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Better Half, 3/25/13

Hello, and welcome to this journey I’m on, which is called “Josh learns that the Better Half is so, so much more harrowing than the Lockhorns will ever be.” Remember: Leroy doesn’t mind when Loretta criticizes him because he’s a loveless shell of a man who can’t feel emotions anymore. Stanley doesn’t mind when Harriet criticizes him because he desperately craves her attention, and he may not know how to fix the sad dysfunction that his marriage has become, but he at least knows that if he screws up Harriet will acknowledge his existence, and maybe even make eye contact with him and oh my God I’m crying right now pretty much.

Mark Trail, 3/25/13

There was a minute where I thought this was one of those things where the antagonist and protagonist have a stand-off and they both know a secret and they each know the other knows, but everyone pretends not to know, to heighten dramatic tension. Then I remembered that Mark and Rod Bassy were both extremely dumb and also Mark Trail doesn’t really do dramatic tension, so I guess Rod thinks he’s being pretty slick here. Remember, Rod thinks that blurting out “Are you saying that I’m doing something illegal” with no provocation is “slick,” so it makes sense that his instinct is to totally downplay a child being missing for … hours? days? Who even knows at this point. You know, kids today, so lazy that they just wander off away from their families, just going somewhere to be lazy and also have no way of acquiring food and shelter, amiright?

Herb and Jamaal, 3/25/13

By the way, Kopi Luwak is so expensive and famous because it’s been pooped out by civets. So I guess kudos to Herb and Jamaal for not going for the poop joke, though also I guess this joke isn’t very funny, so, I dunno, maybe we should’ve tried out a poop joke and seen how it went.

Spider-Man, 3/25/13

“I mean, how could a lawyer help defeat a villain with no superpowers who runs a large criminal organization? It makes no sense!”

Crankshaft, 3/25/13

Haha, that Crankshaft, he sure literally sucks the joy out of the life of everyone he knows!

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Mary Worth, 3/21/13

Let me tell you a story about one of the origins of this blog. One day in 2002, I moved to Baltimore, and as was the style at the time, I subscribed to the print version of the local newspaper, the Baltimore Sun. In 2002 the Sun had four glorious pages of comics, among which were all the continuity strips that are my current mainstays. Mary Worth was in the midst of a storyline about balding crank Smitty Smedlap, who hated fish (or, as he called it, “feesh”) and didn’t care who knew it. When I first tuned in October of 2002, he was eating with Mary (and maybe some other people?) at the Bum Boat and complaining about its feesh-based menu. This went on for weeks. Everyone else just sat around uncomfortably, letting him rant. Was it supposed to be awkward? Were the strip writers aware of how socially aggravating Smitty was? I couldn’t tell, and I was riveted. Thus, whenever we hit an awkward meal in Mary Worth, I’m full of nostalgia and my love for the strip — for the whole genre — is renewed.

I’m particularly enjoying Mary and Tom’s facial expressions as they sit and watch the fun. Mary seems to be keeping her face deliberately neutral — she abhors conflict, of course, but she also enjoys the quick access to backstory this argument is giving her. Tom, meanwhile, looks increasingly agitated that he’ll be found out at as man who divorced his wife and subsequently torn limb from limb by the Kinleys, who will be relieved to at last have a common enemy.

Crankshaft, 3/21/13

“Coming up next on Channel 12 Action News: Hated local creep Ed Crankshaft has immobilized himself in an unprotected public space! 12 On Your Side reporter Harv Postman will give you information on angry mob staging points, where pitchforks and torches will be available, after these messages.”

Spider-Man, 3/21/13

Really, if every Spider-Man plot were about Spider-Man meeting other, cooler superheroes and being humiliated by how much better their powers were than his, I would be a happy guy.

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Momma, 2/21/13

It’s funny because Momma is down to her last five bucks and her son is a thief.

Funky Winkerbean, 2/21/13

Many, many comic strips have terrible dialogue, but the dialogue in Funky Winkerbean and sister strip Crankshaft is terrible in its own unique way — not from lack of craft or attention (Hi, Crock!), but its very opposite. Stare at a simple line like “How’s your room?” long enough and you’ll start to ask yourself if readers will remember the characters are traveling, or maybe think the question is whether they have enough room, say, to swing their arms or something? Then it’s down the rabbit-hole: “How’s your hotel room?” could be any hotel, so let’s go with “How’s your room in the hotel” to make it clear this Esteemed Figure is staying at the main convention hotel and not some off-strip dive, then plaster “Music Educ Asso  t” on the wall for good measure. Despite all that work — no, because of it — you wind up with overwrought phrases that seem unambiguous, but which no actual human would ever utter: “solo car date”, “dead man’s singles”, or “space heater in the basement” (for “water heater”).

More fundamental is the Quip Fail at the heart of this strip. Hotel ratings use stars, not letters, so “B-flat hotel” makes no sense even coming from a band leader Music Educator. My guess is that the joke started out star-related — maybe Sousa’s The Stars and Stripes Forever? — and then got reworked into its present form. But if “B-flat hotel” is really your punchline, own it, don’t bury it in these wads of bumf. Put it at the end, where punchlines go: “I won’t be staying there much, so I don’t mind a B-flat hotel.” And spare us Beardo’s in-strip affirmation of your character’s dubious wit. Exactly.

Wizard of Id, 2/21/13

It’s funny because it’s not golf.

Crankshaft, 2/21/13

Got that? A joke. Now laugh, God damn you!

— Uncle Lumpy