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Barney Google and Snuffy Smith, 8/20/21

The residents Hootin’ Holler were vaguely aware that some catastrophe had caused the collapse of the flatlanders’ Newnited States government, but in truth they had been isolated so long that it made little difference when they were cut off from the outside world altogether. But the older folks did have some poignant and unsettling moments, like when they realized that their entertainers were now doing performances based on their vague memory of an earlier generation of entertainers who were in turn imitating someone else who had been forgotten entirely.

Crankshaft, 8/20/21

As if living in a city devastated by war weren’t bad enough, imagine how awful it must feel to pick through the shattered ruins of your home, looking for prized possessions or maybe your even your loved ones, and knowing that somewhere, thousands of miles away, Crankshaft is doing wordplay about it.

Rex Morgan, M.D., 8/20/21

“Oh yeah. I’m going to have to invite Buck, aren’t I? I can’t even remember if he and I have ever met in this strip, but this is a Rex Morgan plot so I guess I have to pretend I find him tolerable or interesting.”

Mary Worth, 8/20/21

YES LIBBY

RISE UP

KILL

KILL

DESTROY

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Rex Morgan, M.D., 8/5/21

It is truly amazing the way this strip has retconned its Sarah storyline from 2014, in which she made a lucrative book deal with the art museum, in the course of which she did a public event at which another kid was briefly mean to her but mere seconds later she rallied an army of the oppressed to turn the tables on her attackers, and also in an unrelated turn of events befriended a mob boss and acquired a brutal gangland enforcer as her babysitter’s chauffeur. At the time, Sarah seemed to be having a blast, but apparently the syndicate got an angry letter about the impact all this might have on a real child, because now it’s something that Rex and June talk about in hushed tones as the worst thing that ever happened to their daughter, worse than the time she got hit by a car, which erased year of her memory. Anyway, thank goodness we’re recapitulating this now and learning how a child can become a big creative success “the right way”: anonymously, after sending unsolicited fan fiction to their favorite author.

Shoe, 8/5/21

Not sure why, but for the many years I’ve been reading Shoe I’ve always assumed Roz’s was primarily a lunch spot? But the characters seem to be hanging out there more and more after hours, and this is clearly an end-of-the-day gripe session the Perfesser is having. Say, what do you think Skyler, the Perfesser’s nephew and ward, is doing at home while the Perfesser eats dinner after work by himself? What is he, like … ten, eleven? Does he know how to cook, do you think?

Barney Google and Snuffy Smith, 8/5/21

Snuffy Smith is the only comic in which I will accept a joke about how someone swapped two different kinds of bells as a prank and then everyone has a good hearty chuckle over it. Bells are Hootin’ Holler’s only source of artificial noise of any kind, so of course the inhabitants are going to be able to distinguish the subtle differences between the various types!

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The Lockhorns, 7/31/21

A fascinating thing about longstanding legacy comics is that many of their running jokes are built on cliches pulled from the broader culture at large, and then they keep on using those cliches for decades, even as they completely lose all real-world relevance. For instance, The Lockhorns posits a world where opera still holds a place in the cultural sphere that leads downwardly mobile middle-class suburbanites like Leroy and Loretta to occasionally attend, even if enjoyment of the form is strongly gendered for joke purposes. Maybe this was true in 1968 when this strip debuted, or maybe adults in 1968 had memories that this was true for their parents’ generation, but I would strongly disagree with anyone claiming this is true in the year 2021. Opera today is very niche, and I think its shrinking modern audience is probably a fairly specific slice of intellectual urbanites, and older ones at that, whereas Leroy and Loretta are are somewhere in the 30-50 range (that’s right, folks: with each passing day, Leroy and Loretta are more and more likely to be millennials).

Now, you could probably do a more realistic version of these jokes with “the philharmonic” rather than opera, but, you know what? The Lockhorns has been doing opera jokes for more than 50 years and it’s not going to stop now just because “no real-life version of Leroy or Loretta today would ever be caught dead at the opera” or whatever! And they’re not going to dumb it down for you, either! Did you know that Nabucco was a Verdi opera? I definitely did not! I definitely had to look it up! Is there any other way you would know that it’s opera specifically that Leroy is griping about in this panel, if you didn’t know that off the top of your head? Not as near as I can tell! They could’ve thrown us a bone and used Aida or The Ring Cycle or something ore obvious, but no, if you’re not intellectual enough to “get” this Lockhorns panel or do the research to bring yourself up to speed, then that’s your problem, friend.

Barney Google and Snuffy Smith, 7/31/21

“Ha ha! Overswept! But seriously, a child under our care has collapsed into exhausted unconsciousness because she’s done too much manual labor. That seems … not great?”

Beetle Bailey, 7/31/21

Sadly, that night an enemy unit was able to ambush the sleeping soldiers of Camp Swampy, killing most and capturing the rest. RIP Beetle Bailey, 1950-2021.