paying him somewhere down the line, but when he can’t come up with pics of any other superheroes, they stop responding to his emails. You can’t afford to specialize in just one superhero and expect to get paid! It’s the era of doing more with less, journalism-wise! Get with the program, Peter!

Mary Worth, 5/30/18

I’m a guy who like karaoke, but I’m willing to say that a big part of its appeal is the you’re all in it together, you know? Like, if Wilbur is going to belting out Luke Bryan’s oeuvre, as a reward he should get to see Toby dancing “sexily” while she breathily makes her way through Ke$ha’s “Die Young,” or a stone-faced and extremely sober rendition of “Riders of the Storm” from Ian.