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Curtis, 2/21/14

Remember when that dolphin swam into Brooklyn’s extremely polluted Gowanus Canal and then died, more than a year ago? The creators of innumerable parody Twitter accounts, along with the creators of Curtis, hope you do! Curtis has been sad about these poor trapped dolphins all week, but now Magical Caucasian Gunk will rescue them with his Flyspeck Island powers, after stripping to the waist! I’m mostly just relieved to learn that Gunk’s nipples, unlike his eyes, are configured in the usual way.

Crankshaft, 2/21/14

Speaking of half-naked people in the icy cold, it looks like Crankshaft has somehow managed to lock himself out of his house wearing only a towel and set off the burglar alarm trying to get back inside, ruining his family’s vacation in the process! Thanks to Big Government, we’re not allowed to print a drawing of Crankshaft’s exposed junk in the newspaper, but panel three uses a clever reaction shot to illustrate what an unpleasant experience it would be for you if we were.

Dennis the Menace, 2/21/14

Ha ha, it’s funny because literally nobody wants to spend any time with Dennis! Looks like the person he’s really been menacing has been … himself.

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Funky Winkerbean, 2/20/14

So hey, remember that lady from Monday’s Funky Winkerbean, who deflected a sexual advance by announcing with dead eyes that, despite the fact that she was beautiful, she was broken inside and she hated herself? Well, turns out she’s Cindy Summers, former Westview popular girl and current national news anchor and Funky’s ex-wife! The whole marriage took place during the period when I wasn’t reading the strip, but faithful reader/disturbing Twitter user name Bat Les Moore assures me that this cheery moment happened during their divorce:

HAPPY NEW YEAR EVERYBODY! Anyway, the residual effects of having been married to Funky probably explain Cindy’s self-loathing, but at least she still has her physical beauty and high-powered job to sustain her! Haha, whoops, except her boss is telling her that she’s too old to be beautiful and that they’re going to fire her, which, while this is obviously the thought process behind a lot of TV news personnel decisions, I’m pretty sure that if you just say it out loud explicitly like this you get extremely sued for age discrimination.

Anyway, not to dwell too much on this strip (haha, who am I kidding, dwelling too much on strips like this are the entire reason why this blog exists) but let’s examine today’s punchline! “It’s the digital age, Cindy … and digital shows your age.” It’s typically Winkerbeanean in that it uses low-level wordplay to let a character know that their life is changing for the worse. But does it make sense? Is TV Executive Man saying that young people, who like computers and don’t watch TV news, will watch TV news if someone young is on TV? Is he saying that Cindy has repeatedly tried and failed to operate computers, smartphones, and other digital devices on-air, further alienating the coveted young person demographic? Is he making reference to the fact that high-def broadcasts, blown up on a 60-inch screen, reveal the slight lines and imperfections on Cindy’s fortysomething visage, forcing the network to hunt after ever younger and smoother-faced anchors? Is he just being a dick, in a way that, I can’t emphasize enough, is totally, 100% legally actionable? Yes, it’s probably the last one.

Beetle Bailey, 2/20/14

Plato’s subtle shift in his third word balloon is instructive here. At first, with fanciful metaphors, he implies that Beetle can never satisfy Sarge with his work ethic. But then he shifts to an idea that, while still out of the reach of a lowly private, is at least within the realm of physical possibility. Sarge, he implies, can be bought. Now we must discover his price.

Spider-Man, 2/20/14

Oh, yeah, so: J. Jonah Jameson is inside the old Iron Man suit, has rigged it up somehow so his crazed eyes and Hitler mustache are visible through the mask, has gone mad with power, is determined to kill Spider-Man, blah blah blah. As you can see in the final panel, he’ll use the one weapon against which Spidey has no defense: crumbling masonry.

Mary Worth, 2/20/14

MARY WORTH IS INVITING TOMMY TO EAT IN HER APARTMENT REPEAT MARY WORTH US GIVING TOMMY AN OPPORTUNITY TO BE EITHER THEATRICALLY CONTRITE OR HILARIOUSLY INAPPROPRIATE ON HER TURF, THREAT LEVEL: AMAZING

Better Half, 2/20/14

Oh hey let’s check in with the Better Half, probably it won’t be an Oedipal nigtmarAAAAUUUUGGGHHH

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Dennis the Menace, 2/19/14

To the extent that anyone anywhere thinks about third-tier characters in Dennis the Menace, they probably have Gina pegged as “vaguely tomboyish but not gender-binary-threateningly non-feminine girl who Dennis finds to be an acceptable companion and maybe nascent crush object, in contrast with Margaret.” But panels like this give us a glimpse at what one must assume was her other traditional role in the strip: as a symbol of the changing face of middle-class America, a sign of the times circa 1960 when the white people of suburbia found that other, slightly different kinds of white people wanted to be their neighbors. And Dennis is on the forefront of this bold social experiment! Papists are A-OK by him! Don’t worry, Joey, this Italian cheese-butter-noodle glop may have a crazy name that ends in a vowel, but it’s pretty much the same cheese-butter-noodle glop we enjoy right here in the USA.

Barney Google and Snuffy Smith, 2/19/14

I was going to compliment this Snuffy Smith for really getting at something profound and intriguing about the nature of human memory. When I try to remember what my classmates from elementary school look like, even when I feel like I can visualize them pretty clearly, they don’t look like children in my head, and when I look at old yearbooks I’m shocked by how young everyone is. However, I think that’s probably giving the strip far too much credit, and it’s really more likely this is just an ill-fated attempt to launch a Hootin’ Holler Babies spinoff.