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Panels from Blondie, 2/6/11

These are the throwaway panels from a dumb Blondie about stores being sold out of snack food on Super Bowl Sunday, but I think on their own they constitute a pleasing vignette about two men who are grocery shopping together, and have gone a little insane. I’m sort of intrigued that, despite “corn flakes” almost certainly being a generic and untrademarkable term at this point, the artist has lovingly rendered a Kellogg’s Corn Flakes box in Dagwood’s hands, in contrast with the unidentifiable stuff around it (note that the pinkish box to the right of Herb is literally just “cereal”). I’d speculate about paid placement, but if Kellogg’s spent real money on this, any ending other than the whole neighborhood eating Corn Flakes in front of the big game and remarking on how delicious and appropriate they are would be unacceptable.

Panel from The Lockhorns, 2/6/11

You know, in real life or narrative it generally doesn’t pay to overload your metaphors; most people don’t use “straight from the horse’s mouth” to discuss situations that involve actual horses, as it just makes for confusion. That doesn’t mean we should ignore the punchline here, though, in which Loretta implies that a horse farted and/or pooped on her husband.

Gasoline Alley, 2/6/11

Ha ha, it’s funny because a dying Walt is afraid of being tortured forever by the Devil, in hell! Of course, he might not have such worries if he didn’t hold his pastor in such obvious contempt.

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Mark Trail, 2/5/11

Who says that Mark Trail compositions are clumsy and artless, mostly focusing on poorly dressed mannequins shouting at each other while disproportionately large photocopies of wildlife loom in the foreground? Well, everyone says that, really, but today’s strip is actually structured in a somewhat interesting way, with everyone gazing intently at what they most desire: Ben Smith at the precious smuggled diamonds, Mark Trail at the proof he needs to put a bad guy in jail (possibly after punching him), and Kelly at Mark himself. The fact that Kelly is disrobing as she wonders what Mark’s up to strikes me as significant.

Beetle Bailey, 2/5/11

Sarge’s body language — eyes shut, body completely stiff — seems to me indicative of total panic and mortification, but I think it’s cute that Beetle has downgraded this to “embarrassment.” I also think it’s cute that Beetle refers calls the gay porn clip they’ve downloaded a “love scene.” I leave open the question of what Sarge is referring to as “shooting.”

Gil Thorp, 2/5/11

Since Gil Thorp doesn’t run on Sundays, we’ve got quite an end-of-week cliffhanger set up here. What are Jefferson’s plans for Milford’s Number 11? More suspense might be generated if anyone anywhere knew any of the various Mudlarks’ uniform numbers.

Apartment 3-G, 2/5/11

Seeing as Trey and Margo are gazing soulfully into each other’s eyes as the car hurtles down the highway in the midst of a dense fog, perhaps Iris hasn’t so much fallen asleep as passed out from terror.

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Ahh, Friday evening — must be time for your COTW:

“Jeffy’s stoop-moping has now become one of his trademark characteristics, along with ‘pantlessness’ and ‘abject lack of charm.'” –Cooler King

And your runners up! Also hilarious!

“I believe science has demonstrated that Thel’s neck would snap like a twig under the weight of Jeffy, The Prince of Pudge. Hell, I’m surprised she can wear a hat without collapsing.” –boojum

“So, basically, here’s the way the Mary Worth plot will play out: Mary will be choking to death on a fish bone, and Jeff’s digital electronic e-Book computerized reader will contain some document that explains the Heimlich maneuver. After her life is saved by the Booktronic Computome Digibook, she’ll renounce her former dislike of machines and marry a blender.” –Kibo

Here we see four comics, all using the same limited color palette, but somehow only Mary Worth manages to be completely nauseating.” –Ethan Shuster

“I fear that the Mary-Jeff interaction is going to be held up as the model for interpersonal disagreements on the adoption of new technologies, and that we’re about to see a more dysfunctional way to be a Luddite. It’s Wilbur, so perhaps he’ll eat Dawn’s oversized smartphone in a sandwich, while moping.” –Aviatrix

“One problem is that this alleged high school [in Luann] has always only had about a dozen students, tops. Introducing an actual new student seems to be an extremely lengthy and painful process, kinda like giving birth to a Volkswagen. Quill is very lucky to exist.” –Poteet

“‘LOL! ROFL! Epic fail!’ hoots Wilbur in an attempt to connect with his ‘net-savvy’ daughter, then goes back to eating his expired cling peaches in brine.” –new_squid_in_town

“Oh no, my daughter is addicted to her smart phone! Stay calm, Wilbur. She needs you right now! Step one is to finish dinner: cramming these orange globs down my throat as fast as possible, by hand if necessary!” –Black Drazon

“If you look carefully, you’ll notice that Crock’s fort (I have no idea if it has an actual name) is flying the white flag of surrender. The French Foreign Legion has capitulated to the Tunisian revolt, and Poulet’s last act before shipping back to France is to try and find a book in French — ANY book — to keep his mind occupied on the long journey home. Sadly, all the writings of the foreigners have been burned.” –Just Some Guy

“Maybe the Crock author is ready to roll out his own home-brewed language, and is trying to first discredit our current one using shaming tactics.” –The Other One

“‘Well, Loweezy, I can think of another way you can pay those bills.’ Cue the wacka-wacka background music … or banjo music … or wacka-wacka banjo music.” –Pozzo

“Dawn’s relationship with her father may actually deepen if limited to 140 character communications. Is more really needed to discuss sandwiches and nothingness?” –VochoCinco

“How expensive could a jar of leeches possibly be?” –James

“Listen to your father, Dawn. Both as the target of a Facebook paternity fraud scam and an advice columnist who answers anonymous letters while pretending to be a lady, Wilbur know a thing or two about connecting with real people.” –Violet

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